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71 pages : illustrations (some color), plans ; 31 cm.
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71 pages : illustrations (some color), plans ; 31 cm.
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Stuttgart : Edition Axel Menges, [2016], ©2016
Stuttgart : Edition Axel Menges, [2016], ©2016
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Ivano Gianola : LAC Lugano Arte e Cultura / text, Frank R. Werner ; photographs, Christian Richters ; translation into English, Friedrich Ragette ; editor, Axel Menges.
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71 pages : illustrations (some color), plans ; 31 cm.
Ivano Gianola : LAC Lugano Arte e Cultura / text, Frank R. Werner ; photographs, Christian Richters ; translation into English, Friedrich Ragette ; editor, Axel Menges.
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71 pages : illustrations (some color), plans ; 31 cm.
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Stuttgart : Edition Axel Menges, [2016], ©2016
Stuttgart : Edition Axel Menges, [2016], ©2016
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$22.50
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book(...)
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book(...)
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Architecture, monographies
Architecture, monographies
Publication:
octobre 2005, Durham, North Carolina
octobre 2005, Durham, North Carolina
Titre:
The Nasher Museum of Art at Duke University : Rafael Vinoly Architects
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book documents the genesis and design of the new museum, which opens on October 2, 2005. The building is named in honor of the family of Raymond D. Nasher, an internationally prominent art collector who graduated from Duke in 1943. The brilliant core of the Nasher at Duke is a 13,000-square-foot glass and steel canopy rising to a height of 45 feet above the central gallery space. The faceted roof soars above the irregular pentagonal great hall, where five concrete pavilions fan out at different angles. The pavilions will house three large gallery spaces, an auditorium, offices, university and community classrooms, a museum shop, and a café with outdoor seating overlooking a sculpture garden. Set in the forest on Duke's campus, the museum's full-height glass walls and green slate floor connect the pavilions and further blur the division between building and nature. With an essay by art historian Annabel Jane Wharton, a design statement by architect Rafael Vinoly, a foreword by museum namesake Raymond D. Nasher, and photographs by Brad Feinknopf and Jerry Blow, this book documents the building that will become a cornerstone for cultural activities for the university and the public.
The Nasher Museum of Art at Duke University : Rafael Vinoly Architects
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book documents the genesis and design of the new museum, which opens on October 2, 2005. The building is named in honor of the family of Raymond D. Nasher, an internationally prominent art collector who graduated from Duke in 1943. The brilliant core of the Nasher at Duke is a 13,000-square-foot glass and steel canopy rising to a height of 45 feet above the central gallery space. The faceted roof soars above the irregular pentagonal great hall, where five concrete pavilions fan out at different angles. The pavilions will house three large gallery spaces, an auditorium, offices, university and community classrooms, a museum shop, and a café with outdoor seating overlooking a sculpture garden. Set in the forest on Duke's campus, the museum's full-height glass walls and green slate floor connect the pavilions and further blur the division between building and nature. With an essay by art historian Annabel Jane Wharton, a design statement by architect Rafael Vinoly, a foreword by museum namesake Raymond D. Nasher, and photographs by Brad Feinknopf and Jerry Blow, this book documents the building that will become a cornerstone for cultural activities for the university and the public.
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livres
livres
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octobre 2005, Durham, North Carolina
octobre 2005, Durham, North Carolina
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Architecture, monographies
Architecture, monographies
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240 pages : illustrations (chiefly color), plans ; 34 cm
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240 pages : illustrations (chiefly color), plans ; 34 cm
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Copenhagen : Realdania, 2018.
Copenhagen : Realdania, 2018.
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BLOX / edited by Kristoffer Lindhardt Weiss ; photographs by Rasmus Hjortshøj.
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240 pages : illustrations (chiefly color), plans ; 34 cm
BLOX / edited by Kristoffer Lindhardt Weiss ; photographs by Rasmus Hjortshøj.
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240 pages : illustrations (chiefly color), plans ; 34 cm
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Copenhagen : Realdania, 2018.
Copenhagen : Realdania, 2018.
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xxx, 338 pages, 32 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
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xxx, 338 pages, 32 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
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Princeton, N.J. : Princeton University Press, 1999.
Princeton, N.J. : Princeton University Press, 1999.
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The painting of modern life : Paris in the art of Manet and his followers / T.J. Clark.
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xxx, 338 pages, 32 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
The painting of modern life : Paris in the art of Manet and his followers / T.J. Clark.
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xxx, 338 pages, 32 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
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Princeton, N.J. : Princeton University Press, 1999.
Princeton, N.J. : Princeton University Press, 1999.
