Le style Palm Springs
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Dans les années d'après-guerre, nourris des créations européennes de Ludwig Mies Van der Rohe, de Le Corbusier ou de Walter Gropius, l'élite des nouveaux architectes américaines imagine pour les tycoons d'Hollywood un choix de résidences aux lignes épurées, en totale harmonie avec le panorama XXL du désert de Mojave. Cet ouvrage présente la Kaufmann House de Neutra,(...)
Le style Palm Springs
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Dans les années d'après-guerre, nourris des créations européennes de Ludwig Mies Van der Rohe, de Le Corbusier ou de Walter Gropius, l'élite des nouveaux architectes américaines imagine pour les tycoons d'Hollywood un choix de résidences aux lignes épurées, en totale harmonie avec le panorama XXL du désert de Mojave. Cet ouvrage présente la Kaufmann House de Neutra, l'Elrod House de Lautner, la Frey House II, la Loewy Residence de Frey et tous les lieux emblématiques de Palm Springs.
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I.M. Pei was born in the early years of the century and continues to practice today. In this conversation, he talks with Fumihiko Maki about memorable personages and projects from a career that has spanned more than half a century, including descriptions of his encounters with Walter Gropius and Alvar Aalto. This issue is the first of a new series by a + u that will(...)
A+U special issue: I.M. Pei - words for the future
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I.M. Pei was born in the early years of the century and continues to practice today. In this conversation, he talks with Fumihiko Maki about memorable personages and projects from a career that has spanned more than half a century, including descriptions of his encounters with Walter Gropius and Alvar Aalto. This issue is the first of a new series by a + u that will deliver a new perspective on 20th-century architecture through interviews between architects.
Architecture, monographies
The struggle for modernism : architecture, landscape architecture, and city planning at Harvard
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A history of modernism in the teaching of architecture, landscape architecture, and city planning at Harvard. This book tells how modernism evolved in the celebrated design school in America. Tracing developments at Harvard, whose Graduate School of Design was home from 1937 to 1952 of Bauhaus founder Walter Gropius, it shows that America had initiated its own modern(...)
Théorie de l’architecture
septembre 2001, New York / London
The struggle for modernism : architecture, landscape architecture, and city planning at Harvard
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A history of modernism in the teaching of architecture, landscape architecture, and city planning at Harvard. This book tells how modernism evolved in the celebrated design school in America. Tracing developments at Harvard, whose Graduate School of Design was home from 1937 to 1952 of Bauhaus founder Walter Gropius, it shows that America had initiated its own modern agenda before the arrival of the European modernist ideology. Anthony Alofsin is Roland Roessner Centennial Professor of Architecture at the University of Texas at Austin.
Théorie de l’architecture
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent(...)
A home of one's own: Émigré architects and their houses 1920-1960
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent do the architects’ other buildings differ from such 'homes of one’s own' in a foreign country, to use an expression borrowed and modified from Virginia Woolf?
Modernisme
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine(...)
Théorie de l’architecture
février 2009, Minneapolis, London
194X : architecture, planning, and consumer culture on the american home front
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius.
Théorie de l’architecture
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this(...)
Modernisme
mai 2006, München / Berlin / London / New York
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this book. Engels' photographs show many buildings in their newly restored conditions and reflect the full range of Bauhaus architecture, one of the most influential schools of architecture in the twentieth century.
Modernisme
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"Ornament is crime" is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects(...)
Ornament is crime: modernist architecture
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"Ornament is crime" is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
Modernisme
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Théorie de l’architecture
Chairs by architects
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Does an architect’s style always come across, regardless of medium? Pairing great buildings with great chairs by the same architect, Chairs by Architects demonstrates how the defining qualities of a building’s style can also be evident in that architect’s furniture designs. Pieces of furniture, like manifestos, become signatures of architectural style. The fifty-five(...)
Chairs by architects
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Does an architect’s style always come across, regardless of medium? Pairing great buildings with great chairs by the same architect, Chairs by Architects demonstrates how the defining qualities of a building’s style can also be evident in that architect’s furniture designs. Pieces of furniture, like manifestos, become signatures of architectural style. The fifty-five architects featured here include early modern architectural pioneers such as Otto Wagner, Charles Rennie Mackintosh, Antoni Gaudí, and Walter Gropius, together with more recent modern masters such as Oscar Niemeyer, Santiago Calatrava, Zaha Hadid, Frank Gehry, and Daniel Libeskind.
Design industriel
Architecte au long cours
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Lauréat du prix Pritzker en 1993, Fumihiko Maki est un des grands maîtres d'une architecture moderne, imprégnée de culture japonaise. Respectueux de l'espace, il est sensible à l'appropriation sociale des lieux. Parmi ses dernières oeuvres : WTC 4, une des tours de Ground Zero à New York. Michel Thiollière, par le biais d'une conversation, nous fait découvrir un acteur(...)
Architecte au long cours
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Lauréat du prix Pritzker en 1993, Fumihiko Maki est un des grands maîtres d'une architecture moderne, imprégnée de culture japonaise. Respectueux de l'espace, il est sensible à l'appropriation sociale des lieux. Parmi ses dernières oeuvres : WTC 4, une des tours de Ground Zero à New York. Michel Thiollière, par le biais d'une conversation, nous fait découvrir un acteur essentiel de l'architecture et de l'urbanisme des soixante dernières années, qui a côtoyé et admiré aussi bien Le Corbusier, Alvar Aalto, Kenzo Tange, Mies van der Rohe, Walter Gropius que Frank Lloyd Wright.
Théorie de l’architecture