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In the series ‘Generosity: Housing Design Strategies’, architectural projects identifying with specific design strategies are grouped into four sections: indeterminacy, exteriority, privacy, and interactivity. At the core of the series is the concept of generosity, an essential quality for the design of collective housing. Generosity transforms the condition of the built(...)
a+t 57: Generosity: Housing design strategies. The experience of exteriority
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In the series ‘Generosity: Housing Design Strategies’, architectural projects identifying with specific design strategies are grouped into four sections: indeterminacy, exteriority, privacy, and interactivity. At the core of the series is the concept of generosity, an essential quality for the design of collective housing. Generosity transforms the condition of the built volume and makes it habitable, generating comfort, well-being, and much more. The second issue in the series focuses on the experience of exteriority, featuring work by Atelier Kempe Thill, Caruso St John Architects, Studio Woodroffe Papa, MVRDV, Henley Halebrown, Schneider Studer Primas, Vivas Arquitectos, and more.
Logements collectifs
Shigeo Gocho: Works
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Despite his debilitating lifelong physical condition, Shigeo Gocho (1946–1983) left a legacy of three photographic collections and one volume of artwork, as well as contact prints, notebooks, and memo books. The re-evaluation of Gocho’s oeuvre began at the end of the 1980s and continues today. This not only concerns his personal story but also the fact that the allusions(...)
Shigeo Gocho: Works
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Despite his debilitating lifelong physical condition, Shigeo Gocho (1946–1983) left a legacy of three photographic collections and one volume of artwork, as well as contact prints, notebooks, and memo books. The re-evaluation of Gocho’s oeuvre began at the end of the 1980s and continues today. This not only concerns his personal story but also the fact that the allusions to various social phenomena and “edges” portrayed in his works deeply resonate with many people at the core of their being. This impressive overview features Gocho’s photographic series ‘Self and Others’ (1977), ‘Familiar Street Scenes (1981), and ‘Childhood’ (1983), alongside his spiritual and abstract artworks.
Monographies photo
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Photographer Rinko Kawauchi (1972–), known for her expressive mastery of gentle color suffused with light, has revealed the mystery, radiance, frailty, and strength of life in all its forms since her earliest works. Her gaze falls equally on the fragile and delicate beings in her immediate vicinity, be they flora and fauna or family members, and the vast workings of the(...)
Rinko Kawauchi: M/E On this sphere, Endlessly interlinking
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Photographer Rinko Kawauchi (1972–), known for her expressive mastery of gentle color suffused with light, has revealed the mystery, radiance, frailty, and strength of life in all its forms since her earliest works. Her gaze falls equally on the fragile and delicate beings in her immediate vicinity, be they flora and fauna or family members, and the vast workings of the earth, such as volcanoes and glaciers formed over long eons. The unique sensibility underlying her photography reveals the connections between these subjects, which all shimmer with the same vital glow. This will be her first major exhibition in Japan in six years, showcasing the essence of Kawauchi’s oeuvre through work from the past decade combined with never-before-seen images from her archives. M/E, the main subject of this exhibition and inspiration for its title, is a new series Kawauchi began shooting in 2019. The letters stand for ''Mother'' and ''Earth,'' combining to form both ''Mother Earth'' and ''Me.'' At a glance, the series’ images of Iceland’s volcanoes and ice floes and Hokkaido’s snowy landscapes may seem distant and unrelated to the everyday scenes from the COVID-19 pandemic that accompany them in the series. However, both types of image depict events now taking place on the planet we live on, and Kawauchi’s artistry alerts us to the connection between them. This exhibition invites the viewer to reconsider a range of questions about the workings of human life and our relationship with nature. In this exhibition catalog, Kawauchi herself has composed a sequence that allows visitors to relive the three-dimensional exhibition space, from the core series of the exhibition such as the new ''M/E,'' the yet unpublished ''4%,'' and ''An interlinking'' with new images, to her latest video work. The exhibition also includes a conversation with Haruo Saji, who was an influence on Kawauchi’s practice, and three essays, of which one is written by Masatake Shinohara, exploring the current state of Kawauchi’s work through both imagery and text. By changing the format and paper for each series, despite its simple binding, the book becomes a multilayered volume that embodies the depth of the exhibition.
Monographies photo
Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at(...)
Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at hand. Most notably it includes a record of editor-in-chief Naonori Katoh's visit to Amsterdam, where he stopped by Idea Books and Roma Publications. In addition, there is a feature on the phenomenon of Japanese cold type printing, plus musings on proofreading, the challenges of cultivating 'ant plants,' and more.
Revues
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens(...)
Lichens: toward a minimal resistance
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens were at the heart of some of the most pressing and topical questions of our day? Does the fact that they can live everywhere, even in very harsh environments, that they persist when almost all other traces of life have disappeared, mean that, despite their fragility, lichens are a force of resistance?
Faune et flore
How to think about cities
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Cities are raucous, cacophonous, and complex. Urban policy makers and analysts often attempt to “cut through the noise” of urban disagreement by emphasizing a dominant lens for understanding the key, central logic of the city. This volume sees this tendency to selective vision as misleading and ultimately unjust: cities are many things at once to different people and(...)
How to think about cities
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Cities are raucous, cacophonous, and complex. Urban policy makers and analysts often attempt to “cut through the noise” of urban disagreement by emphasizing a dominant lens for understanding the key, central logic of the city. This volume sees this tendency to selective vision as misleading and ultimately unjust: cities are many things at once to different people and communities. It describes the various ways of seeing the functions and landscapes of the city as place frames, and the constant process of negotiating which place frames best explain the city as place-making. This approach highlights how any given stance opens up some lines of inquiry and understanding while closing off others.
Théorie de l’urbanisme
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how(...)
Profit: an environmental history
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
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he link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary(...)
AD Art and architecture: A sublime synthesis
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he link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constructions, interventions and set pieces that range from musical performance to exhibition designs, glass works and digital 3D scanning. It lays out the wide spectrum and beauty of these sublime correspondences, with contributions from architects about their own artistic practices, and creative works viewed through the eyes of architectural commentators. An explosion of colour, form and creative tactics for making multifaceted work that above all is architectural, it offers a cornucopia of possibilities.
Théorie de l’architecture
AD In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this(...)
AD In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality.
Revues
AD California dreaming
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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film,(...)
AD California dreaming
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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film, aerospace and tech industries. This AD issue explores the influential formal tropes generated in the nexus between Los Angeles and the Bay Area, as well as the thriving theoretical preoccupations that have brought California's architects global attention. Between Hollywood and the Silicon Valley, this unique context has nurtured and become the platform for those who not only build buildings around the world, but have also founded and directed schools and educated emergent generations of architects.
Revues