12643 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Trondcomp.
Trondcomp.
Numéro de référence:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Personnes et institutions:
Date:
1967-1974, predominant 1972-1974
1967-1974, predominant 1972-1974
Titre:
Trondcomp.
Actions:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Trondcomp.
Actions:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Niveau de description archivistique:
File 86
File 86
Date:
1967-1974, predominant 1972-1974
1967-1974, predominant 1972-1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1987-1995
1987-1995
Titre:
Parque de Santo Domingo de Bonaval [Santo Domingo de Bonaval Park], Santiago de Compostela, Spain (1990)
Actions:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Parque de Santo Domingo de Bonaval [Santo Domingo de Bonaval Park], Santiago de Compostela, Spain (1990)
Actions:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1987-1995
1987-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Miragaia, Porto
Miragaia, Porto
Numéro de référence:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1977
1975-1977
Personnes et institutions:
Classification:
documents textuels, graphique
documents textuels, graphique
Numéro de référence:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Personnes et institutions:
Titre:
Clippings, including some from the IFPRI project and Mean Time exhibition
Actions:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Clippings, including some from the IFPRI project and Mean Time exhibition
Actions:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Classification:
documents textuels, graphique
documents textuels, graphique
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269364
Description:
Contains photographic materials on projects by Abalos & Herreros: - Vivienda experimental (12 slides: plans); - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria (44 slides: interior/exterior views and construction); - Entrada desde la puerta del cambron, Bup 12 unidades Santiago de la Fuente, Toledo (51 slides: interior/exterior views and plans); - Linea de mobiliario Euterpe (19 slides: views of seats and tables); - Auditorio al aire libre en la casa de campo (66 slides: plans, interior/exterior views, construction); - Centro Cultural, Cobeña, Madrid, AP164.S1.1986.D4 (30 slides, 1 negative : views of model, interior views and 1 plan); - Polideportivo y piscina cubierta de Vallecas, AP164.S1.1986.D1 (30 slides, 1 negative: interior/exterior views, construction and plans).
ARCH269364
Description:
Contains photographic materials on projects by Abalos & Herreros: - Vivienda experimental (12 slides: plans); - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria (44 slides: interior/exterior views and construction); - Entrada desde la puerta del cambron, Bup 12 unidades Santiago de la Fuente, Toledo (51 slides: interior/exterior views and plans); - Linea de mobiliario Euterpe (19 slides: views of seats and tables); - Auditorio al aire libre en la casa de campo (66 slides: plans, interior/exterior views, construction); - Centro Cultural, Cobeña, Madrid, AP164.S1.1986.D4 (30 slides, 1 negative : views of model, interior views and 1 plan); - Polideportivo y piscina cubierta de Vallecas, AP164.S1.1986.D1 (30 slides, 1 negative: interior/exterior views, construction and plans).
Personnes et institutions:
Date:
ca. 1988
ca. 1988
Titre:
Ring binder with photographic materials related to seven projects by Abalos & Herreros
Actions:
ARCH269364
Description:
Contains photographic materials on projects by Abalos & Herreros: - Vivienda experimental (12 slides: plans); - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria (44 slides: interior/exterior views and construction); - Entrada desde la puerta del cambron, Bup 12 unidades Santiago de la Fuente, Toledo (51 slides: interior/exterior views and plans); - Linea de mobiliario Euterpe (19 slides: views of seats and tables); - Auditorio al aire libre en la casa de campo (66 slides: plans, interior/exterior views, construction); - Centro Cultural, Cobeña, Madrid, AP164.S1.1986.D4 (30 slides, 1 negative : views of model, interior views and 1 plan); - Polideportivo y piscina cubierta de Vallecas, AP164.S1.1986.D1 (30 slides, 1 negative: interior/exterior views, construction and plans).
Ring binder with photographic materials related to seven projects by Abalos & Herreros
Actions:
ARCH269364
Description:
Contains photographic materials on projects by Abalos & Herreros: - Vivienda experimental (12 slides: plans); - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria (44 slides: interior/exterior views and construction); - Entrada desde la puerta del cambron, Bup 12 unidades Santiago de la Fuente, Toledo (51 slides: interior/exterior views and plans); - Linea de mobiliario Euterpe (19 slides: views of seats and tables); - Auditorio al aire libre en la casa de campo (66 slides: plans, interior/exterior views, construction); - Centro Cultural, Cobeña, Madrid, AP164.S1.1986.D4 (30 slides, 1 negative : views of model, interior views and 1 plan); - Polideportivo y piscina cubierta de Vallecas, AP164.S1.1986.D1 (30 slides, 1 negative: interior/exterior views, construction and plans).
Classification:
photographies
photographies
Date:
ca. 1988
ca. 1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Fun Palace Project
Fun Palace Project
Numéro de référence:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Titre:
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Niveau de description archivistique:
File 46
File 46
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Tangente - Alain Paiement
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Date:
23 avril 2003 au 23 novembre 2003
23 avril 2003 au 23 novembre 2003
Titre:
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Classification:
expositions
expositions
Date:
23 avril 2003 au
23 novembre 2003
23 avril 2003 au
23 novembre 2003
Localisation:
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
Classification:
photographies
photographies
Numéro de référence:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Personnes et institutions:
Date:
1950s-1970s
1950s-1970s
Titre:
Photographs of Chandigarh, India, including photographs of the everyday life
Actions:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Photographs of Chandigarh, India, including photographs of the everyday life
Actions:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Classification:
photographies
photographies
Date:
1950s-1970s
1950s-1970s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Personnes et institutions:
Date:
1995-2008
1995-2008
Titre:
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Niveau de description archivistique:
Project
Project
Date:
1995-2008
1995-2008
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Niveau de description archivistique:
Series
Series
Date:
1963-1996
1963-1996
Personnes et institutions:
