Open 12 : Freedom of culture
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The contemporary public domain, the "free" space where culture is produced and exchanged, is under pressure. The exchange and distribution of cultural products ("content" in the form of music, image or text) is easier in digital society, but increasingly hemmed in by corresponding moves towards greater regulation and control, new copyright laws and intellectual property(...)
Open 12 : Freedom of culture
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The contemporary public domain, the "free" space where culture is produced and exchanged, is under pressure. The exchange and distribution of cultural products ("content" in the form of music, image or text) is easier in digital society, but increasingly hemmed in by corresponding moves towards greater regulation and control, new copyright laws and intellectual property policy. Instead of enjoying a "free culture," we are watching the emergence of what Lawrence Lessig calls "a permission culture." Simultaneously, as an aspect of broader privatization and regulation processes, private entities are appropriating more and more of public culture, and deciding what is made available or publicly accessible. This issue of the Dutch architectural journal, Open, investigates the root causes of these developments, how they interrelate and what the implications are for the "free" production and practice of culture, as well as for the internal dynamics and balance of power in the public domain.
Revues
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The Middle Eastern bazaar is much more than a context for commerce: the studies in this book illustrate that markets, regardless of their location, scale, and permanency, have also played important cultural roles within their societies, reflecting historical evolution, industrial development, social and political conditions, urban morphology, and architectural functions.(...)
The bazaar in the Islamic city : design, culture, and history
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The Middle Eastern bazaar is much more than a context for commerce: the studies in this book illustrate that markets, regardless of their location, scale, and permanency, have also played important cultural roles within their societies, reflecting historical evolution, industrial development, social and political conditions, urban morphology, and architectural functions. This interdisciplinary volume explores the dynamics of the bazaar with a number of case studies from Cairo, Damascus, Aleppo, Nablus, Bursa, Istanbul, Sanaa, Kabul, Tehran, and Yazd. Although they share some contextual and functional characteristics, each bazaar has its own unique and fascinating history, traditions, cultural practices, and structure. One of the most intriguing aspects revealed in this volume is the thread of continuity from past to present exhibited by the bazaar as a forum where a society meets and intermingles in the practice of goods exchange—a social and cultural ritual that is as old as human history.
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This book contains five essays about the contemporary Japanese house illustrated with a selection of designs by young architects. The domestic space becomes a symbol of the ability to adapt to new cultural and technological patterns. The designers provide brilliant meditations on the continuous exchange between body and space in a country that readily accepts change and(...)
juillet 2017
Japanese contemporary house: small anthology of floating spaces
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This book contains five essays about the contemporary Japanese house illustrated with a selection of designs by young architects. The domestic space becomes a symbol of the ability to adapt to new cultural and technological patterns. The designers provide brilliant meditations on the continuous exchange between body and space in a country that readily accepts change and looks forward to the future where buildings are not expected to last forever. Mutually interconnected spaces open to the exterior, and the exterior in turn is reflected within the house.
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China is booming. Also culture is in movement in China. It is being transformed and in continuous exchange with the global art world - Chinese artists are acknowledged abroad and international architects are building in China. Galleries, art fairs and biennials are being founded in Beijing and Shanghai. The artist Ai Weiwei and the architect Yung Ho Chang embody a new(...)
Art and cultural policy in China: a conversation between Ai Weiwei, Uli Sigg and Yung Ho Chang moderated by Peter Pakesch
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China is booming. Also culture is in movement in China. It is being transformed and in continuous exchange with the global art world - Chinese artists are acknowledged abroad and international architects are building in China. Galleries, art fairs and biennials are being founded in Beijing and Shanghai. The artist Ai Weiwei and the architect Yung Ho Chang embody a new generation of creative minds in China whose work is rooted abroad and in China. Both pursue their professions internationally and are also perceived at that level.
livres
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In this volume Peter Calthorpe, renowned West Coast town planner and author, presents the case for New Urbanism, a movement that has enjoyed meteoric success since he co-founded it in the early 1990s. More utopian and civic than Everyday Urbanism, it promotes mixed-use and transit-oriented development and redevelopment of our cities, as well as walkability and(...)
New urbanism : Peter Calthorpe vs. Lars Lerup, Michigan debates on urbanism vol.II
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In this volume Peter Calthorpe, renowned West Coast town planner and author, presents the case for New Urbanism, a movement that has enjoyed meteoric success since he co-founded it in the early 1990s. More utopian and civic than Everyday Urbanism, it promotes mixed-use and transit-oriented development and redevelopment of our cities, as well as walkability and socio-economic diversity. Less avant-garde than Post Urbanism, it embraces traditional urban and architectural scale and typologies. Lars Lerup, Dean of the School of Architecture at Rice University and author, responds with counter-arguments and case studies in a passionate but constructive exchange. Historian Robert Fishman, Professor of Architecture and Urban Planning at Taubman College and the author of several seminal books on urbanism, introduces and moderates the discussion, and offers a postscript. This compelling and insightful publication, with scores of images, features timely topics for architects, urban planners and designers, developers, government officials, landscape architects, students, and citizens interested in the fate of their urban environment.
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février 2005, Ann Arbor
Théorie de l’urbanisme
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
septembre 2005, Como
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Modernisme
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''Re-Thinking Re-Use'' is a dialogue and collaboration between Dutch and Japanese (building) cultures, where differing perspectives enrich and inspire one another. By learning from each other’s traditions and views on old, new and change, the project seeks a new and guiding balance. It embraces the reuse and transformation of existing buildings, structures and materials,(...)
Architecture, monographies
octobre 2025
HOH Architecten: Re-thinking re-use
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''Re-Thinking Re-Use'' is a dialogue and collaboration between Dutch and Japanese (building) cultures, where differing perspectives enrich and inspire one another. By learning from each other’s traditions and views on old, new and change, the project seeks a new and guiding balance. It embraces the reuse and transformation of existing buildings, structures and materials, encouraging an exchange between generations of architects and builders, and between innovation and craftsmanship. At a time when the construction sector faces the ecological impact of its actions, ''Re-Thinking Re-Use'' offers a sustainable perspective, rooted in continuity and evolution within the built environment.
Architecture, monographies
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Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other(...)
juin 2004, New York
Masterpieces of Chicago architecture
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Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other world-renowned architects were also based in Chicago, such as Louis Sullivan, who designed the Chicago Stock Exchange, and Daniel Burnham, architect of the famous Rookery Building of the 1890s. The 1940s were to see the completion of Mies van der Rohe's revolutionary Illinois Institute of Technology and his astonishing Lake Shore Drive apartment buildings. Skidmore Owings & Merrill's landmark Inland Steel Building was finished in 1954, their John Hancock Center in 1970, and their Sears Tower in 1974. Philip Johnson and John Burgee's 190 South LaSalle Street office tower went up in 1987. The 200 illustrations in this volume all come from The Art Institute of Chicago's repository of 150,000 architectural drawings, vintage photographs, models, and building fragments, which comprise one of the most important such archives.
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Since 1978, Herzog & de Meuron have consistently refined a fundamental approach to architecture that is tangibly rooted in the urban biography of Basel. It is here in the birthplace of the two founders that the office has prospered and acquired an international reach. The work of the architects is inscribed in the landscape of Basel, a city that has now become a(...)
From Basel: Herzog & de Meuron
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Since 1978, Herzog & de Meuron have consistently refined a fundamental approach to architecture that is tangibly rooted in the urban biography of Basel. It is here in the birthplace of the two founders that the office has prospered and acquired an international reach. The work of the architects is inscribed in the landscape of Basel, a city that has now become a triational metropolis. This book is the result of ten years of exchange with Jacques Herzog, Pierre de Meuron, and their partners. Interwoven texts and images yield an eloquent portrait of Herzog & de Meuron and trace the physiognomy of an expanded historical territory, both monumental and intimate.
Architecture, monographies