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Built in Tokyo in 1961, the Umbrella House is the smallest residential home created by Japanese architect and mathematician Kazuo Shinohara. More than 60 years later, a stroke of good fortune made it possible to save the Umbrella House from demolition and move it to a new location, where it now stands on the Vitra Campus in Weil am Rhein, Germany. The wooden house’s(...)
Architecture, monographies
février 2023
Kazuo Shinohara: The Umbrella House Project
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Built in Tokyo in 1961, the Umbrella House is the smallest residential home created by Japanese architect and mathematician Kazuo Shinohara. More than 60 years later, a stroke of good fortune made it possible to save the Umbrella House from demolition and move it to a new location, where it now stands on the Vitra Campus in Weil am Rhein, Germany. The wooden house’s post-and-beam construction references traditional Japanese domestic and temple architecture. Experts from Japan and Europe supervised the dismantling of the house in Tokyo and its reassembly in Weil am Rhein. This concise volume traces the long journey of the Umbrella House, in illustrations including impressions from 1960s Japan, architectural designs and plans, and photographs documenting its dismantling and reassembly at its new location. Texts by Ryue Nishizawa (SANAA), Shin-ichi Okuyama and David B. Stewart discuss the Umbrella House against the background of Japanese architectural discourse between 1960 and the present.
Architecture, monographies
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where(...)
Architecture écologique
septembre 2023
Reconstructing the future: Cities as carbon sinks
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where socioeconomic and ecological systems form a mutually supportive network of networks; and where past, present, and future are perceived as interwoven waves in the river of time. Fortunately, opportunities exist to transform the built environment from a carbon source to a carbon sink through, e.g. timber construction high-rise buildings, circular bioeconomy methods, AI-assisted design, smart recycling technology, multifunctional land use, integrated regional resource management, and community-based urban development, to name just a few. This volume compiles the papers presented by world-renowned scientists, architects, spatial planners, activists, and policy makers at the Reconstructing the Future for People and Planet conference, held at the Vatican in June 2022.
Architecture écologique
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Disapproved of by the critics and extremely nonconformist, Carlo Mollino expressed himself through his architectural designs, his furniture and interiors, in a language assimilated from futurism and surrealism. The influence of architects ranging from Gaudí to Mendelsohn, from Aalto to Le Corbusier, can be seen in his highly individual designs. Projects such as the(...)
Carlo Mollino : architecture as autobiography
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Disapproved of by the critics and extremely nonconformist, Carlo Mollino expressed himself through his architectural designs, his furniture and interiors, in a language assimilated from futurism and surrealism. The influence of architects ranging from Gaudí to Mendelsohn, from Aalto to Le Corbusier, can be seen in his highly individual designs. Projects such as the sledge-lift station at Lago Nero, the Teatro Regio in Turin and the Lutrario ballroom demonstrated his exceptional powers of imagination. The interaction between Mollino’s professional activities and his many interests, which included aeronautics, downhill racing, set design and eroticism. With the demolition of his massive masterpiece, the Ippica in Turin, and the destruction of his most prestigious interiors, all that remains today of Mollino’s work is his furniture. Drawing on rare photographs and documents, this important monograph reconstructs Mollino’s work through more than eighty interiors and pieces of furniture spanning his career, pieces built with such bravura that they often resemble sculpture more than works of industrial design.
Architecture, monographies
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970(...)
Kisho Kurokawa: Nakagin Capsule Tower. MoMA one on one series
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970 and 1972. Each capsule was intended for single occupancy and came outfitted with its own ensuite bathroom, a foldout desk, a telephone, a reel-to-reel tape player, a Sony color television and a "porthole" window overlooking the city. In this volume of the MoMA ''One on One'' series, curator Evangelos Kotsioris delves into the groundbreaking design, construction, evolution and ultimate need for the demolition of this remarkable structure in 2022. It is published in advance of MoMA's exhibition of one of the original capsules, the first to be publicly shown in the United States.
Architecture, monographies
Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates(...)
Brutalism
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In ''Brutalism'', eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
Social
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
Monographies photo
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For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick(...)
Architecture, monographies
octobre 2021
Reconstructing the Garrick: Adler & Sullivan's lost masterpiece
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For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. ''Reconstructing the Garrick'' documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.
Architecture, monographies
The Maze : Donovan Wylie
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Between 2002 and 2003 Donovan Wylie spent almost a hundred days photographing inside the Maze prison. Through its history of protests, hunger strikes and escapes, this prison, holding both republican and loyalist prisoners, became synonymous with the Northern Ireland conflict. After the Belfast peace agreement in 1998, inmates were gradually released, but the Maze(...)
The Maze : Donovan Wylie
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Between 2002 and 2003 Donovan Wylie spent almost a hundred days photographing inside the Maze prison. Through its history of protests, hunger strikes and escapes, this prison, holding both republican and loyalist prisoners, became synonymous with the Northern Ireland conflict. After the Belfast peace agreement in 1998, inmates were gradually released, but the Maze remained open. Wylie was the only photographer granted official and unlimited access to the site when the demolition of the prison began, symbolizing the end of the conflict in 2007. He systematically recorded its demise. The photographs which document this period are divided into four sections, each depicting a “layer” of the prison: the internal walls, the various modes of fencing, the H-blocks and, finally, the perimeter walls, which reveal the external landscape. First published in 2004 to critical acclaim, this new edition of Maze comes in three volumes: Maze 2002/03, Maze 2007/08, and a small volume including the essay The Architecture of Containment.
Monographies photo
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North(...)
Resisting eviction: Domicide and the financialization of rental housing
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North America’s most liveable mid-sized city'' while large-scale, demolition-driven evictions displace hundreds of people and destroy a community? Troubling discourses of urban liveability, revitalization and improvement, Crosby examines the deliberate destruction of home—domicide—and tenant resistance in the Heron Gate neighbourhood in Ottawa, on unceded Algonquin land. Heron Gate is a large rental neighbourhood owned by one multi-billion-dollar real estate investment firm. Around 800 people—predominantly lower-income, racialized households—have been demovicted and displaced from the neighbourhood since 2016, leading to the emergence of the Herongate Tenant Coalition to fight the evictions and confront the landlord-developer. This case study is meticulously documented through political activist ethnography, making this book a brilliant example of ethical engagement and methodological integrity.
L'humain et la ville
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
octobre 2001
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.