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$31.95
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In the City, explores the visual details of a variety of urban metropolises including Shanghai, New York, Antwerp, London, Paris, Oslo, Lausanne, Budapest, Istanbul, and San Francisco. These drawings and paintings document the sights, sounds, shapes, and textures he absorbs as the author wanders the streets without a map or sits in a cafe while waiting for a train...
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In the City, explores the visual details of a variety of urban metropolises including Shanghai, New York, Antwerp, London, Paris, Oslo, Lausanne, Budapest, Istanbul, and San Francisco. These drawings and paintings document the sights, sounds, shapes, and textures he absorbs as the author wanders the streets without a map or sits in a cafe while waiting for a train...
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In the city : drawings by Nigel Peake
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In the City, explores the visual details of a variety of urban metropolises including Shanghai, New York, Antwerp, London, Paris, Oslo, Lausanne, Budapest, Istanbul, and San Francisco. These drawings and paintings document the sights, sounds, shapes, and textures he absorbs as the author wanders the streets without a map or sits in a cafe while waiting for a train...
In the city : drawings by Nigel Peake
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In the City, explores the visual details of a variety of urban metropolises including Shanghai, New York, Antwerp, London, Paris, Oslo, Lausanne, Budapest, Istanbul, and San Francisco. These drawings and paintings document the sights, sounds, shapes, and textures he absorbs as the author wanders the streets without a map or sits in a cafe while waiting for a train...
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livres
livres
Publication:
octobre 2013
octobre 2013
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Illustration
Illustration
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livres
livres
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Pub scene
Pub scene
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$85.99
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The pub scene across the world is characterised by its casual warmth and conviviality. It has none of the pretences or formality of a restaurant or cocktail bar. It is the relaxed setting in which friends and strangers alike can choose to meet. The pub is where we go to celebrate a special occasion with a group of chums, but also where we might go to flirt intimately with(...)
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The pub scene across the world is characterised by its casual warmth and conviviality. It has none of the pretences or formality of a restaurant or cocktail bar. It is the relaxed setting in which friends and strangers alike can choose to meet. The pub is where we go to celebrate a special occasion with a group of chums, but also where we might go to flirt intimately with(...)
Publication:
mars 2006, Chichester
mars 2006, Chichester
Titre:
Pub scene
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$85.99
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The pub scene across the world is characterised by its casual warmth and conviviality. It has none of the pretences or formality of a restaurant or cocktail bar. It is the relaxed setting in which friends and strangers alike can choose to meet. The pub is where we go to celebrate a special occasion with a group of chums, but also where we might go to flirt intimately with a prospective lover. It is a comfortable destination for seeking out the company of others. Whether located on a street corner in the Scottish Highlands, Munich or New Zealand, a favourite pub is defined by its own distinct atmosphere and character. Pubs are distinguished as much by their interior décor, as by the beer and liquor they sell and the customers that mingle around the bar. These qualities combine to give a 'local' its particular appeal, with a draw far beyond its immediate locality. These very unique, idiosyncratic attributes of pubs, which were once taken for granted, are now in real danger of extinction, as bar chains with standardised designs and drinks' menus are rolled out across city centres and main streets. Turning its back on the trend towards homogeneity of today's watering holes, "Pub Scene" celebrates the often exuberant, sometimes elegant décor, and always singular, wow factor of public drinking places, whether they are big or small, traditional or contemporary. Author Jane Peyton describes some of the world's best looking pubs, including British Victorian Gin Palaces, classic Art Nouveau Belgian café bars, Germany's Beloved bierkellers, Australia's amazing beachside beer-gardens and America's notable brew-pubs.
Pub scene
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$85.99
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The pub scene across the world is characterised by its casual warmth and conviviality. It has none of the pretences or formality of a restaurant or cocktail bar. It is the relaxed setting in which friends and strangers alike can choose to meet. The pub is where we go to celebrate a special occasion with a group of chums, but also where we might go to flirt intimately with a prospective lover. It is a comfortable destination for seeking out the company of others. Whether located on a street corner in the Scottish Highlands, Munich or New Zealand, a favourite pub is defined by its own distinct atmosphere and character. Pubs are distinguished as much by their interior décor, as by the beer and liquor they sell and the customers that mingle around the bar. These qualities combine to give a 'local' its particular appeal, with a draw far beyond its immediate locality. These very unique, idiosyncratic attributes of pubs, which were once taken for granted, are now in real danger of extinction, as bar chains with standardised designs and drinks' menus are rolled out across city centres and main streets. Turning its back on the trend towards homogeneity of today's watering holes, "Pub Scene" celebrates the often exuberant, sometimes elegant décor, and always singular, wow factor of public drinking places, whether they are big or small, traditional or contemporary. Author Jane Peyton describes some of the world's best looking pubs, including British Victorian Gin Palaces, classic Art Nouveau Belgian café bars, Germany's Beloved bierkellers, Australia's amazing beachside beer-gardens and America's notable brew-pubs.
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livres
livres
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mars 2006, Chichester
mars 2006, Chichester
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223 pages : color illustrations, facsimiles, portraits ; 27 cm
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223 pages : color illustrations, facsimiles, portraits ; 27 cm
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Paris : Fondation HCB ; [Paris] : Paris musées : Musée Carnavalet-Histoire de Paris ; Paris : Atelier EXB, [2020], ©2020
Paris : Fondation HCB ; [Paris] : Paris musées : Musée Carnavalet-Histoire de Paris ; Paris : Atelier EXB, [2020], ©2020
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Atget : voir Paris / ouvrage sous la direction d'Anne de Mondenard et Agnès Sire ; à partir de la collection du Musée Carnavalet-Histoire de Paris.
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223 pages : color illustrations, facsimiles, portraits ; 27 cm
Atget : voir Paris / ouvrage sous la direction d'Anne de Mondenard et Agnès Sire ; à partir de la collection du Musée Carnavalet-Histoire de Paris.
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223 pages : color illustrations, facsimiles, portraits ; 27 cm
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Paris : Fondation HCB ; [Paris] : Paris musées : Musée Carnavalet-Histoire de Paris ; Paris : Atelier EXB, [2020], ©2020
Paris : Fondation HCB ; [Paris] : Paris musées : Musée Carnavalet-Histoire de Paris ; Paris : Atelier EXB, [2020], ©2020
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Claude Nicolas Ledoux
Claude Nicolas Ledoux
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$80.95
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Claude Nicolas Ledoux (1736-1806), architecte du roi. Créateur inspiré du siècle des Lumières, bâtisseur visionnaire, utopiste et écrivain d'inspiration maçonnique, l'architecte Claude Nicolas Ledoux exerça d'abord son art avec succès comme ingénieur et dans le domaine privé sous le règne de Louis XV. Protégé de Mme du Barry, il édifia - outre de nombreux hôtels(...)
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Claude Nicolas Ledoux (1736-1806), architecte du roi. Créateur inspiré du siècle des Lumières, bâtisseur visionnaire, utopiste et écrivain d'inspiration maçonnique, l'architecte Claude Nicolas Ledoux exerça d'abord son art avec succès comme ingénieur et dans le domaine privé sous le règne de Louis XV. Protégé de Mme du Barry, il édifia - outre de nombreux hôtels(...)
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Claude Nicolas Ledoux
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Claude Nicolas Ledoux (1736-1806), architecte du roi. Créateur inspiré du siècle des Lumières, bâtisseur visionnaire, utopiste et écrivain d'inspiration maçonnique, l'architecte Claude Nicolas Ledoux exerça d'abord son art avec succès comme ingénieur et dans le domaine privé sous le règne de Louis XV. Protégé de Mme du Barry, il édifia - outre de nombreux hôtels particuliers - le pavillon de Louveciennes, le château de Bénouville, celui de Maupertuis et réalisa la décoration du Café militaire. Puis, architecte du roi, il construisit sous Louis XVI la saline d'Arc-et-Senans commandée par Louis XV avant sa mort et les barrières de Paris ; en province, avec la construction du théâtre de Besançon, il fit progresser la réforme des lieux de spectacle. Tombé en disgrâce à la Révolution, il fut incarcéré à la Force en 1793. Empêché d'exercer, il commence la rédaction de "L'architecture considérée sous le rapport de l'art, des mœurs et de La législation". Ce texte, superbement illustré de projets grandioses qui rendent compte de la surprenante modernité de sa vision, offre à la postérité toute l'étendue de la puissance créatrice de Ledoux et une solide réflexion sur l'implication sociale et politique de l'architecture. Lors des réformes urbanistiques de Paris au XIXe siècle, ses constructions furent pour les trois quarts détruites. En s'appuyant sur ce qu'il reste encore actuellement de ses édifices, sur les estampes de ses projets et réalisations ainsi que sur ses écrits, qui témoignent de ses aspirations, cet ouvrage propose de retracer le parcours de Ledoux à travers une étude approfondie de son œuvre. Cette étude s'accompagne de celle, indissociable, du contexte historique particulièrement mouvementé dans lequel Ledoux vécut et s'articule autour d'une analyse sensible de la question du progrès des arts.
