1848 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Personnes et institutions:
Date:
2006-2007
2006-2007
Titre:
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Niveau de description archivistique:
Project
Project
Date:
2006-2007
2006-2007
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Personnes et institutions:
Date:
1971, 1987-1988
1971, 1987-1988
Titre:
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Classification:
documents textuels
documents textuels
Date:
1971, 1987-1988
1971, 1987-1988
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Personnes et institutions:
Titre:
Correspondence and notes for La biennale de Venise
Actions:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Correspondence and notes for La biennale de Venise
Actions:
DR2001:0021
Description:
Documents include La biennale de Venise: maps, documentation. Progetto Venezia :documents include folder, maps, elevation, planiphotograph for Palmanova Villa, Farsetti villa, Rialto Market (Mercato di Rialto). Cincinnati Arts Centre :documents include folder, notes, correspondences, telephone conversation, records, clippings, meeting notes, travel itinerary, transmittals, list of the committees members, list of appointments, list of authority members, promotional material, photographs, map of the city, proposal, request for the proposal, list of the design team selection committee, status report to the city council, correspondence from Wayne P. Lawson, Facility Study from Artsoft for the columbus Performing Arts, facility study for the Cincinnati Performing Cultural development plan for Columbus, survey, need assessment study.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Personnes et institutions:
Date:
1973-1982
1973-1982
Titre:
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Classification:
documents textuels
documents textuels
Date:
1973-1982
1973-1982
Personnes et institutions:
Quantité:
10 file
10 file
Numéro de référence:
ARCH240854
Description:
1. Anyone, 5/10/91 - Opening Remarks - Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson - Jeff Kipnis / Kojin Karatani, Roberto Unger, Jacques Derrida 2. Anyone, 5/10/91 - The Status of the Individual - Kojin Karatani, Roberto Unger, Jacques Derrida 3. Anyone, 5/11/91 - Akira Asada, Arata Isozaki 4. Anyone, 5/11/91 - Anthony Vidler, Rem Koolhaas, Mark Taylor, William Gibson 5. Anyone - Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler 6. Anyone, 5/11/91 - Daniel Libeskind (audio), Francesco Dal Co, Robert Somol, John Rajchman 7. Anyone, 5/11/91 - Rafael Moneo, Ignasi de Solà-Morales, John Rajchman, Robert Somol, Francesco Dal Co 8. Anyone, 5/11/91 - Francesco Dal Co, Ignasi de Solà-Morales, Frank Gehry 9. Anyone, 5/11/91 - Maria Nordman, closing remarks - Kurt Forster 10. Anyone, 5/11/91 - Party (Schnabel House)
ARCH240854
Description:
1. Anyone, 5/10/91 - Opening Remarks - Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson - Jeff Kipnis / Kojin Karatani, Roberto Unger, Jacques Derrida 2. Anyone, 5/10/91 - The Status of the Individual - Kojin Karatani, Roberto Unger, Jacques Derrida 3. Anyone, 5/11/91 - Akira Asada, Arata Isozaki 4. Anyone, 5/11/91 - Anthony Vidler, Rem Koolhaas, Mark Taylor, William Gibson 5. Anyone - Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler 6. Anyone, 5/11/91 - Daniel Libeskind (audio), Francesco Dal Co, Robert Somol, John Rajchman 7. Anyone, 5/11/91 - Rafael Moneo, Ignasi de Solà-Morales, John Rajchman, Robert Somol, Francesco Dal Co 8. Anyone, 5/11/91 - Francesco Dal Co, Ignasi de Solà-Morales, Frank Gehry 9. Anyone, 5/11/91 - Maria Nordman, closing remarks - Kurt Forster 10. Anyone, 5/11/91 - Party (Schnabel House)
Personnes et institutions:
Date:
1991-05-10 - 1991-05-11
1991-05-10 - 1991-05-11
Titre:
Video recordings of Anymore Conference
Actions:
ARCH240854
Description:
1. Anyone, 5/10/91 - Opening Remarks - Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson - Jeff Kipnis / Kojin Karatani, Roberto Unger, Jacques Derrida 2. Anyone, 5/10/91 - The Status of the Individual - Kojin Karatani, Roberto Unger, Jacques Derrida 3. Anyone, 5/11/91 - Akira Asada, Arata Isozaki 4. Anyone, 5/11/91 - Anthony Vidler, Rem Koolhaas, Mark Taylor, William Gibson 5. Anyone - Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler 6. Anyone, 5/11/91 - Daniel Libeskind (audio), Francesco Dal Co, Robert Somol, John Rajchman 7. Anyone, 5/11/91 - Rafael Moneo, Ignasi de Solà-Morales, John Rajchman, Robert Somol, Francesco Dal Co 8. Anyone, 5/11/91 - Francesco Dal Co, Ignasi de Solà-Morales, Frank Gehry 9. Anyone, 5/11/91 - Maria Nordman, closing remarks - Kurt Forster 10. Anyone, 5/11/91 - Party (Schnabel House)
Video recordings of Anymore Conference
Actions:
ARCH240854
Description:
1. Anyone, 5/10/91 - Opening Remarks - Richard Weinstein, Kurt Forster, Peter Eisenman, Cynthia Davidson - Jeff Kipnis / Kojin Karatani, Roberto Unger, Jacques Derrida 2. Anyone, 5/10/91 - The Status of the Individual - Kojin Karatani, Roberto Unger, Jacques Derrida 3. Anyone, 5/11/91 - Akira Asada, Arata Isozaki 4. Anyone, 5/11/91 - Anthony Vidler, Rem Koolhaas, Mark Taylor, William Gibson 5. Anyone - Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler 6. Anyone, 5/11/91 - Daniel Libeskind (audio), Francesco Dal Co, Robert Somol, John Rajchman 7. Anyone, 5/11/91 - Rafael Moneo, Ignasi de Solà-Morales, John Rajchman, Robert Somol, Francesco Dal Co 8. Anyone, 5/11/91 - Francesco Dal Co, Ignasi de Solà-Morales, Frank Gehry 9. Anyone, 5/11/91 - Maria Nordman, closing remarks - Kurt Forster 10. Anyone, 5/11/91 - Party (Schnabel House)
Quantité:
10 file
10 file
Date:
1991-05-10 - 1991-05-11
1991-05-10 - 1991-05-11
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
Personnes et institutions:
Date:
1974-1981
1974-1981
Titre:
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
Actions:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
Actions:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
Classification:
documents textuels
documents textuels
Date:
1974-1981
1974-1981
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153474
Description:
Correspondence with different foundations (CBS, NEH, NY Community Trust, Graham, etc.) Folder Operating and Development [1981]; - Minutes of the Operating Committee and relating correspondence with different foundations - Exhibitions budgets, March 16, 1981 - Several letters to PDE from foundations (grants received & refused) - Procedures to keep track of donators and destination of received grants - NEH - Audit report, June 4, 1980 - Open Plan Fall 1980, Lecturers Various documents from the Executive Committee Development Committee Report to Executive Committee, April 15, 1981 Folder [Development Committee] - Recommendations for a Development Program for the Institute, Aug. 31, 1981 - Report to the Board of Trustees, 22 Jan. 1981 - Report of the Development Committee to Charles Gwathmey - Correspondence with foundations (grants received and refused) - Status report, Jan. 13, 1981 - Grant Application to FIPSE for Advanced Design Study Program - Correspondence with various foundations - Memo to PDE from C. Gwathmey concerning Plan for Development 1980-1981 - Deadlines for Federal Grants - Folder Development Workbook, November 1980 - Correspondence of Letty H. Simon, Director of Development - Development Priorities - Proposed Budget for FY 81 - List of catalogue purchasers, May 12, 1980 - NEA : Request for Proposals for a Television Series on Architecture, January 1980
ARCH153474
Description:
Correspondence with different foundations (CBS, NEH, NY Community Trust, Graham, etc.) Folder Operating and Development [1981]; - Minutes of the Operating Committee and relating correspondence with different foundations - Exhibitions budgets, March 16, 1981 - Several letters to PDE from foundations (grants received & refused) - Procedures to keep track of donators and destination of received grants - NEH - Audit report, June 4, 1980 - Open Plan Fall 1980, Lecturers Various documents from the Executive Committee Development Committee Report to Executive Committee, April 15, 1981 Folder [Development Committee] - Recommendations for a Development Program for the Institute, Aug. 31, 1981 - Report to the Board of Trustees, 22 Jan. 1981 - Report of the Development Committee to Charles Gwathmey - Correspondence with foundations (grants received and refused) - Status report, Jan. 13, 1981 - Grant Application to FIPSE for Advanced Design Study Program - Correspondence with various foundations - Memo to PDE from C. Gwathmey concerning Plan for Development 1980-1981 - Deadlines for Federal Grants - Folder Development Workbook, November 1980 - Correspondence of Letty H. Simon, Director of Development - Development Priorities - Proposed Budget for FY 81 - List of catalogue purchasers, May 12, 1980 - NEA : Request for Proposals for a Television Series on Architecture, January 1980
Personnes et institutions:
Date:
1980-1982
1980-1982
Titre:
C. IAUS - Administrative 5. Development. 1980-1982
