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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects(...)
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects(...)
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Nikki de Saint Phalle in the 60s
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
Nikki de Saint Phalle in the 60s
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
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livres
livres
Publication:
novembre 2021
novembre 2021
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livres
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare(...)
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare(...)
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No is not an answer : on the work of Marie-Louise Ekman
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare state. She has directed more than a dozen films, TV series, and plays, and since 2009 she has been the director of the Royal Dramatic Theatre in Stockholm.
No is not an answer : on the work of Marie-Louise Ekman
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare state. She has directed more than a dozen films, TV series, and plays, and since 2009 she has been the director of the Royal Dramatic Theatre in Stockholm.
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livres
livres
Publication:
juillet 2014
juillet 2014
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have(...)
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have(...)
Titre:
Women artists: the Linda Nochlin reader
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
Women artists: the Linda Nochlin reader
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie de l’art
Théorie de l’art
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352 pages : illustrations (some color) ; 24 cm
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352 pages : illustrations (some color) ; 24 cm
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Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
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Design et pensée du care : pour un design des microluttes et des singularités / sous la direction de Jehanne Dautrey.
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352 pages : illustrations (some color) ; 24 cm
Design et pensée du care : pour un design des microluttes et des singularités / sous la direction de Jehanne Dautrey.
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352 pages : illustrations (some color) ; 24 cm
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Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
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207 pages : illustrations ; 31 cm
Description:
207 pages : illustrations ; 31 cm
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Paris : Manuella, 2017., copyright 2017
Paris : Manuella, 2017., copyright 2017
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Women house / Camille Morineau.
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207 pages : illustrations ; 31 cm
Women house / Camille Morineau.
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207 pages : illustrations ; 31 cm
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Paris : Manuella, 2017., copyright 2017
Paris : Manuella, 2017., copyright 2017
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Stable vices
Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist(...)
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist(...)
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Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
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livres
Publication:
janvier 2021
janvier 2021
Sujet:
Monographies photo
Monographies photo
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livres
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Judy Chicago-isms
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
livres
Prix:
$70.00
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s(...)
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s(...)
Titre:
Chacarita Moderna: The Brutalist Necropolis of Buenos Aires
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s first female architects and urban planners, a pioneer of South American modernism who also contributed to Le Corbusier’s master plan for Buenos Aires. In this book, French architect Léa Namer rediscovers the necropolis through an in-depth investigation and feminist re-reading of this unique site and its creator.
Chacarita Moderna: The Brutalist Necropolis of Buenos Aires
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s first female architects and urban planners, a pioneer of South American modernism who also contributed to Le Corbusier’s master plan for Buenos Aires. In this book, French architect Léa Namer rediscovers the necropolis through an in-depth investigation and feminist re-reading of this unique site and its creator.
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livres
livres
Publication:
juin 2024
juin 2024
Classification:
livres
livres
Titre:
Feminism. Art. Capitalism
Feminism. Art. Capitalism
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
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Feminism. Art. Capitalism
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$47.00
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
Feminism. Art. Capitalism
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$47.00
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Titre:
Ying Ang: Fruiting bodies
Ying Ang: Fruiting bodies
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$98.00
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Visual artist Ying Ang reimagines the mushroom as both a biological form and feminist metaphor – an emergent, generative force that challenges dominant narratives of fertility and the female body. She examines how the fetishisation of fertility shapes cultural perceptions of women, nature, and reproduction, questioning whether growth and abundance must always serve a(...)
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Visual artist Ying Ang reimagines the mushroom as both a biological form and feminist metaphor – an emergent, generative force that challenges dominant narratives of fertility and the female body. She examines how the fetishisation of fertility shapes cultural perceptions of women, nature, and reproduction, questioning whether growth and abundance must always serve a(...)
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Ying Ang: Fruiting bodies
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Visual artist Ying Ang reimagines the mushroom as both a biological form and feminist metaphor – an emergent, generative force that challenges dominant narratives of fertility and the female body. She examines how the fetishisation of fertility shapes cultural perceptions of women, nature, and reproduction, questioning whether growth and abundance must always serve a reproductive imperative. The fungal model is a form of fertility that is rhizomatic rather than hierarchical, collective rather than possessive, disruptive rather than obedient. Just as mycelium persists unseen beneath the forest floor, connecting and shaping ecosystems, women continue to shape society in profound ways.
Ying Ang: Fruiting bodies
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Visual artist Ying Ang reimagines the mushroom as both a biological form and feminist metaphor – an emergent, generative force that challenges dominant narratives of fertility and the female body. She examines how the fetishisation of fertility shapes cultural perceptions of women, nature, and reproduction, questioning whether growth and abundance must always serve a reproductive imperative. The fungal model is a form of fertility that is rhizomatic rather than hierarchical, collective rather than possessive, disruptive rather than obedient. Just as mycelium persists unseen beneath the forest floor, connecting and shaping ecosystems, women continue to shape society in profound ways.
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livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Monographies photo
Monographies photo
