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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
janvier 2017
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s(...)
juillet 2019
New human, new housing: architecture of the New Frankfurt 1925-1933
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s architects, recruited from home and abroad, created pioneering work in many areas. Examples include the typification of family-oriented flats, plans for affordable apartments for those on low incomes, the first standard kitchen, the industrial prefabrication of building shells, the construction of schools designed around children’s needs, and integrated urban and green planning. In this book, four essays delve into the cultural background of the scheme and provide illuminating insights into the context of the work of its many actors.
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Reading architecture through the history of hospitals offers a tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives. This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change.(...)
novembre 2021
The architecture of health: hospital design and the construction of dignity
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Reading architecture through the history of hospitals offers a tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives. This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change. They faced the contradictions of health care in their time and found innovative ways to solve for specific medical dilemmas. Designers and professionals such as Filarete, Lluís Domènech i Montaner, Albert Schweitzer, Gordon Friesen, E. Todd Wheeler and Eberhard Zeidler are studied here, while the medical spaces of more widely known architects such as Isambard Brunel, Aalvar Aalto, Le Corbusier, Louis Kahn and Paul Rudolph also help inform this history. All these characters were polymaths and provocateurs, but none quite summarizes this history more succinctly than Florence Nightingale, who, in laying out her guidelines for ward design in 1859, shows how the design of a medical facility can influence an entire political and social order. ''The architecture of health'' charts historical epidemics alongside modern and contemporary architectural transformations in service of medicine, health and habitation, exploring how infrastructure facilitates healing and architecture’s greater role in constructing our societies.
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
janvier 1900, Barcelona
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
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In light of the increasing disengagement between urban and rural areas, this book address the interdependency of cities with ecological and technological processes outside the purview of traditional urban planning. It compiles a huge amount of essays in regards to the most important topics that cities must address today, such as their connection with global data networks,(...)
Théorie de l’urbanisme
octobre 2017
Imminent commons: the expanded city, Seoul Biennale of Architecture and Urbanism 2017
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In light of the increasing disengagement between urban and rural areas, this book address the interdependency of cities with ecological and technological processes outside the purview of traditional urban planning. It compiles a huge amount of essays in regards to the most important topics that cities must address today, such as their connection with global data networks, ecological cycles of resources which supersede the traditional boundaries of urbanism. For this reason, it frames investigation of contemporary urbanism on nine imminent commons grouping the urban commons into resources and technologies lead us to the arcane classification of natural resources: air, water, fire, and earth, the four elements of ancient cosmologies; and five basic technological commons based on expanded human capacities: sensing, communicating, moving, making, and recycling.
Théorie de l’urbanisme
Little Toad, Little Toad: Unbuilding Pavilion. The Korean Pavilion 19th International Architecture
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Published in conjunction with the Korean Pavilion’s exhibition at the 19th International Architecture Exhibition of the Venice Biennale, this volume reflects on the 30-year history of the Korean Pavilion and re-examines the vision of sustainability and the architectural presence of the national pavilion in the face of geopolitical shifts. The interplay between(...)
Little Toad, Little Toad: Unbuilding Pavilion. The Korean Pavilion 19th International Architecture
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Published in conjunction with the Korean Pavilion’s exhibition at the 19th International Architecture Exhibition of the Venice Biennale, this volume reflects on the 30-year history of the Korean Pavilion and re-examines the vision of sustainability and the architectural presence of the national pavilion in the face of geopolitical shifts. The interplay between temporariness and liveability of the pavilion is seen through the gaze of the “little toad” from a popular Korean children’s folk song. The exhibition examines architectural value and regeneration through the exchange of old and new. The pavilion is seen as a "house of exhibitions" where memories and narratives accumulate.
Biennale
Diamond Schmitt Architects: Set pieces. Architecture for the performing arts in sixteen fragments
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Why does live performance continue to engage us? In a world saturated with recorded entertainment, we seek out the intimacy and immediacy of live music and theater. What is the relationship between design and the experiences, perceptions, and memories it engenders? At its best, architecture, a collection of elements - some apparent, some hidden - shapes and intensifies(...)
Diamond Schmitt Architects: Set pieces. Architecture for the performing arts in sixteen fragments
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Why does live performance continue to engage us? In a world saturated with recorded entertainment, we seek out the intimacy and immediacy of live music and theater. What is the relationship between design and the experiences, perceptions, and memories it engenders? At its best, architecture, a collection of elements - some apparent, some hidden - shapes and intensifies the process and experience of performance. Set Pieces pairs the words of leading artists and critics with details showcasing the design and inner workings from projects by Diamond Schmitt Architects for some of the world’s most remarkable performing-arts buildings. The book provides an immersive study of sixteen design elements that enhance and transform the perception of performance - and evoke experiences that surpass visual understanding.
Architectes canadiens
From Fiorucci to the Guerrilla Stores: shop displays in architecture, marketing and communications
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From Epicentres to the luxury raves of guerilla stores, from minimalist aesthetics to pop editorials. The fashion system expects innovation, flexibility, softness and entertainement from architecture. It wants legitimisation. It wants the values of the brand staged by architecture laden with meaning. Tracing 30 years of architecture for fashion and communication(...)
janvier 2007, Venice
From Fiorucci to the Guerrilla Stores: shop displays in architecture, marketing and communications
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From Epicentres to the luxury raves of guerilla stores, from minimalist aesthetics to pop editorials. The fashion system expects innovation, flexibility, softness and entertainement from architecture. It wants legitimisation. It wants the values of the brand staged by architecture laden with meaning. Tracing 30 years of architecture for fashion and communication strategies, from Elio Fiorucci to Rei Kawakubo, by way of Calvin Klein and Giorgio Armani, learning the Japanese lesson and overturning communicative logics with Prada, what will the possible future scenario of a relationship between fashion and architecture be? Claudio Marenco Mores, architect, graduated from the IUAV en Venice with a thesis on the use of architecture as a means of brand communication. He specialised in brand design and marketing for luxury goods at the European Institute of Design. He has worked as editor for various fshion magazines and is currently the marketing manager for a company involved in lighting design. MODE is a project by Fondazione Pitti Discovery directed by Maria Luisa and devoted to the ideas and figures of the fashion world.
Between conventional and experimental: Mass housing and prefabrication in modernist architecture
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Mass housing and prefabrication shaped global modernist architecture like no other aspect of industrialised construction. This book offers a comprehensive exploration of how both conventional and experimental prototypes and series gave rise to an architecture for all, often responding to crises, the imperatives of nation-building, and housing shortages by rapidly(...)
Logements collectifs
novembre 2024
Between conventional and experimental: Mass housing and prefabrication in modernist architecture
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Mass housing and prefabrication shaped global modernist architecture like no other aspect of industrialised construction. This book offers a comprehensive exploration of how both conventional and experimental prototypes and series gave rise to an architecture for all, often responding to crises, the imperatives of nation-building, and housing shortages by rapidly developing, distributing, and assembling structures. The authors scrutinise the cultural impact of mass housing and prefabrication, tracing this influence through exhibitions, memory culture, and typologies, ultimately concluding with an outlook on the preservation and repair of structures and their adaptation for the future.
Logements collectifs
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
novembre 2003, Zurich / Gdansk
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.