Claude Nicolas Ledoux
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Claude Nicolas Ledoux (1736-1806), architecte du roi. Créateur inspiré du siècle des Lumières, bâtisseur visionnaire, utopiste et écrivain d'inspiration maçonnique, l'architecte Claude Nicolas Ledoux exerça d'abord son art avec succès comme ingénieur et dans le domaine privé sous le règne de Louis XV. Protégé de Mme du Barry, il édifia - outre de nombreux hôtels particuliers - le pavillon de Louveciennes, le château de Bénouville, celui de Maupertuis et réalisa la décoration du Café militaire. Puis, architecte du roi, il construisit sous Louis XVI la saline d'Arc-et-Senans commandée par Louis XV avant sa mort et les barrières de Paris ; en province, avec la construction du théâtre de Besançon, il fit progresser la réforme des lieux de spectacle. Tombé en disgrâce à la Révolution, il fut incarcéré à la Force en 1793. Empêché d'exercer, il commence la rédaction de "L'architecture considérée sous le rapport de l'art, des mœurs et de La législation". Ce texte, superbement illustré de projets grandioses qui rendent compte de la surprenante modernité de sa vision, offre à la postérité toute l'étendue de la puissance créatrice de Ledoux et une solide réflexion sur l'implication sociale et politique de l'architecture. Lors des réformes urbanistiques de Paris au XIXe siècle, ses constructions furent pour les trois quarts détruites. En s'appuyant sur ce qu'il reste encore actuellement de ses édifices, sur les estampes de ses projets et réalisations ainsi que sur ses écrits, qui témoignent de ses aspirations, cet ouvrage propose de retracer le parcours de Ledoux à travers une étude approfondie de son œuvre. Cette étude s'accompagne de celle, indissociable, du contexte historique particulièrement mouvementé dans lequel Ledoux vécut et s'articule autour d'une analyse sensible de la question du progrès des arts.
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livres
livres
Publication:
novembre 2005, Paris
novembre 2005, Paris
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$55.00
(disponible sur commande)
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Christopher Gray's tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The architectural historian, who writes the "Streetscapes" column in The New York Times, here gathers 190 of those columns. From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel(...)
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Christopher Gray's tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The architectural historian, who writes the "Streetscapes" column in The New York Times, here gathers 190 of those columns. From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
mai 2003, New York
mai 2003, New York
Titre:
New York streetscapes : tales of Manhattan's significant buildings and landmarks
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$55.00
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Christopher Gray's tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The architectural historian, who writes the "Streetscapes" column in The New York Times, here gathers 190 of those columns. From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel Mansion in upper Manhattan, Gray turns the spotlight on both obscure and familiar landmarks, and each of his essays is illustrated with at least one period photograph.
New York streetscapes : tales of Manhattan's significant buildings and landmarks
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$55.00
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Christopher Gray's tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The architectural historian, who writes the "Streetscapes" column in The New York Times, here gathers 190 of those columns. From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel Mansion in upper Manhattan, Gray turns the spotlight on both obscure and familiar landmarks, and each of his essays is illustrated with at least one period photograph.
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livres
livres
Publication:
mai 2003, New York
mai 2003, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$77.95
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Stefan Zwicky is the name in Swiss interior architecture. The portfolio of projects realised by his Zurich studio has left its mark on a variety of sectors, particularly those related to retail, exhibition and gastronomy. Zwicky's designs have a distinctive sense of clarity and simplicity, complemented by a degree of austerity in the execution. The monograph presents,(...)
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Stefan Zwicky is the name in Swiss interior architecture. The portfolio of projects realised by his Zurich studio has left its mark on a variety of sectors, particularly those related to retail, exhibition and gastronomy. Zwicky's designs have a distinctive sense of clarity and simplicity, complemented by a degree of austerity in the execution. The monograph presents,(...)
Titre:
Stefan Zwicky : exhibition architecture
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Stefan Zwicky is the name in Swiss interior architecture. The portfolio of projects realised by his Zurich studio has left its mark on a variety of sectors, particularly those related to retail, exhibition and gastronomy. Zwicky's designs have a distinctive sense of clarity and simplicity, complemented by a degree of austerity in the execution. The monograph presents, among others, several well-known projects: Cafe Schwarzenbach; Information pavilion for a bridge under construction near Baden, Switzerland; temporary showroom for lighting manufacturer Zumtobel, featured at Designers' Saturday, Zurich; GM trade-fair stand for a Swiss importer of bicycles.
Stefan Zwicky : exhibition architecture
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Stefan Zwicky is the name in Swiss interior architecture. The portfolio of projects realised by his Zurich studio has left its mark on a variety of sectors, particularly those related to retail, exhibition and gastronomy. Zwicky's designs have a distinctive sense of clarity and simplicity, complemented by a degree of austerity in the execution. The monograph presents, among others, several well-known projects: Cafe Schwarzenbach; Information pavilion for a bridge under construction near Baden, Switzerland; temporary showroom for lighting manufacturer Zumtobel, featured at Designers' Saturday, Zurich; GM trade-fair stand for a Swiss importer of bicycles.
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livres
livres
Publication:
janvier 1900, Basel
janvier 1900, Basel
Sujet:
Architecture, monographies
Architecture, monographies
