12620 Résultats
Classification:
dessins
dessins
Numéro de référence:
ARCH261525
Description:
Manila-Tondo Foreshore International Architectural Competition - drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet.
ARCH261525
Description:
Manila-Tondo Foreshore International Architectural Competition - drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet.
Personnes et institutions:
Date:
[1976]
[1976]
Titre:
Drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet
Actions:
ARCH261525
Description:
Manila-Tondo Foreshore International Architectural Competition - drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet.
Drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet
Actions:
ARCH261525
Description:
Manila-Tondo Foreshore International Architectural Competition - drawings with descriptions and calculations of utilities including a windmill, rainfall collector, and organic toilet.
Classification:
dessins
dessins
Date:
[1976]
[1976]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Architecture In Love (1997)
Architecture In Love (1997)
Numéro de référence:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
circa 1997-2015
circa 1997-2015
Titre:
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Architecture In Love (1997)
Actions:
AP207.S1.1997.PR01
Description:
The project series documents "Architecture in Love" a series of decorative rings designed by Pettena in 1997. "Rather than any decorative intent, this series of rings favors an essentially architectural approach. The object, formed of two halves that are assembled into the completeness of a whole, is in reality a disassembled and reassembled building, investigated in all its possible spatial values." [1] The project series contains sketches and design drawings showing the rings at different angles, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-architectures-in-love-1997-1/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
circa 1997-2015
circa 1997-2015
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP154.S1.1973.PR01.SS2.035
Description:
Thirty-two drawings numbered 1, BD1, C114, LP205, S11-S12, and SK1 through SK205 with significant gaps. Drawings include section thru elevator core, section thru stair, spandrel heights, street elevations, section at lobby steps, partial plans, expansion joints (record of observation), special mullions at 1st floor (General Bronze Corporation), column schedule center core, loading platform and bumper, building model, lighting plan, fire exit signs, building elevations along north sides of E. 51st and 54th Streets (George A. Fuller Company), Four Seasons Restaurant--chain barrier details, ceiling revision (9th fl.), construction plan, rev'd bumper guard, front stair const., architectural symbols and abbreviations, truck entrance and loading dock, and window unit.
AP154.S1.1973.PR01.SS2.035
Description:
Thirty-two drawings numbered 1, BD1, C114, LP205, S11-S12, and SK1 through SK205 with significant gaps. Drawings include section thru elevator core, section thru stair, spandrel heights, street elevations, section at lobby steps, partial plans, expansion joints (record of observation), special mullions at 1st floor (General Bronze Corporation), column schedule center core, loading platform and bumper, building model, lighting plan, fire exit signs, building elevations along north sides of E. 51st and 54th Streets (George A. Fuller Company), Four Seasons Restaurant--chain barrier details, ceiling revision (9th fl.), construction plan, rev'd bumper guard, front stair const., architectural symbols and abbreviations, truck entrance and loading dock, and window unit.
Personnes et institutions:
Date:
1955-1963
1955-1963
Titre:
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.035
Description:
Thirty-two drawings numbered 1, BD1, C114, LP205, S11-S12, and SK1 through SK205 with significant gaps. Drawings include section thru elevator core, section thru stair, spandrel heights, street elevations, section at lobby steps, partial plans, expansion joints (record of observation), special mullions at 1st floor (General Bronze Corporation), column schedule center core, loading platform and bumper, building model, lighting plan, fire exit signs, building elevations along north sides of E. 51st and 54th Streets (George A. Fuller Company), Four Seasons Restaurant--chain barrier details, ceiling revision (9th fl.), construction plan, rev'd bumper guard, front stair const., architectural symbols and abbreviations, truck entrance and loading dock, and window unit.
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.035
Description:
Thirty-two drawings numbered 1, BD1, C114, LP205, S11-S12, and SK1 through SK205 with significant gaps. Drawings include section thru elevator core, section thru stair, spandrel heights, street elevations, section at lobby steps, partial plans, expansion joints (record of observation), special mullions at 1st floor (General Bronze Corporation), column schedule center core, loading platform and bumper, building model, lighting plan, fire exit signs, building elevations along north sides of E. 51st and 54th Streets (George A. Fuller Company), Four Seasons Restaurant--chain barrier details, ceiling revision (9th fl.), construction plan, rev'd bumper guard, front stair const., architectural symbols and abbreviations, truck entrance and loading dock, and window unit.
Classification:
dessins
dessins
Date:
1955-1963
1955-1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Architecture + Nature (2011)
Architecture + Nature (2011)
Numéro de référence:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2017
2011-2017
Titre:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2017
2011-2017
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS8.068
AP197.S1.SS8.068
Personnes et institutions:
Date:
circa 1970-1980
circa 1970-1980
Classification:
documents textuels
documents textuels
Date:
circa 1970-1980
circa 1970-1980
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP075.S1.1992.PR03.007
Description:
architectural drawings
AP075.S1.1992.PR03.007
Description:
architectural drawings
Personnes et institutions:
Date:
1993
1993
Titre:
Reference working drawings for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.007
Description:
architectural drawings
Reference working drawings for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.007
Description:
architectural drawings
Classification:
dessins
dessins
Date:
1993
1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Personnes et institutions:
Date:
2009-2015
2009-2015
Titre:
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2009-2015
2009-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2013-2015
2013-2015
Titre:
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2013-2015
2013-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
Personnes et institutions:
Date:
1960
1960
Titre:
Hague Hole extendable portable beach house: Conceptual drawings, annotated sketches and diagrams
Actions:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
Hague Hole extendable portable beach house: Conceptual drawings, annotated sketches and diagrams
Actions:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
Classification:
dessins
dessins
Date:
1960
1960
Personnes et institutions:
