Nendo works 2010-2011
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The word ‘Nendo’ means 'children's clay’ in Japanese. Nendo’s motto is to be free-formed flexible and adaptable in the design scene. Their brand analysis and overall strategy are based on communication. This fifth volume of 'Nendo Works' covers the years 2010-2011 and features the next generation of wooden book cases and chord chairs. It also highlights the interior(...)
Nendo works 2010-2011
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The word ‘Nendo’ means 'children's clay’ in Japanese. Nendo’s motto is to be free-formed flexible and adaptable in the design scene. Their brand analysis and overall strategy are based on communication. This fifth volume of 'Nendo Works' covers the years 2010-2011 and features the next generation of wooden book cases and chord chairs. It also highlights the interior design of two shops: the 24 Issey Miyake shop, and the new Puma House in Tokyo.
Design industriel
Design de chaises
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Cet ouvrage décrit le fascinant processus aboutissant à la création d'une chaise. Confort, caractéristiques symboliques et fonctionnelles, esthétique, la suite ergonomie, matériaux, techniques de production... autant de points abordés à travers de nombreux modèles qui ont marqué l'histoire des chaises depuis l'Antiquité jusqu'à nos jours. Dans une étude de cas, Konstantin(...)
Design de chaises
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Cet ouvrage décrit le fascinant processus aboutissant à la création d'une chaise. Confort, caractéristiques symboliques et fonctionnelles, esthétique, la suite ergonomie, matériaux, techniques de production... autant de points abordés à travers de nombreux modèles qui ont marqué l'histoire des chaises depuis l'Antiquité jusqu'à nos jours. Dans une étude de cas, Konstantin Grcic, l'un des designers de meubles les plus célèbres, retrace les étapes de la conception d'un de ses modèles, la chaise Myto, et révèle les éléments essentiels à la réussite d'une création.
Design industriel
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High Touch documents a wide range of material objects and spatial orchestrations that meld crafts including crochet, papercraft, and the design of costumes and masks with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. The choice selection of three-dimensional work defines a new visual language for(...)
High Touch: tactile design and visual explorations
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High Touch documents a wide range of material objects and spatial orchestrations that meld crafts including crochet, papercraft, and the design of costumes and masks with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. The choice selection of three-dimensional work defines a new visual language for presentation and storytelling whose effectiveness lies in its artisanship.
Design industriel
The Dutch bike
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The Dutch bike is as quintessentially Dutch as tulips and windmills. This book traces the history of this popular workhorse, from turn-of-the-century Amsterdam to the fashion pages of American magazines. Accessible to all, the Dutch bike has found a home for itself in most corners of the world. But it is also changing: professional racers and conceptual creators are(...)
The Dutch bike
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The Dutch bike is as quintessentially Dutch as tulips and windmills. This book traces the history of this popular workhorse, from turn-of-the-century Amsterdam to the fashion pages of American magazines. Accessible to all, the Dutch bike has found a home for itself in most corners of the world. But it is also changing: professional racers and conceptual creators are putting avant-garde Dutch bike concepts to the test, and designers are preparing for a time when bicycles will outnumber cars on the roads.
Design industriel
The style of the Stedelijk
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The recent reopening of the Stedelijk Museum, Amsterdam, saw the inauguration of a spectacular new edifice as well as a new style of museum. The Style of the Stedelijk is a fascinating account of the Museum’s unique relationship with graphic design and its search for a new visual identity.
The style of the Stedelijk
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The recent reopening of the Stedelijk Museum, Amsterdam, saw the inauguration of a spectacular new edifice as well as a new style of museum. The Style of the Stedelijk is a fascinating account of the Museum’s unique relationship with graphic design and its search for a new visual identity.
Design industriel
Rietveld's chair
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In this book, art historian Marijke Kuper investigates the birth, reception and use of Gerrit Rietveld’s world-famous red-and-blue De Stijl chair, an icon of Dutch design and modernism. Kuper’s account – which includes copious new research – is richly illustrated and includes an overview of all known existing examples of the chair. In the accompanying documentary,(...)
Rietveld's chair
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In this book, art historian Marijke Kuper investigates the birth, reception and use of Gerrit Rietveld’s world-famous red-and-blue De Stijl chair, an icon of Dutch design and modernism. Kuper’s account – which includes copious new research – is richly illustrated and includes an overview of all known existing examples of the chair. In the accompanying documentary, directed by the book’s designer, Lex Reitsma, furniture restorer Jurjen Creman reconstructs the lost first version of the chair, and Professor Erik A. de Jong recalls how his grandparents used their Rietveld furniture in the 1920s.
Design industriel
Éléments de mobilier urbain
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Ce volume expose les meilleurs éléments de mobilier urbain contemporain, oeuvres des principaux fabricants de ce secteur. Classés en 10 chapitres faciles à repérer, les éléments de mobilier urbain sélectionnés sont des créations d'architectes et de designers de renom international. Chaque élément est détaillé avec des descriptions précises de leurs composants, de leurs(...)
Éléments de mobilier urbain
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Ce volume expose les meilleurs éléments de mobilier urbain contemporain, oeuvres des principaux fabricants de ce secteur. Classés en 10 chapitres faciles à repérer, les éléments de mobilier urbain sélectionnés sont des créations d'architectes et de designers de renom international. Chaque élément est détaillé avec des descriptions précises de leurs composants, de leurs matériaux et de leurs dimensions, ainsi que de plans, de schémas qui reflètent les différentes phases de création, et de photographies en couleur.
Design industriel
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Design industriel
$45.00
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Published in conjunction with the "metalworks – designing & making" exhibition in the Konschthal Esch, this book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design. Around forty objects have been classified into sixteen categories, illustrating how these creators have adopted and crafted metal. Some(...)
Metalworks: Designing and making
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Published in conjunction with the "metalworks – designing & making" exhibition in the Konschthal Esch, this book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design. Around forty objects have been classified into sixteen categories, illustrating how these creators have adopted and crafted metal. Some experiment with the material and its properties, others question the physical limits of existing techniques. Accompanied by a historical text recounting the uses of metal in furniture since the eighteenth century, and the history of the metallurgical industry in Luxembourg, this publication brings together some sixty biographies, explanatory texts, and a technical lexicon on methods of transformation and the selected objects.
Design industriel
Streamlined irons
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This publication is an exhaustive survey of pressing irons made during the era of streamlining, a design phenomenon of the 1930s and 40s. Also, pictured are 30 of the very earliest electric irons made in North America, dating from 1890 to 1915. These are the rarest electric irons; many are one-of-a-kind. The book includes four essays : a concise history of electric(...)
Streamlined irons
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This publication is an exhaustive survey of pressing irons made during the era of streamlining, a design phenomenon of the 1930s and 40s. Also, pictured are 30 of the very earliest electric irons made in North America, dating from 1890 to 1915. These are the rarest electric irons; many are one-of-a-kind. The book includes four essays : a concise history of electric irons in the U.S.A, two essays on the subject of streamlining, and the history of the first entrepreneur to produce an electric iron in the United States, Charles E. Carpenter.
Design industriel