documents textuels, photographies
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
1963-2015
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
documents textuels, photographies
1963-2015
ARCH240856
Description:
The Status of the Individual. Participants: Jacques Derrida, Kojin Karatani, Roberto Unger
1991-05-10
Video recording from Anyone Conference tape 2
Actions:
ARCH240856
Description:
The Status of the Individual. Participants: Jacques Derrida, Kojin Karatani, Roberto Unger
1991-05-10
dessins, documents textuels, photographies
Quantité:
5 file(s)
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
circa 1919-1920
Material from Wassili Luckhardt and Hans Luckhardt mostly for Die gläserne Kette
Actions:
DR1988:0019:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes three letters, a page from a letter with drawings for a concert hall, and a photograph of a model of the same concert hall. The letters and photograph were accessioned as received in a beige folder.
dessins, documents textuels, photographies
Quantité:
5 file(s)
circa 1919-1920
Série(s)
Hans and Wassili Luckhardt
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
1919-1920
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
series
1919-1920
dessins, documents textuels
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
1919-1920
Material from Bruno Taut mostly for Die gläserne Kette
Actions:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
dessins, documents textuels
1919-1920
dessins, documents textuels
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
circa 1919-1920
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
dessins, documents textuels
circa 1919-1920
documents textuels
AP197.S2.002
Description:
The first half of the box contains research materials which are organized alphabetically, by the authors last names, from S-Z. The writings from the following authors are included in this box: Ignacio de Sola-Morales and O.M Ungers. The second half of the box consists of 20th century critical essays written by students, organized alpabetically, by the authors last names, from A-L. These essays were written by students from Kenneth Frampton's seminars at Princeton University and Columbia University's Graduate School of Architecture, Preservation and Planning (GSAPP).
circa 1970-1991
Research files on various subjects that relate to 20th century criticism written by others (S-Z) and research files on various subjects that relate to 20th century criticism written by students (A-L)
Actions:
AP197.S2.002
Description:
The first half of the box contains research materials which are organized alphabetically, by the authors last names, from S-Z. The writings from the following authors are included in this box: Ignacio de Sola-Morales and O.M Ungers. The second half of the box consists of 20th century critical essays written by students, organized alpabetically, by the authors last names, from A-L. These essays were written by students from Kenneth Frampton's seminars at Princeton University and Columbia University's Graduate School of Architecture, Preservation and Planning (GSAPP).
documents textuels
circa 1970-1991
ARCH240855
Description:
Opening Remarks. Participants: Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson, Jeff Kipnis, Kojin Karatani, Roberto Unger, Jacques Derrida
1991-05-25
Video recording from Anyone Conference tape 1
Actions:
ARCH240855
Description:
Opening Remarks. Participants: Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson, Jeff Kipnis, Kojin Karatani, Roberto Unger, Jacques Derrida
1991-05-25
documents textuels
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
circa 1962-2016
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
documents textuels
circa 1962-2016
documents textuels
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
circa 1967-2015
Kenneth Frampton texts, articles and notes MO-Z
Actions:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
documents textuels
circa 1967-2015