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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
septembre 2019
Moscow: a guide to Soviet modernist architecture 1955-1991
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
Ruskin on Venice
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Venice represented John Ruskin’s ideal of civic society—“The Paradise of Cities,” where culture, government, and faith existed in creative harmony. Robert Hewison traces Ruskin’s long and intricate relationship with the city. He shows how Ruskin shed his earlier Romantic vision of the city and developed a harder, clearer conception of neglected Gothic Venice through an(...)
Ruskin on Venice
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Venice represented John Ruskin’s ideal of civic society—“The Paradise of Cities,” where culture, government, and faith existed in creative harmony. Robert Hewison traces Ruskin’s long and intricate relationship with the city. He shows how Ruskin shed his earlier Romantic vision of the city and developed a harder, clearer conception of neglected Gothic Venice through an intense study of the city's physical fabric that would change the international understanding of the city. Drawing on the rich resources of Ruskin’s drawings, architectural notebooks, and manuscripts, Hewison offers insights into both Ruskin and nineteenth-century Venice and reveals how Ruskin’s work and his connection with the city from youth to old age have helped to shape the image of the Venice we know today.
Théorie de l’architecture
Can: pop music
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Brian Eno, Johnny Rotten, The Orb, U2, Red Hot Chili Peppers, Sonic Youth, Radiohead ou encore Primal Scream ont puisé leur inspiration dans la musique de ce groupe novateur qui a su créer son propre univers sonore. Chacun des membres du groupe amène une personnalité très riche mêlant rock psychédélique, soul, avant-garde et rythmes du monde. La composition instantanée(...)
Can: pop music
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Brian Eno, Johnny Rotten, The Orb, U2, Red Hot Chili Peppers, Sonic Youth, Radiohead ou encore Primal Scream ont puisé leur inspiration dans la musique de ce groupe novateur qui a su créer son propre univers sonore. Chacun des membres du groupe amène une personnalité très riche mêlant rock psychédélique, soul, avant-garde et rythmes du monde. La composition instantanée permet à chacun des musiciens d’amener sa signature musicale à ce son si particulier qu’ils obtiennent par leur maîtrise des techniques de studio. Esthète d’art-rock, Éric Deshayes analyse la discographie de Can, son parcours sur les scènes d’Europe et son impact dans le monde de la musique. Il replace ainsi dans leur contexte d’enregistrement les albums cultes d’un des groupes essentiels de la scène krautrock.
Acoustique
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"Zerox machine" is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and(...)
Xerox machine: Punk, post-punk and Fanzines in Britain, 1976-1988
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"Zerox machine" is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and anxieties that shaped a generation. Far more than a showcase of covers, Zerox Machine examines the fanzines themselves, offering a rich tapestry of firsthand accounts, personal stories, and subcultural reflections. With meticulous research and insightful analysis, this book captures the spirit and essence of British youth culture, shedding new light on a pivotal movement in music history and offering a unique alternative history of Britain in the 1970s and ’80s.
Arts graphiques imprimés
Georgina Masson 1912-1980
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Georgina Masson is the literary pseudonym of Marion Johnson (1912-1980). An English citizen, Johnson was born in the Far East and lived and traveled in her youth throughout Africa, Europe and Asia. She settled in Rome in the early 1940s and remained in Italy until her return to England in 1978. A photographer and historian of architecture from ancient Rome to medieval(...)
Monographies photo
août 2003, Milano
Georgina Masson 1912-1980
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Georgina Masson is the literary pseudonym of Marion Johnson (1912-1980). An English citizen, Johnson was born in the Far East and lived and traveled in her youth throughout Africa, Europe and Asia. She settled in Rome in the early 1940s and remained in Italy until her return to England in 1978. A photographer and historian of architecture from ancient Rome to medieval Sicily, Masson was a profound and passionate connoisseur of Rome. In Rome, she assiduously frequented the American Academy, to which she bequeathed her legacy of a lifetime of negatives. A veritable treasure trove, the photographs stem from the 1950s through the 70s--a selection of them is reproduced here. With essays by Milton Gendel, Marella Caracciolo, Elizabeth Minchilli and Carolina Vincenti.
Monographies photo
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
septembre 2012
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
Mosca 1962
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city,(...)
Mosca 1962
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city, exploring it from top to bottom. With a curiosity for everything, he was struck by the immense size of the capital, by its new neighbourhoods, by the signs of communism and its history, by the omnipresence of the military, but also by the relaxed outlook of the youth, the department stores, the Russians' carefree relationship with nature, the innocence of the children and the widespread love of chess.
Monographies photo
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At the heart of this publication is Atelier Kempe Thill's quest to find prototypes for a global society. How can buildings be made neutral and flexible as well as specific? It features realized work such as the Light Building (a travelling museum pavilion) and row houses in Roosendaal (NL) alongside recent plans including those for a youth hostel in the former Nazi resort(...)
Architecture, monographies
octobre 2005, Rotterdam
Atelier Kempe Thill : new prototypes for a global society
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At the heart of this publication is Atelier Kempe Thill's quest to find prototypes for a global society. How can buildings be made neutral and flexible as well as specific? It features realized work such as the Light Building (a travelling museum pavilion) and row houses in Roosendaal (NL) alongside recent plans including those for a youth hostel in the former Nazi resort at Prora in Germany, and the Franz Liszt Concert Hall in Raiding, Austria. It further includes a number of fascinating but unrealized schemes amongst which the winning design 'Living Inbetween' for Europan 5 Rotterdam and the competition entry for the Nam June Paik Museum in Korea. This book is published in conjunction with the award of the Rotterdam-Maaskant Prize for Young Architects 2005 to Oliver Thill. Design by Sophie Bleifuss.
Architecture, monographies
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Flyers are a highly original expression of urban youth culture. These flyers directly reflect the contemporary Zeitgeist of a generation as it experiments with its multi-disciplinary content and graphics. Since 1998, Soziotope has been dedicated to the collection and exhibition of recent and historic designs and texts illuminating this cultural phenomenon. This particular(...)
Arts graphiques imprimés
septembre 2005, Barcelona
Flyer soziotope : topographie of a media phenomenon
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Flyers are a highly original expression of urban youth culture. These flyers directly reflect the contemporary Zeitgeist of a generation as it experiments with its multi-disciplinary content and graphics. Since 1998, Soziotope has been dedicated to the collection and exhibition of recent and historic designs and texts illuminating this cultural phenomenon. This particular catalogue illustrates the entire spectrum of this media-culture, from the genre's inception to its dissemination among a wide variety of social, economic and media-specific agents. Both the origins of this propaganda medium and its imagined future are presented in this 608 page compendium, which covers a quarter century of examples from German, Europe and abroad. More than a dozen authors take a scientific and entertaining look at this impressive body of work.
Arts graphiques imprimés
livres
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Built in 1976 as an early exploration in weaving together the sun, wind, biology and architecture for the benefit of humanity, the Ark bio-shelter integrated ecological design features to provide autonomous life support for a family. Published to accompany the exhibition celebrating the Ark?s 40th anniversary, this publication examines the project?s role in inspiring(...)
"Living lightly on the earth": Building an ark for Prince Edward Island, 1974-1976
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Built in 1976 as an early exploration in weaving together the sun, wind, biology and architecture for the benefit of humanity, the Ark bio-shelter integrated ecological design features to provide autonomous life support for a family. Published to accompany the exhibition celebrating the Ark?s 40th anniversary, this publication examines the project?s role in inspiring change in ecological and architectural expectations and appetites. The three years in the life of the Ark forms the core for a set of explorations into early green architecture in Canada and elsewhere; the intermediate/alternative technology movement; collaborations between youth counterculture and official culture; the public and professional reception; and the Ark legacy in architecture, alternative technology, government policy and actions, and public imagination. Illustrated with original drawings, period photographs, and related ephemera.
livres
novembre 2016
Architecture du Canada