Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
7 décembre 2023, 18h30
Documenter les déplacements III
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Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
Sous-série
Programs
CP138.S6.D24
Description:
File includes compilations made from Gordon Matta-Clark's original films and videos, and organized into a series of roughly hour long programmes for reproduction and distribution by Electronic Arts Intermix. Materials were recorded between 1971 and 1977 and transferred to videocassette in 1993. File contains videocassettes.
transferred to videocassette 1993 (originally created 1971-1977)
Programs
Actions:
CP138.S6.D24
Description:
File includes compilations made from Gordon Matta-Clark's original films and videos, and organized into a series of roughly hour long programmes for reproduction and distribution by Electronic Arts Intermix. Materials were recorded between 1971 and 1977 and transferred to videocassette in 1993. File contains videocassettes.
File 24
transferred to videocassette 1993 (originally created 1971-1977)
dessins
Quantité:
34 dessin(s) dessin(s) et esquisse(s) de présentation
ARCH168095
Description:
2 dessins: dessin de présentation, encre sur film, 29 dessins: esquisses, mine de plomb sur papier calque, et 3 reproductions: diazocopies
Dessins de présentation, esquisses
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ARCH168095
Description:
2 dessins: dessin de présentation, encre sur film, 29 dessins: esquisses, mine de plomb sur papier calque, et 3 reproductions: diazocopies
dessins
Quantité:
34 dessin(s) dessin(s) et esquisse(s) de présentation
PHCON2003:0005:035
Description:
Insciptions read: "GMC Estate Original #35"; "Pier 52, Boat"; "Footage by Jack Kruger with GMC"; "Day's End (not used in film)."
1975-08-31
Day's End: Jack Kruger color video of Pier 52 shot from a boat
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PHCON2003:0005:035
Description:
Insciptions read: "GMC Estate Original #35"; "Pier 52, Boat"; "Footage by Jack Kruger with GMC"; "Day's End (not used in film)."
1975-08-31
ARCH400307
Description:
Collage of a seated couple and a horse inside a domestic space, with a gridded floor and ceiling, ultimately not included in the film.
1972
Collage for Supersuperficie [Supersurface]
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ARCH400307
Description:
Collage of a seated couple and a horse inside a domestic space, with a gridded floor and ceiling, ultimately not included in the film.
ARCH250582
Description:
- 1 caméra de type "chambre de campagne"; - 1 filtre Leika; - 1 filtre oranger; - 2 châssis; - 2 déclencheurs souples; - 1 table de pose "Diaphot Ica" dans son étui; 1 table de pose de marque "The Expodak Co., Charlottesville Virginia" - 1 lentille ? " Kodak Portrait Attachment" dans sa boîte; - 3 supports ? à film (film sheath) de marque Eastman Kodak; - 1 accessoire en bois et en métal d'usage inconnu; - 1 courroie en cuir; - 1 clé; dans un boîtier - 1 châssis à film; - 1 verre dépoli de caméra grand format (viseur);
Caméra de type "chambre de campagne" et équipement photographique dans un boîtier
Actions:
ARCH250582
Description:
- 1 caméra de type "chambre de campagne"; - 1 filtre Leika; - 1 filtre oranger; - 2 châssis; - 2 déclencheurs souples; - 1 table de pose "Diaphot Ica" dans son étui; 1 table de pose de marque "The Expodak Co., Charlottesville Virginia" - 1 lentille ? " Kodak Portrait Attachment" dans sa boîte; - 3 supports ? à film (film sheath) de marque Eastman Kodak; - 1 accessoire en bois et en métal d'usage inconnu; - 1 courroie en cuir; - 1 clé; dans un boîtier - 1 châssis à film; - 1 verre dépoli de caméra grand format (viseur);
Série(s)
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
1966-2018
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Series
1966-2018
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
ca. 1970-1971
Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
photographies
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
1989
Reference photographs of Montréal
Actions:
DR2012:0012:111:019
Description:
File containing contact sheets, negatives, and photographs of the following: - Faubourg-St Laurent (49 black-and-white negative film strips, 9 negative film strips, 8 black-and-white contact sheets); - Aerial of Palais de Congrès and surrounding area (2 chromogenic colour prints); - Unidentfied model (1 chromogenic colour print); - Aerial of Montreal (1 chromogenic colour print).
photographies
1989
photographies
ARCH39395
Description:
10P-02: b/w (21,5 x 19,6 cm); Federal Office Building, perspective drawing showing Hollis Street facade (duplicate of above print with adjustments to the chimney). Photographer; Fraser Films Limited, Montreal
Federal Office Building, perspective drawing showing Hollis Street facade
Actions:
ARCH39395
Description:
10P-02: b/w (21,5 x 19,6 cm); Federal Office Building, perspective drawing showing Hollis Street facade (duplicate of above print with adjustments to the chimney). Photographer; Fraser Films Limited, Montreal
photographies