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Troisième volet d'une trilogie sur les matériaux, ce volume réunit les contributions des intervenants à la journée d'étude Transparence et légèreté en architecture - Façades, murs-rideaux, enveloppes intelligentes, 1790-2025, organisée le 21 avril 2022 à l'ENSA Paris-Malaquais. Les textes sont organisés en deux sections principales. La première porte sur les matériaux(...)
Transparence et légèreté en architecture : Façades, murs-rideaux, enveloppes intelligentes, 1790-2025
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Troisième volet d'une trilogie sur les matériaux, ce volume réunit les contributions des intervenants à la journée d'étude Transparence et légèreté en architecture - Façades, murs-rideaux, enveloppes intelligentes, 1790-2025, organisée le 21 avril 2022 à l'ENSA Paris-Malaquais. Les textes sont organisés en deux sections principales. La première porte sur les matériaux verre et aluminium et sur les technologies qui leur sont associées. La seconde est consacrée à l'évolution des façades dans l'architecture moderne et contemporaine ; elle met l'accent sur le développement des murs-rideaux et sur les tendances les plus récentes dans la conception des façades translucides, notamment à l'égard des aspects énergétiques dans le contexte de la crise climatique et de la raréfaction des matériaux. Ces deux séquences sont précédées d'un texte introductif et suivies d'un hommage à l'ingénieur irlandais Peter Rice, sous la forme d'un entretien avec deux de ses plus proches collaborateurs, trente ans après sa disparition.
Matériaux et éclairage
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This is at once a compendium for designers and an essay on the architecture of Bali. Landscape and architectural designer Made Wijaya draws on his photographic archives, compiled over the past thirty years, to present a visual study of Balinese architecture: its origins, elements, variations, and vagaries.
Architecture of Bali : source book of traditional and modern forms
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This is at once a compendium for designers and an essay on the architecture of Bali. Landscape and architectural designer Made Wijaya draws on his photographic archives, compiled over the past thirty years, to present a visual study of Balinese architecture: its origins, elements, variations, and vagaries.
Arch Moyen-Orient
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“That’s what we do really: we do miracles,” said Anne-Marie Nyiranshimiyimana, who learned masonry in helping to build the Butaro Hospital, a project designed for and with the people of Rwanda using local materials. This, and other projects designed with dignity, show the power of good design. Almost nothing influences the quality of our lives more than the design of our(...)
Design for good: a new era of architecture for everyone
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“That’s what we do really: we do miracles,” said Anne-Marie Nyiranshimiyimana, who learned masonry in helping to build the Butaro Hospital, a project designed for and with the people of Rwanda using local materials. This, and other projects designed with dignity, show the power of good design. Almost nothing influences the quality of our lives more than the design of our homes, our schools, our workplaces, and our public spaces. Yet, design is often taken for granted and people don’t realize that they deserve better, or that better is even possible. In Design for Good, John Cary offers character-driven, real-world stories about projects around the globe that offer more—buildings that are designed and created with and for the people who will use them. The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also(...)
Architectures of sound: acoustic concepts and parameters for architectural design
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage.
Acoustique
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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection(...)
Labyrinths and mazes: a journey through art, architecture and landscape
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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection features both classical examples and the best contemporary projects, showcasing work by artists, landscape artists, and architects from around the world. The diverse and stunning examples include pavement labyrinths of thirteenth-century French cathedrals, a historic English turf maze, Renaissance hedge mazes, and numerous present-day projects by artists and architects, including BIG, Chris Drury, Richard Fleischner, Dan Graham, Robert Irwin, Arata Isozaki, Robert Morris, Yoko Ono, and Billie Tsien and Tod Williams.
Jardins
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Utopia tends to generate a bad press - regarded as impracticable, perhaps nostalgic, or contradictory when visions of a perfect world cannot accommodate the change that is necessary to a free and self-organizing society. But people from diverse backgrounds are currently building a new society within the old, balancing literal and metaphorical utopianism, and demonstrating(...)
