14847 Résultats
Classification:
articles
articles
Actions:
Ikem Stanley Okoye redéfinit les origines du modernisme africain
Titre:
Où n’y avait-il pas de modernisme?
Ikem Stanley Okoye redéfinit les origines du modernisme africain
Actions:
Où n’y avait-il pas de modernisme?
Ikem Stanley Okoye redéfinit les origines du modernisme africain
Actions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Education
Education
Numéro de référence:
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Personnes et institutions:
Date:
[1776?]-1868
[1776?]-1868
Titre:
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Niveau de description archivistique:
File 1
File 1
Date:
[1776?]-1868
[1776?]-1868
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Pierre Dionne
Fonds Pierre Dionne
Numéro de référence:
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Personnes et institutions:
Date:
1948-1976
1948-1976
Titre:
Fonds Pierre Dionne
Actions:
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Fonds Pierre Dionne
Actions:
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1948-1976
1948-1976
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.015
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.016, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "New Trends in India Architecture," 1972 "Trends in Modern Architecture," 1974 Untitled poems, 1975 "Architecture: The Total Man" "Some thoughts on Architecture," 1974 "Thoughts on Interior Design," 1974 Paper in Hindi "Vibration"
AP206.S2.015
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.016, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "New Trends in India Architecture," 1972 "Trends in Modern Architecture," 1974 Untitled poems, 1975 "Architecture: The Total Man" "Some thoughts on Architecture," 1974 "Thoughts on Interior Design," 1974 Paper in Hindi "Vibration"
Personnes et institutions:
Date:
1968-1979
1968-1979
Titre:
Published and unpublished papers (folder 2 of 5)
Actions:
AP206.S2.015
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.016, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "New Trends in India Architecture," 1972 "Trends in Modern Architecture," 1974 Untitled poems, 1975 "Architecture: The Total Man" "Some thoughts on Architecture," 1974 "Thoughts on Interior Design," 1974 Paper in Hindi "Vibration"
Published and unpublished papers (folder 2 of 5)
Actions:
AP206.S2.015
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.016, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "New Trends in India Architecture," 1972 "Trends in Modern Architecture," 1974 Untitled poems, 1975 "Architecture: The Total Man" "Some thoughts on Architecture," 1974 "Thoughts on Interior Design," 1974 Paper in Hindi "Vibration"
Classification:
documents textuels
documents textuels
Date:
1968-1979
1968-1979
Personnes et institutions:
Classification:
documents textuels
Quantité:
16 textual record(s)
documents textuels
Quantité:
16 textual record(s)
Numéro de référence:
ARCH267532
Description:
Photocopies of various personal documents, including an identity card issued to Pierre Jeanneret (1963), numerous pages from the architects' Swiss and French passports (1937-1963), a certificate of employment issued by the "Ministère de l'Armement" (1940), movement cards ("carte de circulation") and authorisations to carry weapons issued to Pierre Jeanneret during World War II by the "Bureau Militaire de Circulation" and the "Forces Françaises de l'Intérieur" (1939-1945), and a movement card issued to André Masson by the "Détachement Armée des Alpes (1945). Also contains a copy of the agenda for CIAM2, the second International Congress of Modern Architecture ("Congrès International d'Architecture Moderne"), which reveals Pierre Jeanneret's participation in the Congress.
ARCH267532
Description:
Photocopies of various personal documents, including an identity card issued to Pierre Jeanneret (1963), numerous pages from the architects' Swiss and French passports (1937-1963), a certificate of employment issued by the "Ministère de l'Armement" (1940), movement cards ("carte de circulation") and authorisations to carry weapons issued to Pierre Jeanneret during World War II by the "Bureau Militaire de Circulation" and the "Forces Françaises de l'Intérieur" (1939-1945), and a movement card issued to André Masson by the "Détachement Armée des Alpes (1945). Also contains a copy of the agenda for CIAM2, the second International Congress of Modern Architecture ("Congrès International d'Architecture Moderne"), which reveals Pierre Jeanneret's participation in the Congress.
Personnes et institutions:
Titre:
Photocopies of various personal documents
Actions:
ARCH267532
Description:
Photocopies of various personal documents, including an identity card issued to Pierre Jeanneret (1963), numerous pages from the architects' Swiss and French passports (1937-1963), a certificate of employment issued by the "Ministère de l'Armement" (1940), movement cards ("carte de circulation") and authorisations to carry weapons issued to Pierre Jeanneret during World War II by the "Bureau Militaire de Circulation" and the "Forces Françaises de l'Intérieur" (1939-1945), and a movement card issued to André Masson by the "Détachement Armée des Alpes (1945). Also contains a copy of the agenda for CIAM2, the second International Congress of Modern Architecture ("Congrès International d'Architecture Moderne"), which reveals Pierre Jeanneret's participation in the Congress.
Photocopies of various personal documents
Actions:
ARCH267532
Description:
Photocopies of various personal documents, including an identity card issued to Pierre Jeanneret (1963), numerous pages from the architects' Swiss and French passports (1937-1963), a certificate of employment issued by the "Ministère de l'Armement" (1940), movement cards ("carte de circulation") and authorisations to carry weapons issued to Pierre Jeanneret during World War II by the "Bureau Militaire de Circulation" and the "Forces Françaises de l'Intérieur" (1939-1945), and a movement card issued to André Masson by the "Détachement Armée des Alpes (1945). Also contains a copy of the agenda for CIAM2, the second International Congress of Modern Architecture ("Congrès International d'Architecture Moderne"), which reveals Pierre Jeanneret's participation in the Congress.
Classification:
documents textuels
Quantité:
16 textual record(s)
documents textuels
Quantité:
16 textual record(s)
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP022.S6
Description:
Series documents Arthur Erickson's student projects from McGill University School of Architecture, Montreal, Quebec. The records include his thesis project of an Arts Centre for Vancouver (1950), handwritten course and reading notes from the History of Modern Architecture and other seminars, and his sessional report of standing. Series contains drawings, photographs and textual records.
AP022.S6
Description:
Series documents Arthur Erickson's student projects from McGill University School of Architecture, Montreal, Quebec. The records include his thesis project of an Arts Centre for Vancouver (1950), handwritten course and reading notes from the History of Modern Architecture and other seminars, and his sessional report of standing. Series contains drawings, photographs and textual records.
Personnes et institutions:
Date:
1947-1950
1947-1950
Titre:
Student projects and drawings
Actions:
AP022.S6
Description:
Series documents Arthur Erickson's student projects from McGill University School of Architecture, Montreal, Quebec. The records include his thesis project of an Arts Centre for Vancouver (1950), handwritten course and reading notes from the History of Modern Architecture and other seminars, and his sessional report of standing. Series contains drawings, photographs and textual records.
Student projects and drawings
Actions:
AP022.S6
Description:
Series documents Arthur Erickson's student projects from McGill University School of Architecture, Montreal, Quebec. The records include his thesis project of an Arts Centre for Vancouver (1950), handwritten course and reading notes from the History of Modern Architecture and other seminars, and his sessional report of standing. Series contains drawings, photographs and textual records.
Niveau de description archivistique:
Series
Series
Date:
1947-1950
1947-1950
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
22 juin 2017, 18h
22 juin 2017, 18h
Titre:
Séminaire de chercheur en résidence : Adam Morton
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Séminaire de chercheur en résidence : Adam Morton
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Classification:
événements
événements
Date:
22 juin 2017
18h
22 juin 2017
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
dessins
Quantité:
3 portfolio(s)
dessins
Quantité:
3 portfolio(s)
Actions:
Numéro de référence:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Personnes et institutions:
Sujet:
architecture, design d'intérieur, peinture, sculpture
architecture, design d'intérieur, peinture, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Titre:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Classification:
dessins
Quantité:
3 portfolio(s)
dessins
Quantité:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
Personnes et institutions:
Sujet:
architecture, design d'intérieur, peinture, sculpture
architecture, design d'intérieur, peinture, sculpture
Classification:
photographies
Quantité:
15 photograph(s)
photographies
Quantité:
15 photograph(s)
Numéro de référence:
PH2014:0004
Description:
Group consists of a box, handpainted by the artist, containing 15 colour photographic prints of modern urban planning and architecture in Casablanca, Morocco.
PH2014:0004
Description:
Group consists of a box, handpainted by the artist, containing 15 colour photographic prints of modern urban planning and architecture in Casablanca, Morocco.
Personnes et institutions:
Date:
August 2013
August 2013
Titre:
Box for Reprendre Casa, Carrieres Centrales, Casablanca
Actions:
PH2014:0004
Description:
Group consists of a box, handpainted by the artist, containing 15 colour photographic prints of modern urban planning and architecture in Casablanca, Morocco.
Box for Reprendre Casa, Carrieres Centrales, Casablanca
Actions:
PH2014:0004
Description:
Group consists of a box, handpainted by the artist, containing 15 colour photographic prints of modern urban planning and architecture in Casablanca, Morocco.
Classification:
photographies
Quantité:
15 photograph(s)
photographies
Quantité:
15 photograph(s)
Date:
August 2013
August 2013
Personnes et institutions:
