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Providing a potent set of tools for urban designers and urban-design students, 'Recombing urbanism' also recast urban modelling as an effective method of augmenting standard architectural design practices in an urban context.
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Providing a potent set of tools for urban designers and urban-design students, 'Recombing urbanism' also recast urban modelling as an effective method of augmenting standard architectural design practices in an urban context.
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Recombinant urbanism : conceptual modeling in architecture, urban design, and city theory
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Providing a potent set of tools for urban designers and urban-design students, 'Recombing urbanism' also recast urban modelling as an effective method of augmenting standard architectural design practices in an urban context.
Recombinant urbanism : conceptual modeling in architecture, urban design, and city theory
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Providing a potent set of tools for urban designers and urban-design students, 'Recombing urbanism' also recast urban modelling as an effective method of augmenting standard architectural design practices in an urban context.
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livres
livres
Publication:
avril 2004, Chichester
avril 2004, Chichester
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$64.50
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal(...)
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal(...)
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Moduli 225: a gem of modern architecture. Juhani Pallasmaa, Kristian Gullichsen
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal preferences. Through the Moduli system, the industrial serial production of components was successfully combined with freedom of choice, individuality, proportional harmony, and modernist expression. The simple standard shape and geometry and the humane scale and harmony of proportion of Moduli all represent universal aesthetics.
Moduli 225: a gem of modern architecture. Juhani Pallasmaa, Kristian Gullichsen
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal preferences. Through the Moduli system, the industrial serial production of components was successfully combined with freedom of choice, individuality, proportional harmony, and modernist expression. The simple standard shape and geometry and the humane scale and harmony of proportion of Moduli all represent universal aesthetics.
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livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Modernisme
Modernisme
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livres
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
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livres
livres
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
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'Houses of God' is a fascinating look at how Americans shape their places of worship into multifaceted reflections of their culture, beliefs, and times.
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'Houses of God' is a fascinating look at how Americans shape their places of worship into multifaceted reflections of their culture, beliefs, and times.
Titre:
Houses of God : region, religion, and architecture in the United States
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'Houses of God' is a fascinating look at how Americans shape their places of worship into multifaceted reflections of their culture, beliefs, and times.
Houses of God : region, religion, and architecture in the United States
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'Houses of God' is a fascinating look at how Americans shape their places of worship into multifaceted reflections of their culture, beliefs, and times.
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livres
livres
Publication:
juin 1997, Chicago
juin 1997, Chicago
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the(...)
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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the(...)
Titre:
Architectural Review Flanders no 10, 2012 : radical commonplaces - European architectures from Flanders
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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the development of new concepts for living in one of Europe's most densely populated areas, redevelopment projects and infrastructures, and the great cultural ambitions found in a number of public and private buildings in Flanders and elsewhere. With texts by Guy Chtel, Aglaée Degros, Stefan Devoldere, Christoph Grafe, Christian Kieckens, Axel Sowa and Ellis Woodman, among others.
Architectural Review Flanders no 10, 2012 : radical commonplaces - European architectures from Flanders
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The architectural production in Flanders increasingly draws international attention. This is the result of the valuable work accomplished by several Flemish initiatives that has had effects on the rise of a vibrant design and research culture in architecture. In Radical Commonplaces, architects, critics and experts from both Flanders and Europe reflect upon the development of new concepts for living in one of Europe's most densely populated areas, redevelopment projects and infrastructures, and the great cultural ambitions found in a number of public and private buildings in Flanders and elsewhere. With texts by Guy Chtel, Aglaée Degros, Stefan Devoldere, Christoph Grafe, Christian Kieckens, Axel Sowa and Ellis Woodman, among others.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Logements collectifs
Logements collectifs
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livres
livres
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$45.00
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short(...)
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short(...)
Titre:
iheartblob: Augmented architectural objects, a new visual language
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short theoretical texts, the book facilitates new discussions about the contemporary theoretical and cultural framework – and thus also about the “crisis of philosophy” faced not only by architecture. While the theoretical framework here invokes the principles of object-oriented ontology, in a subsequent step it attempts to unravel the theoretical principles of postmodernity and poststructural formalism.
iheartblob: Augmented architectural objects, a new visual language
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'iheartblob' avails itself of a new visual vocabulary of architecture. Here designs are visualized not in the form of ground plans and sections. Instead, renderings, mixed-reality objects (which are depicted physically and in augmented reality) and animations are the media which reflect the legacy of the mathematician Lagrange. Visually, but also on the basis of short theoretical texts, the book facilitates new discussions about the contemporary theoretical and cultural framework – and thus also about the “crisis of philosophy” faced not only by architecture. While the theoretical framework here invokes the principles of object-oriented ontology, in a subsequent step it attempts to unravel the theoretical principles of postmodernity and poststructural formalism.
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livres
livres
Publication:
juin 2020
juin 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
septembre 2010
septembre 2010
Titre:
Positions: photography of architecture, city and landscape in the Netherlands
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$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
Positions: photography of architecture, city and landscape in the Netherlands
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$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$94.00
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While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the(...)
$94.00
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While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
juin 2022
juin 2022
Titre:
Coping with urban climates: comparative perspectives on architecture and thermal governance
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$94.00
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While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the materiality and social practices attached to room heating, compound greening, street alignment or climate policies together form the tissue for contemporary urban climates. It interweaves socio-cultural with meteorological data and pioneers the new concept of "thermal governance" by linking architectural and technological as well as legal and economic dimensions of climate control in urban environments.
Coping with urban climates: comparative perspectives on architecture and thermal governance
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$94.00
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Résumé:
While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the materiality and social practices attached to room heating, compound greening, street alignment or climate policies together form the tissue for contemporary urban climates. It interweaves socio-cultural with meteorological data and pioneers the new concept of "thermal governance" by linking architectural and technological as well as legal and economic dimensions of climate control in urban environments.
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livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$77.00
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
$77.00
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Résumé:
Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
Titre:
A new view: Architecture photography from the National Museums in Berlin
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$77.00
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Résumé:
Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
A new view: Architecture photography from the National Museums in Berlin
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Prix:
$77.00
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Résumé:
Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Photographie- collections
Photographie- collections