Urban utopias : the built and social architectures of alternative settlements
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Utopia tends to generate a bad press - regarded as impracticable, perhaps nostalgic, or contradictory when visions of a perfect world cannot accommodate the change that is necessary to a free and self-organizing society. But people from diverse backgrounds are currently building a new society within the old, balancing literal and metaphorical utopianism, and demonstrating plural possibilities for alternative futures and types of settlement. Thousands of such places exist around the world, including intentional communities, eco-villages, permaculture plots, religious and secular retreats, co-housing projects, self-build schemes, projects for low-impact housing, and activist squats in urban and rural sites. This experience suggests, however, that when planning and design are not integral to alternative social formations, the modern dream to engineer a new society cannot be realized. The book is structured in four parts. In part one, literary and theoretical utopias from the early modern period to the nineteenth-century are reconsidered. Part two investigates twentieth-century urban utopianism and contemporary alternative settlements focusing on social and environmental issues, activism and eco-village living. Part three looks to wider horizons in recent practices in the non-affluent world, and Part four reviews a range of cases from the author’s visits to specific sites. This is followed by a short conclusion in which a discussion of key issues is resumed. This book brings together insights from literary, theoretical and practical utopias, drawing out the characteristics of groups and places that are part of a new society. It links today’s utopian experiments to historical and literary utopias, and to theoretical problems in utopian thought.
Théorie de l’urbanisme
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This important book explores geometry as a means of approximating landscape and urban forms. In recent years, Carlos Ferrater's architecture studio has regularly and continuously developed new avenues for formal expression. This collection of projects comprises a family of independent experiences, joined by a common logic of design approximation: Geometry as a means of(...)
Carlos Ferrater: Synchronizing geometry: landscape, architecture & construction / ideographic resources
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This important book explores geometry as a means of approximating landscape and urban forms. In recent years, Carlos Ferrater's architecture studio has regularly and continuously developed new avenues for formal expression. This collection of projects comprises a family of independent experiences, joined by a common logic of design approximation: Geometry as a means of approximating landscape and urban forms. The book is divided into three parts: The time of Geometry, Research Process and Ideographical Resources. This framework aims to define the conditions whereby the job of architecture is to move from geometry to space by means of construction.
Jardins
Constructing architecture : materials, processes, structure - a handbook, second, extended edition
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This volume now appears in its second, revised and expanded edition. Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new(...)
Matériaux et éclairage
juillet 2008, Basel, Boston, Berlin
Constructing architecture : materials, processes, structure - a handbook, second, extended edition
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This volume now appears in its second, revised and expanded edition. Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new section on translucent materials and an article on the use of glass. The chapter on "Building Elements" now includes a discussion of facades, and the chapter on "Structures" has been expanded to cover "Principles of Space Creation." The examples section now includes extensive documentation of current projects whose systematic character is oriented around the production process.
Matériaux et éclairage
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This is the first attempt to understand how sculpture and architecture have come to be fused in such an intriguing alliance. Mies van der Rohe's pioneering Barcelona Pavilion (1929) is taken as the point of departure and a leitmotif for the book, which concludes with Dan Graham's hybrid pavilion sculptures of the 1980s and 90s. It identifies the special status which(...)
Patio and pavilion: the place of sculpture in modern architecture
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This is the first attempt to understand how sculpture and architecture have come to be fused in such an intriguing alliance. Mies van der Rohe's pioneering Barcelona Pavilion (1929) is taken as the point of departure and a leitmotif for the book, which concludes with Dan Graham's hybrid pavilion sculptures of the 1980s and 90s. It identifies the special status which pre-war architects assigned to sculpture, and examines spaces for display and the independent sculptures which they housed: Eliel Saarinen's Cranbrook Campus, Edoardo Persico's Pavilion at the Milan Triennale, and Mies van der Rohe's celebrated paper project for a Museum for a Small City. Three further case studies show how architecture came to predominate over the sculpture which it housed: Philip Johnson's sculpture court for MoMA, Carlo Scarpa's extension to the Canova Gipsoteca; and the pavilions for Sonsbeek by Gerrit Rietveld and Aldo van Eyck.
Sculpture
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One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature—designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it(...)
janvier 1900, Boston, London
Power of limits: Proportional harmonies in nature, art and architecture
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One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature—designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns—ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made—by the dynamic union of opposites—as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well.