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This is the first attempt to understand how sculpture and architecture have come to be fused in such an intriguing alliance. Mies van der Rohe's pioneering Barcelona Pavilion (1929) is taken as the point of departure and a leitmotif for the book, which concludes with Dan Graham's hybrid pavilion sculptures of the 1980s and 90s. It identifies the special status which(...)
Patio and pavilion: the place of sculpture in modern architecture
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This is the first attempt to understand how sculpture and architecture have come to be fused in such an intriguing alliance. Mies van der Rohe's pioneering Barcelona Pavilion (1929) is taken as the point of departure and a leitmotif for the book, which concludes with Dan Graham's hybrid pavilion sculptures of the 1980s and 90s. It identifies the special status which pre-war architects assigned to sculpture, and examines spaces for display and the independent sculptures which they housed: Eliel Saarinen's Cranbrook Campus, Edoardo Persico's Pavilion at the Milan Triennale, and Mies van der Rohe's celebrated paper project for a Museum for a Small City. Three further case studies show how architecture came to predominate over the sculpture which it housed: Philip Johnson's sculpture court for MoMA, Carlo Scarpa's extension to the Canova Gipsoteca; and the pavilions for Sonsbeek by Gerrit Rietveld and Aldo van Eyck.
Sculpture
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One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature—designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it(...)
janvier 1900, Boston, London
Power of limits: Proportional harmonies in nature, art and architecture
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One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature—designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns—ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made—by the dynamic union of opposites—as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well.
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The definitive work on this period of social upheaval, now back in print.
New York 1930: architecture and urbanism between the two World Wars
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The definitive work on this period of social upheaval, now back in print.
Histoire jusqu’à 1900
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature(...)
Last landscapes : the architecture of the cemetery in the west
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery 'Beth Haim' at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture ‘began with the tomb', yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Jardins
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"Landscape architecture and town planning in the Netherlands 99-01" is the fourth in the series of biennal publications reflecting current developments in the disciplines that shape the planned environment in the Netherlands. An independant committee consisting of Tineke Blok, Albert Fien, Alies Rommerts, Max van Rooy, and Harm Veenenbos has selected almost forty(...)
Landscape architecture and town planning in the Netherlands 99-01
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"Landscape architecture and town planning in the Netherlands 99-01" is the fourth in the series of biennal publications reflecting current developments in the disciplines that shape the planned environment in the Netherlands. An independant committee consisting of Tineke Blok, Albert Fien, Alies Rommerts, Max van Rooy, and Harm Veenenbos has selected almost forty projects that is one way or another represent best practice: from garden restaurant to skatepark, from courtyard to landfill, from traffic interchange to network city. The selection is preceded by a number of analytical and critical essays on topical subjects.
Jardins
livres
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
livres
janvier 1994, London
Théorie de la photographie
livres
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This book examines the many stages of architectural rendering and the role of computer technology in this process.
décembre 1997, London
The architect's eye : visualization and depiction of space in architecture
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This book examines the many stages of architectural rendering and the role of computer technology in this process.
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décembre 1997, London
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How we deal with land has far-reaching implications for architecture and urban development. The last decade has seen a dramatic rise in the privatization of urban land and in speculation. Many European cities that today find themselves under extreme development pressure have virtually no land left to build on. In view of the acute housing shortage, the question of who(...)
Architecture on common ground: positions and models on the land property issue
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How we deal with land has far-reaching implications for architecture and urban development. The last decade has seen a dramatic rise in the privatization of urban land and in speculation. Many European cities that today find themselves under extreme development pressure have virtually no land left to build on. In view of the acute housing shortage, the question of who owns the land is therefore more relevant than ever. To what extent are we able to treat the land as a common good and guard it from the excesses of capitalism? ''Architecture on common ground'' provides a historical overview of land property from Henry George to the present. Interviews with stakeholders in global models provide insights into the current handling of the land issue. The book presents outstanding projects based on either a legal or spatial distribution of land and thus makes a valuable contribution to the current discussion on sustainable land policy.
Théorie de l’urbanisme
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Comment les humains pensent-ils et aménagent-ils leurs espaces de vie ou, pour mieux dire, comment habitent-ils le monde ? Cest pour répondre à cette question que lenseignant en architecture Patrick Pérez, disparu en 2019, se fait anthropologue et part à la rencontre de deux sociétés amérindiennes très différentes lune de lautre, les Hopi dArizona et les Lacandons du(...)
Habiter le monde : espaces, paysages et architectures chez les Hopi d'Arizona et les Lacandon du Chiapas
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Comment les humains pensent-ils et aménagent-ils leurs espaces de vie ou, pour mieux dire, comment habitent-ils le monde ? Cest pour répondre à cette question que lenseignant en architecture Patrick Pérez, disparu en 2019, se fait anthropologue et part à la rencontre de deux sociétés amérindiennes très différentes lune de lautre, les Hopi dArizona et les Lacandons du Chiapas. Cest le fruit de cette (en)quête qui est livré ici, à travers des textes au style élégant et expressif, mus par un même objectif : donner un sens à laltérité, amener la lectrice ou le lecteur à comprendre ce que sont les Autres, dans toute leur singularité et leur complexité. Une magistrale leçon danthropologie.
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The unique convergence of architecture and landscape found on the Bernina Pass inspired Swiss photographer Guido Baselgia to create a visual epic. The result is a one-of-a-kind presentation of the new road maintenance base near Bernina Pass, designed by renowned Swiss firm Bearth & Deplazes Architekten, in a seemingly arctic winter landscape. Baselgia explored the(...)
Bernina Transversal: Guido Baselgia, Bearth & Deplazes. Architecture and photography
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The unique convergence of architecture and landscape found on the Bernina Pass inspired Swiss photographer Guido Baselgia to create a visual epic. The result is a one-of-a-kind presentation of the new road maintenance base near Bernina Pass, designed by renowned Swiss firm Bearth & Deplazes Architekten, in a seemingly arctic winter landscape. Baselgia explored the territory along the road and railway line with his analog camera. His images also draw a connection between the existing infrastructures for traffic and energy production—built over the course of the landscape’s industrialization and continued development since the late nineteenth century—and the architecture of the new maintenance base.
Monographies photo