5194 Résultats
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and(...)
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and(...)
Titre:
Space, the city and social theory : social relations and urban forms
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and sexuality; subjectivity and space; experience and everyday practice in the city. The text adopts an international and interdisciplinary approach, drawing on a range of debates on cities and urban life. It brings together classic perspectives in urban sociology and social theory with the analysis of contemporary urban problems and issues. Rather than viewing the urban simply as a backdrop for more general social processes, the discussion looks at how social and spatial relations shape different versions of the city: as a place of social interaction and of solitude; as a site of difference and segregation; as a space of politics and power; as a landscape of economic and cultural distinction; as a realm of everyday experience and freedom. Similarly, it examines how core social categories - such as class, culture, gender, sexuality and community - are shaped and reproduced in urban contexts.
Space, the city and social theory : social relations and urban forms
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and sexuality; subjectivity and space; experience and everyday practice in the city. The text adopts an international and interdisciplinary approach, drawing on a range of debates on cities and urban life. It brings together classic perspectives in urban sociology and social theory with the analysis of contemporary urban problems and issues. Rather than viewing the urban simply as a backdrop for more general social processes, the discussion looks at how social and spatial relations shape different versions of the city: as a place of social interaction and of solitude; as a site of difference and segregation; as a space of politics and power; as a landscape of economic and cultural distinction; as a realm of everyday experience and freedom. Similarly, it examines how core social categories - such as class, culture, gender, sexuality and community - are shaped and reproduced in urban contexts.
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livres
livres
Publication:
novembre 2005, Cambridge
novembre 2005, Cambridge
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$75.00
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying(...)
$75.00
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying(...)
Titre:
Stone: Ancient craft to modern mastery
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$75.00
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying principles of stone;s highest and best use, and he illuminates rules codified by the medieval Freemason's guild. Century after century of stone use gradually produced the closely-guarded ''Sacred Rules'' as they are collectively known, considered to be the most important and closely-kept property of the ancient stone guildsmen. Previously available only to the initiated, the rules are explained here through historical examples and photographs for the first time ever. In these times of rapid development and expansive urbanization, Rhodes implores us to explore the essential qualities of stone that emerge from the Sacred Rules, not only to rediscover the ancient and traditional knowledge that governed its use for so long, but also to find a roadmap for how future generations might thoughtfully recapture the power this material offers.
Stone: Ancient craft to modern mastery
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$75.00
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The relationship between mankind and stone is elemental and deeply ingrained into all of us. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history of the expressive and practical use of stone, Richard Rhodes unlocks the underlying principles of stone;s highest and best use, and he illuminates rules codified by the medieval Freemason's guild. Century after century of stone use gradually produced the closely-guarded ''Sacred Rules'' as they are collectively known, considered to be the most important and closely-kept property of the ancient stone guildsmen. Previously available only to the initiated, the rules are explained here through historical examples and photographs for the first time ever. In these times of rapid development and expansive urbanization, Rhodes implores us to explore the essential qualities of stone that emerge from the Sacred Rules, not only to rediscover the ancient and traditional knowledge that governed its use for so long, but also to find a roadmap for how future generations might thoughtfully recapture the power this material offers.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
Titre:
John Lehr: The last things
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
$168.95
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
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John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
Titre:
Giorgio Morandi: late paintings
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Giorgio Morandi: late paintings
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
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livres
livres
Publication:
mai 2017
mai 2017
Classification:
livres
livres
Titre:
The Agony of Eros
The Agony of Eros
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Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In "The agony of Eros", a bestseller in Germany, Han considers the threat to love and desire in today’s society. For Han, love requires the courage to accept self-negation for the sake of(...)
$19.95
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Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In "The agony of Eros", a bestseller in Germany, Han considers the threat to love and desire in today’s society. For Han, love requires the courage to accept self-negation for the sake of(...)
Titre:
The Agony of Eros
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Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In "The agony of Eros", a bestseller in Germany, Han considers the threat to love and desire in today’s society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today’s increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier’s film Melancholia, Wagner’s Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault’s valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism’s leveling of essential differences; and discusses the politics of eros in today’s “burnout society.” To be dead to love, Han argues, is to be dead to thought itself.
The Agony of Eros
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Résumé:
Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In "The agony of Eros", a bestseller in Germany, Han considers the threat to love and desire in today’s society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today’s increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier’s film Melancholia, Wagner’s Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault’s valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism’s leveling of essential differences; and discusses the politics of eros in today’s “burnout society.” To be dead to love, Han argues, is to be dead to thought itself.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and(...)
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and(...)
Titre:
Total designer: authorship in the architecture of the postdigital age
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and broad, which was a necessary condition for demonstrating the power of the turn brought about by digitalization. Most studies on the digital phenomenon carried out in the context of the discipline are focused on the more technical aspects, with expert discourses based on the standpoint of the optimization of existing processes. This text was inspired by a concern and a certain discomfort with respect to those positions, which are often underwritten by a positivist vision of reality. This concern gave way to the idea for a study rooted in a cultural approach to the phenomenon. Given the general tendency toward creating experts –a phenomenon that, on the other hand, is not exclusive to the field of architecture– and encapsulating knowledge, this text is meant to be based on a transversal vision, which can help non-specialist readers to understand certain complex phenomena.
Total designer: authorship in the architecture of the postdigital age
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and broad, which was a necessary condition for demonstrating the power of the turn brought about by digitalization. Most studies on the digital phenomenon carried out in the context of the discipline are focused on the more technical aspects, with expert discourses based on the standpoint of the optimization of existing processes. This text was inspired by a concern and a certain discomfort with respect to those positions, which are often underwritten by a positivist vision of reality. This concern gave way to the idea for a study rooted in a cultural approach to the phenomenon. Given the general tendency toward creating experts –a phenomenon that, on the other hand, is not exclusive to the field of architecture– and encapsulating knowledge, this text is meant to be based on a transversal vision, which can help non-specialist readers to understand certain complex phenomena.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Architecture numérique
Architecture numérique
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livres
livres
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$45.95
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
Titre:
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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$45.95
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
Titre:
Volcano: nature and culture
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a(...)
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a(...)
Titre:
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants. Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants. Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$97.90
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The social and material production of urban nature has recently emerged as an important area in urban studies, human/environmental interactions and social studies. This has been prompted by the recognition that the material conditions that comprise urban environments are not independent from social, political, and economic processes, or from the cultural construction of(...)
$97.90
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The social and material production of urban nature has recently emerged as an important area in urban studies, human/environmental interactions and social studies. This has been prompted by the recognition that the material conditions that comprise urban environments are not independent from social, political, and economic processes, or from the cultural construction of(...)
Sujet:
Architecture écologique
Architecture écologique
Publication:
janvier 1900, London, New York
janvier 1900, London, New York
Titre:
In the nature of cities: urban political ecology and the politics of urban metabolism
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The social and material production of urban nature has recently emerged as an important area in urban studies, human/environmental interactions and social studies. This has been prompted by the recognition that the material conditions that comprise urban environments are not independent from social, political, and economic processes, or from the cultural construction of what constitutes the ‘urban’ or the ‘natural’. Through both theoretical and empirical analysis, this groundbreaking collection offers an integrated and relational approach to untangling the interconnected processes involved in forming urban landscapes. The essays in this book attest that the re-entry of the ecological agenda into urban theory is vital both in terms of understanding contemporary urbanization processes, and of engaging in a meaningful environmental politics. They debate the central themes of whose nature is, or becomes, urbanized, and the uneven power relations through which this socio-metabolic transformation takes place. Including urban case studies, international research and contributions from prominent urban scholars, this volume will enable students, scholars and researchers of geographical, environmental and urban studies to better understand how interrelated, everyday economic, political and cultural processes form and transform urban environments.
In the nature of cities: urban political ecology and the politics of urban metabolism
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$97.90
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The social and material production of urban nature has recently emerged as an important area in urban studies, human/environmental interactions and social studies. This has been prompted by the recognition that the material conditions that comprise urban environments are not independent from social, political, and economic processes, or from the cultural construction of what constitutes the ‘urban’ or the ‘natural’. Through both theoretical and empirical analysis, this groundbreaking collection offers an integrated and relational approach to untangling the interconnected processes involved in forming urban landscapes. The essays in this book attest that the re-entry of the ecological agenda into urban theory is vital both in terms of understanding contemporary urbanization processes, and of engaging in a meaningful environmental politics. They debate the central themes of whose nature is, or becomes, urbanized, and the uneven power relations through which this socio-metabolic transformation takes place. Including urban case studies, international research and contributions from prominent urban scholars, this volume will enable students, scholars and researchers of geographical, environmental and urban studies to better understand how interrelated, everyday economic, political and cultural processes form and transform urban environments.
Classification:
livres
livres
Publication:
janvier 1900, London, New York
janvier 1900, London, New York
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
Prix:
$26.00
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Résumé:
Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a(...)
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a(...)
Titre:
Newark: a history of race, rights, and riots in America
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Prix:
$26.00
(disponible sur commande)
Résumé:
Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents-such as newspapers, commission testimony, and government records-alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the south to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Newark: a history of race, rights, and riots in America
Actions:
Prix:
$26.00
(disponible sur commande)
Résumé:
Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents-such as newspapers, commission testimony, and government records-alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the south to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Classification:
livres
livres
Publication:
novembre 2008, New York
novembre 2008, New York
Sujet:
Théorie/ philosophie
Théorie/ philosophie
