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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
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octobre 2006, London, New York
Design, monographies
Painting in stone: architecture and the poetics of marble, from antiquity to the Enlightenment
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Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the(...)
Painting in stone: architecture and the poetics of marble, from antiquity to the Enlightenment
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Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England.
Matériaux et éclairage
Painting in stone: Architecture and the poetics of marble from antiquity to the englightenment
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Spanning almost five millennia, this volume tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia(...)
Painting in stone: Architecture and the poetics of marble from antiquity to the englightenment
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Spanning almost five millennia, this volume tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Matériaux et éclairage
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In this publication, Victoria Newhouse addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to(...)
avril 2012
Site and sound: the architecture and accoustics of new opera houses and concert halls
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In this publication, Victoria Newhouse addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to contemporary works around the world. She singles out Lincoln Center in particular for its long history and its transitions and remodelings over the years. Two major chapters cover the present: one focuses on recent work in the West, including the National Opera House of Norway in Oslo by Snohetta (2008), the Casa da Musica in Porto, Portugal, by Rem Koolhaas (2005), and many more; the second examines the boom in concert halls in China. A final chapter looks at projects that are currently planned and the future of an architecture for music.
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Filmic Mapping, the second volume in Jovis' new LandScript series, examines forms of land measurement, primarily in documentary and essay films of the past ten years. Contributors from a variety of disciplines weigh in on the state of contemporary landscape architecture and its visual representation.
Filmic mapping: documentary film and the visual culture of landscape architecture (landscript, no. 2)
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Filmic Mapping, the second volume in Jovis' new LandScript series, examines forms of land measurement, primarily in documentary and essay films of the past ten years. Contributors from a variety of disciplines weigh in on the state of contemporary landscape architecture and its visual representation.
Théorie du paysage
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"Signs, Streets, and Storefronts" addresses more than 200 years of signs and place-marking along America's commercial corridors. From small-town squares to Broadway, State Street, and Wilshire Boulevard, Martin Treu follows design developments into the present and explores issues of historic preservation.
Signs, streets, and storefronts : a history of architecture and graphics along America's commercial corridors
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"Signs, Streets, and Storefronts" addresses more than 200 years of signs and place-marking along America's commercial corridors. From small-town squares to Broadway, State Street, and Wilshire Boulevard, Martin Treu follows design developments into the present and explores issues of historic preservation.
Signalétique
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This slipcased set, of which only 100 copies are available, comprises four accordion prints produced by Saul Steinberg (1914-99) for the Children's Labyrinth-a trefoil wall structure at a design fair in Milan in 1954. The drawings were enlarged and incised into the wall.
Saul Steinberg: the line/types of architecture/Shores of the Mediterranean/Cities of Italy
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This slipcased set, of which only 100 copies are available, comprises four accordion prints produced by Saul Steinberg (1914-99) for the Children's Labyrinth-a trefoil wall structure at a design fair in Milan in 1954. The drawings were enlarged and incised into the wall.
Illustration
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The 2020 murder of George Floyd in Minneapolis led to the closure of the Tate Britain restaurant in London, which had advertised its 55-foot-long racist mural from the 1920s as "the most amusing room in Europe" Suddenly it was obvious. Flooded by Mail introduces strategies of antihegemonic amateur collecting and examines why the killing of a Black man by U.S. police in(...)
Théorie de l’architecture
décembre 2025
Flooded by mail: How George Floyd (remember?) landed at the Tate
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The 2020 murder of George Floyd in Minneapolis led to the closure of the Tate Britain restaurant in London, which had advertised its 55-foot-long racist mural from the 1920s as "the most amusing room in Europe" Suddenly it was obvious. Flooded by Mail introduces strategies of antihegemonic amateur collecting and examines why the killing of a Black man by U.S. police in public implicates us in Europe. A number of objects found online are useful for this task: the trial minting of a coin commemorating the collapse of the Cologne City Archive that never entered circulation, a board game from a 1932 German film, stock photos and generic copperplate engravings from the same family over centuries, Köllnflocken trading cards, postcards from a wall in Morocco, a procession in Cologne and a possessed harbor in Spain, and a 1970s conceptualist installation with postcards of rough seas along the British coast.
Théorie de l’architecture
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"Classic country estates of Lake Forest" is a systematic study of the textured built environment on Lake Michigan' s North Shore. Beginning with suburban villas in the manner of Andrew Jackson Downing, Lake Forest was transformed by the work of Henry Ives Cobb, Howard Van Doren Shaw, David Adler, Harrie T. Lindeberg, Charles A. Platt, Holabird & Roche, Delano & Aldrich,(...)
Histoire jusqu’à 1900
janvier 1900, New York / London
Classic country estates of Lake Forest : architecture and landscape design 1856-1940
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"Classic country estates of Lake Forest" is a systematic study of the textured built environment on Lake Michigan' s North Shore. Beginning with suburban villas in the manner of Andrew Jackson Downing, Lake Forest was transformed by the work of Henry Ives Cobb, Howard Van Doren Shaw, David Adler, Harrie T. Lindeberg, Charles A. Platt, Holabird & Roche, Delano & Aldrich, Arthur Heun, and others. It was also distinguished by a tradition of innovation in landscape design, from the original Romantic picturesque town plan of 1857 to the later estate work of O. C. Simonds, the Olmsteds, Warren Manning, Rose Standish Nichols, and Jens Jensen.
Histoire jusqu’à 1900
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Globalization, technology and politics have altered the definition and expectations of citizenship and the right to place. "Dimensions of Citizenship" documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This volume profiles and illustrates each of the US Pavilion contributions and contextualizes(...)
Dimensions of citizenship: architecture and belonging from the body to the cosmos
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Globalization, technology and politics have altered the definition and expectations of citizenship and the right to place. "Dimensions of Citizenship" documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale. Drawing inspiration from the Eames' Power of Ten, "Dimensions of Citizenship" provides a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation) and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos).
Biennale