35982 Résultats
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction(...)
$89.95
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction(...)
Titre:
Dwellings : the vernacular house world wide
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction and decoration of the house in many different cultures. First published by Phaidon in 1987, "Dwellings", in its new updated, revised and expanded format, takes into account new scholarship in the field, including the author's own fieldwork, and also acknowledges theoretical developments in the areas of cultural geography, gender studies, sociology and anthropology. "Dwellings" is a reference work on domestic buildings and also a useful survey for understanding how different communities cope with issues of climate, migration, mass development, and symbolic and cultural meaning in architecture.
Dwellings : the vernacular house world wide
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction and decoration of the house in many different cultures. First published by Phaidon in 1987, "Dwellings", in its new updated, revised and expanded format, takes into account new scholarship in the field, including the author's own fieldwork, and also acknowledges theoretical developments in the areas of cultural geography, gender studies, sociology and anthropology. "Dwellings" is a reference work on domestic buildings and also a useful survey for understanding how different communities cope with issues of climate, migration, mass development, and symbolic and cultural meaning in architecture.
Classification:
livres
livres
Publication:
janvier 2003, London
janvier 2003, London
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
Prix:
$75.00
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
Titre:
One hundred photographs : a collection by Bruce Bernard
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
One hundred photographs : a collection by Bruce Bernard
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
Classification:
livres
livres
Publication:
septembre 2002, London
septembre 2002, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Pentagram : the compendium
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
Titre:
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
Classification:
livres
livres
Publication:
octobre 2002, London
octobre 2002, London
Classification:
livres
livres
Prix:
$75.00
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Résumé:
Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each(...)
$75.00
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each(...)
Titre:
Problem solved : a primer in design and communication
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$75.00
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each chapter explores a different theme of ‘problem solving’, and concludes with a case study to illustrate a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, communicating essential facts in a culture of information overload, keeping a brand young and trendy, dealing sensitively with propaganda, the use of shock tactics, and word-based advertising in a world over-run with images and sound-bites. Examples featured are taken from classic and contemporary international advertising. Designers and agencies whose work is discussed in the book include Chermayeff and Geismar, Saatchi and Saatchi, BMP, Minale Tattersfield, Derek Birdsall, Niklaus Troxler, Bob Gill, Wieslan Walkuski, Makoto Saito, Paul Fishlock, and Pentagram.
Problem solved : a primer in design and communication
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$75.00
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each chapter explores a different theme of ‘problem solving’, and concludes with a case study to illustrate a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, communicating essential facts in a culture of information overload, keeping a brand young and trendy, dealing sensitively with propaganda, the use of shock tactics, and word-based advertising in a world over-run with images and sound-bites. Examples featured are taken from classic and contemporary international advertising. Designers and agencies whose work is discussed in the book include Chermayeff and Geismar, Saatchi and Saatchi, BMP, Minale Tattersfield, Derek Birdsall, Niklaus Troxler, Bob Gill, Wieslan Walkuski, Makoto Saito, Paul Fishlock, and Pentagram.
Classification:
livres
livres
Publication:
octobre 2002, London
octobre 2002, London
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livres
livres
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$99.95
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and(...)
$99.95
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and(...)
Titre:
Merz to Emigre and beyond : avant-garde magazine design of the twentieth century
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and "Emigre" (1990's). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time from Kurt Schwitters and El Lissitzky in the 1920's and 30's, to Art Spiegelman and Rudy Vanderlans in the 1980's and 90's.
Merz to Emigre and beyond : avant-garde magazine design of the twentieth century
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$99.95
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Résumé:
"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and "Emigre" (1990's). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time from Kurt Schwitters and El Lissitzky in the 1920's and 30's, to Art Spiegelman and Rudy Vanderlans in the 1980's and 90's.
Classification:
livres
livres
Publication:
avril 2003, London
avril 2003, London
Classification:
livres
livres
Titre:
Infinity and perspective
Infinity and perspective
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$36.95
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Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
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Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Titre:
Infinity and perspective
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Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Infinity and perspective
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Résumé:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$67.50
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Résumé:
The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as(...)
$67.50
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The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2002, Cambridge, Massachusetts
octobre 2002, Cambridge, Massachusetts
Titre:
Peter Behrens and a new architecture for the twentieth century
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$67.50
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The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as Alois Riegl and August Schmarsow. In his conclusion, Anderson considers Behrens' melancholy in the face of modern industrial society and his avoidance of a direct address of life, despite, or rather because of, his professed commitment to express life as art.
Peter Behrens and a new architecture for the twentieth century
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$67.50
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The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as Alois Riegl and August Schmarsow. In his conclusion, Anderson considers Behrens' melancholy in the face of modern industrial society and his avoidance of a direct address of life, despite, or rather because of, his professed commitment to express life as art.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Massachusetts
octobre 2002, Cambridge, Massachusetts
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Four books on architecture
Four books on architecture
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$39.95
(disponible en magasin)
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Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books(...)
$39.95
(disponible en magasin)
Résumé:
Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books(...)
Titre:
Four books on architecture
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$39.95
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Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.
Four books on architecture
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$39.95
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Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.
Classification:
livres
livres
Publication:
octobre 2002
octobre 2002
Sujet:
Traités
Traités
Classification:
livres
livres
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$39.95
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Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near(...)
$39.95
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Résumé:
Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near(...)
Titre:
The provisional city : Los Angeles stories of architecture and urbanism
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$39.95
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Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near downtown, to a huge 1990s mixed-use development on one of Los Angeles' last remaining wetlands. The story takes us from the refined modernist architecture of Richard Neutra to the self-conscious populism of the New Urbanism. The cases illuminate the relationship of housing architecture to issues of race, class, urban design, geography, and political ideology.
The provisional city : Los Angeles stories of architecture and urbanism
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$39.95
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Résumé:
Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near downtown, to a huge 1990s mixed-use development on one of Los Angeles' last remaining wetlands. The story takes us from the refined modernist architecture of Richard Neutra to the self-conscious populism of the New Urbanism. The cases illuminate the relationship of housing architecture to issues of race, class, urban design, geography, and political ideology.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Prix:
$42.00
(disponible sur commande)
Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is(...)
$42.00
(disponible sur commande)
Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
octobre 2002, Cambridge, Massachusetts
octobre 2002, Cambridge, Massachusetts
Titre:
The unknown city : contesting architecture and social space
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$42.00
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Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
The unknown city : contesting architecture and social space
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$42.00
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Résumé:
"The Unknown City" takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Massachusetts
octobre 2002, Cambridge, Massachusetts
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