Actions:
ARCH153474
Description:
Correspondence with different foundations (CBS, NEH, NY Community Trust, Graham, etc.) Folder Operating and Development [1981]; - Minutes of the Operating Committee and relating correspondence with different foundations - Exhibitions budgets, March 16, 1981 - Several letters to PDE from foundations (grants received & refused) - Procedures to keep track of donators and destination of received grants - NEH - Audit report, June 4, 1980 - Open Plan Fall 1980, Lecturers Various documents from the Executive Committee Development Committee Report to Executive Committee, April 15, 1981 Folder [Development Committee] - Recommendations for a Development Program for the Institute, Aug. 31, 1981 - Report to the Board of Trustees, 22 Jan. 1981 - Report of the Development Committee to Charles Gwathmey - Correspondence with foundations (grants received and refused) - Status report, Jan. 13, 1981 - Grant Application to FIPSE for Advanced Design Study Program - Correspondence with various foundations - Memo to PDE from C. Gwathmey concerning Plan for Development 1980-1981 - Deadlines for Federal Grants - Folder Development Workbook, November 1980 - Correspondence of Letty H. Simon, Director of Development - Development Priorities - Proposed Budget for FY 81 - List of catalogue purchasers, May 12, 1980 - NEA : Request for Proposals for a Television Series on Architecture, January 1980
C. IAUS - Administrative 5. Development. 1980-1982
Actions:
ARCH153474
Description:
Correspondence with different foundations (CBS, NEH, NY Community Trust, Graham, etc.) Folder Operating and Development [1981]; - Minutes of the Operating Committee and relating correspondence with different foundations - Exhibitions budgets, March 16, 1981 - Several letters to PDE from foundations (grants received & refused) - Procedures to keep track of donators and destination of received grants - NEH - Audit report, June 4, 1980 - Open Plan Fall 1980, Lecturers Various documents from the Executive Committee Development Committee Report to Executive Committee, April 15, 1981 Folder [Development Committee] - Recommendations for a Development Program for the Institute, Aug. 31, 1981 - Report to the Board of Trustees, 22 Jan. 1981 - Report of the Development Committee to Charles Gwathmey - Correspondence with foundations (grants received and refused) - Status report, Jan. 13, 1981 - Grant Application to FIPSE for Advanced Design Study Program - Correspondence with various foundations - Memo to PDE from C. Gwathmey concerning Plan for Development 1980-1981 - Deadlines for Federal Grants - Folder Development Workbook, November 1980 - Correspondence of Letty H. Simon, Director of Development - Development Priorities - Proposed Budget for FY 81 - List of catalogue purchasers, May 12, 1980 - NEA : Request for Proposals for a Television Series on Architecture, January 1980
Classification:
documents textuels
documents textuels
Date:
1980-1982
1980-1982
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1741
ca. 1741
Titre:
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1741
ca. 1741
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
graphique
graphique
Titre:
[Statue of Liberty].
[Statue of Liberty].
Actions:
Exemplaires:
Description:
1 card : col. ; 16 x 11 x 16 cm. + 1 envelope.
Description:
1 card : col. ; 16 x 11 x 16 cm. + 1 envelope.
Auteur:
Sujet:
Publication:
[New York?] : Keiko, [ca. 1989]
[New York?] : Keiko, [ca. 1989]
Titre:
[Statue of Liberty].
Actions:
Exemplaires:
Description:
1 card : col. ; 16 x 11 x 16 cm. + 1 envelope.
[Statue of Liberty].
Actions:
Exemplaires:
Description:
1 card : col. ; 16 x 11 x 16 cm. + 1 envelope.
Classification:
graphique
graphique
Publication:
[New York?] : Keiko, [ca. 1989]
[New York?] : Keiko, [ca. 1989]
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
[Statue of Liberty] [model].
[Statue of Liberty] [model].
Actions:
Exemplaires:
Description:
1 model : mixed metal ; 15 x 4 x 4 cm.
Description:
1 model : mixed metal ; 15 x 4 x 4 cm.
Auteur:
Sujet:
Publication:
[between 1920 and 1940] ([Japan : s.n.])
[between 1920 and 1940] ([Japan : s.n.])
Titre:
[Statue of Liberty] [model].
Actions:
Exemplaires:
Description:
1 model : mixed metal ; 15 x 4 x 4 cm.
[Statue of Liberty] [model].
Actions:
Exemplaires:
Description:
1 model : mixed metal ; 15 x 4 x 4 cm.
Classification:
artéfacts
artéfacts
Publication:
[between 1920 and 1940] ([Japan : s.n.])
[between 1920 and 1940] ([Japan : s.n.])
Auteur:
Sujet:
