documents textuels
ARCH253961
Description:
booklet: Carré Beaver Hall Square Repris/Reclaimed, clippings, correspondence
1971-1974
Beaver Hall Square reclaimed 1973
Actions:
ARCH253961
Description:
booklet: Carré Beaver Hall Square Repris/Reclaimed, clippings, correspondence
documents textuels
1971-1974
documents textuels
Cheques VGA Ltd. 1973-1974
ARCH254337
1973-1974
documents textuels
1973-1974
documents textuels
Cheques VGA Ltd. 1973-1974
ARCH254338
1973-1974
documents textuels
1973-1974
documents textuels
ARCH254349
1973-1975
documents textuels
1973-1975
documents textuels
ARCH254377
1973
documents textuels
1973
Projet
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
circa 1972-2015
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Project
circa 1972-2015
né numérique, photographies
AP207.S1.1973.PR03.004
Description:
Most common file formats: JPEG File Interchange Format, Tagged Image File Format, Microsoft Word for Windows
2009 - 2017
Photographs of the installation in 1973 and 2017, and project descriptions, Spazio Vuoto Riservato A Gianni Pettena
Actions:
AP207.S1.1973.PR03.004
Description:
Most common file formats: JPEG File Interchange Format, Tagged Image File Format, Microsoft Word for Windows
né numérique, photographies
2009 - 2017
Projet
AP148.S1.1971.PR04
Description:
Project series documents Poli's design for a Cone table, also called "Mizar" table, which was produced for Superstudio by Crystal Art in 1973. Poli dates this project as being from 1971-1973, however, some drawings appear to be dated 1979. Material in this series features mainly sketches and drawings, many brightly coloured, some done in blue ink, and one large drawing in white on black cardstock. Not all notations appear to be in Poli's hand. One drawing also features an image (which appears to be a cut-out). The series also includes a model or prototype of the table design in glass and ceramic. A sketchbook with drawings related to this project has been catalogued with material from the Lamp for Flos project (see project AP148.S1.1971.PR02) - Poli notes that 48 pages of this red sketchbook feature drawings related to the Cone table project.
1970-1979
Cone table design project (1971-1973)
Actions:
AP148.S1.1971.PR04
Description:
Project series documents Poli's design for a Cone table, also called "Mizar" table, which was produced for Superstudio by Crystal Art in 1973. Poli dates this project as being from 1971-1973, however, some drawings appear to be dated 1979. Material in this series features mainly sketches and drawings, many brightly coloured, some done in blue ink, and one large drawing in white on black cardstock. Not all notations appear to be in Poli's hand. One drawing also features an image (which appears to be a cut-out). The series also includes a model or prototype of the table design in glass and ceramic. A sketchbook with drawings related to this project has been catalogued with material from the Lamp for Flos project (see project AP148.S1.1971.PR02) - Poli notes that 48 pages of this red sketchbook feature drawings related to the Cone table project.
Project
1970-1979
Sous-série
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
circa 1970-2015
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Subseries
circa 1970-2015
documents textuels
AP207.S5.007
Description:
Contains press clippings on Gianni Pettena and his projects, correspondence, transcriptions of interviews and lectures, and a copy of Pettena's curriculum vitae. First binder of two.
1972-1973
Binder of professional papers, 1972-1973
Actions:
AP207.S5.007
Description:
Contains press clippings on Gianni Pettena and his projects, correspondence, transcriptions of interviews and lectures, and a copy of Pettena's curriculum vitae. First binder of two.
documents textuels
1972-1973