archives
Niveau de description archivistique:
Fonds
Joseph Rykwert fonds
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
1928-2022
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
archives
Niveau de description archivistique:
Fonds
1928-2022
Histoires de l’environnement
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Théâtre Paul-Demarais
15 décembre 2016, 18h
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Théâtre Paul-Demarais
documents textuels
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
1958-1984
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
documents textuels
1958-1984
L'enseignement de… São Paulo
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
22 avril 2010
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Maristella Casciato : « Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh »
Le 18 novembre, Maristella Casciato, boursière et professeur d’histoire de l’architecture à l’École d’architecture « Aldo Rossi » de Cesenade, Université de Bologne, parle de la contribution essentielle de Pierre Jeanneret dans la construction de Chandigarh, en Inde. Ce séminaire présente « un autre » point de vue sur Pierre Jeanneret, cousin – moins connu – de Le Corbusier.
Théâtre Paul-Desmarais
Présentée en anglais Mot(s)-clé(s):
Maristella Casciato, Pierre Jeanneret
18 novembre 2010 , 18h
Maristella Casciato : « Introducing Pierre Jeanneret—architect, designer, educator—in Chandigarh »
Actions:
Description:
Le 18 novembre, Maristella Casciato, boursière et professeur d’histoire de l’architecture à l’École d’architecture « Aldo Rossi » de Cesenade, Université de Bologne, parle de la contribution essentielle de Pierre Jeanneret dans la construction de Chandigarh, en Inde. Ce séminaire présente « un autre » point de vue sur Pierre Jeanneret, cousin – moins connu – de Le Corbusier.
Théâtre Paul-Desmarais
Présentée en anglais Mot(s)-clé(s):
Maristella Casciato, Pierre Jeanneret
documents textuels
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
2002-2014
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
documents textuels
2002-2014
documents textuels
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
1999-2000
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
documents textuels
1999-2000
archives
Niveau de description archivistique:
Fonds
Fonds Paul-Philippe Cret
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
circa 1907-1950
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
archives
Niveau de description archivistique:
Fonds
circa 1907-1950
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
11 février 2016
Manabu Chiba veut vous parler
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
archives
Niveau de description archivistique:
Fonds
Fonds André Blouin
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
1933-1996
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
archives
Niveau de description archivistique:
Fonds
1933-1996