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In the East Falls neighbourhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University's East Falls campus, stands the Hassrick House (1958-61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Thomas Jefferson University's relationship with the house began in the summer of 2015 when Andrew Hart,(...)
Architecture, monographies
janvier 2022
Emergence of a modern dwelling: Richard Neutra's Hassrick house
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In the East Falls neighbourhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University's East Falls campus, stands the Hassrick House (1958-61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Thomas Jefferson University's relationship with the house began in the summer of 2015 when Andrew Hart, assistant professor of Architecture in the College of Architecture & the Built Environment initiated a series of summer courses to study the house. This publication chronicles the students' findings that shed light on Neutra's design process, his collaboration with his clients, as well as the unsung role of Thaddeus Longstreth as Neutra's proxy negotiator throughout the design and construction stages. During its approximately 63-year lifespan, the Hassrick House tells a saga of design, dwelling, neglect, restoration, and reinvention today as a laboratory for learning. In many respects, the history of the Hassrick House tells an important story of the modernist movement in the US, both regionally and nationally.
Architecture, monographies
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In this book environmentalist and lawyer William Shutkin describes a new kind of environmental and social activism spreading across the nation, one that joins the pursuit of environmental quality with that of civic health and sustainable local economies. In(...)
Théorie de l’urbanisme
janvier 1960, Cambridge, Mass.
The land that could be : environmentalism and democracy in the twenty-first century
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In this book environmentalist and lawyer William Shutkin describes a new kind of environmental and social activism spreading across the nation, one that joins the pursuit of environmental quality with that of civic health and sustainable local economies. In the face of challenges posed by often corrosive market forces and widespread social disaffection, this civic environmentalism is creating nothing less than a new public discourse and dynamic social vision grounded in environmental action. Shutkin points the way to vibrant, sustainable communities through four inspiring examples of civic environmentalism in action: the redevelopment of contaminated urban land for agriculture in inner-city Boston, mass-transit-based development and waterfront restoration in Oakland, protection of open space and conservation-based development in rural Colorado, and smart-growth and sustainability strategies in suburban New Jersey. The book's underlying message is that the nation's environmental health is a critical factor in its success as a vital democracy. Social health, democratic community, and environmentalism, Shutkin shows, are one.
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janvier 1960, Cambridge, Mass.
Théorie de l’urbanisme
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the(...)
Rome 1600: the city and the visual arts under Clement VIII
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter’s, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
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xii, 284 pages : illustrations, map ; 22 cm
Plano, Tex. : Republic of Texas Press, ©2002.
Grand old Texas theaters that won't quit / Joan Upton Hall and Stacey Hasbrook.
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xii, 284 pages : illustrations, map ; 22 cm
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Plano, Tex. : Republic of Texas Press, ©2002.
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159 pages : color illustrations ; 28 cm
London : Artifice Books on Architecture, 2015.
The modern house / Jonathan Bell, Matt Gibberd & Albert Hill.
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159 pages : color illustrations ; 28 cm
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London : Artifice Books on Architecture, 2015.
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Rome is not only enriched by the works that have led it to be known as the "eternal city", or with those monuments that still preserve the stories of a strong people, such as the Colosseum, the Roman Forum or Castel Sant'Angelo. It is not only the symbolic center of Christianity thanks to St. Peter's Basilica, or the central and figurative hub of the Italian Republic(...)
Rome: on the road architecture guide
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Rome is not only enriched by the works that have led it to be known as the "eternal city", or with those monuments that still preserve the stories of a strong people, such as the Colosseum, the Roman Forum or Castel Sant'Angelo. It is not only the symbolic center of Christianity thanks to St. Peter's Basilica, or the central and figurative hub of the Italian Republic because of the Palazzo del Quirinale. The history, art, and culture of Rome tell the story of a process of restoration and innovation that sees the participation of some timeless places and the birth of other contemporary community services that join those already known to the public. During 1930s, the social and cultural revolution and call for functionality and practicality are represented by impressive modern public and residential works, as well as by major operations from architectural protagonists in the urban change of the capital. Works such as the university city of Sapienza and its institutes, or the EUR district tell the story of the formal transition between modernity and contemporaneity.
Guides des villes
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Le 9e : La cathédrale Art déco du Eaton de Montréal / Montreal Eaton's Art Deco Dining Cathedral
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Until its public reopening on May 17, 2024, high above Montreal's bustling Sainte-Catherine Street, hidden behind locked doors and decades of dust, lay a forgotten gem of Art Deco design: Le 9e, created in 1931 by renowned French architect Jacques Carlu. From its dazzling debut to its closing in 1999, Le 9e embodied the glamour of Eaton's golden age. Now, through(...)
Le 9e : La cathédrale Art déco du Eaton de Montréal / Montreal Eaton's Art Deco Dining Cathedral
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Until its public reopening on May 17, 2024, high above Montreal's bustling Sainte-Catherine Street, hidden behind locked doors and decades of dust, lay a forgotten gem of Art Deco design: Le 9e, created in 1931 by renowned French architect Jacques Carlu. From its dazzling debut to its closing in 1999, Le 9e embodied the glamour of Eaton's golden age. Now, through meticulous research and newly uncovered archives, Sandra Cohen-Rose reveals the story behind this extraordinary space and the remarkable restoration that has brought it back to life. // Jusqu’à sa réouverture au public le 17 mai 2024, bien au-dessus de l'animation de la rue Sainte-Catherine à Montréal, derrière des portes closes et des décennies de poussière, se cachait un joyau oublié de l'Art déco : Le 9e, conçu en 1931 par le célèbre architecte français Jacques Carlu. De son ouverture éclatante à sa fermeture en 1999, Le 9e incarne le faste de l'âge d'or d'Eaton. Grâce à une recherche approfondie et à des archives inédites, Sandra Cohen-Rose retrace l'histoire de ce lieu exceptionnel et de sa remarquable restauration.
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juin 2026
Architecture de Montréal
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124 pages : illustrations ; 22 cm.
Zaragoza : Instituto de Estudios Islámicos y del Oriente Próximo, 2009.
Albarracín islámico / Antonio Almagro Gorbea.
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124 pages : illustrations ; 22 cm.
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Zaragoza : Instituto de Estudios Islámicos y del Oriente Próximo, 2009.
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
avril 2006, London
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.
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Sean was born in 1948 in Hull. His lifelong passion for photography began during his time at Ealing Art College in the 1970s, where he studied the craft and honed his creative vision. He spent most of his life in Bristol, working as a skilled builder specialising in the restoration of houses. However, his love for capturing the world through his lens never wavered. Sean's(...)
Sean Plunkett: Rush Hour London Underground 1973
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Sean was born in 1948 in Hull. His lifelong passion for photography began during his time at Ealing Art College in the 1970s, where he studied the craft and honed his creative vision. He spent most of his life in Bristol, working as a skilled builder specialising in the restoration of houses. However, his love for capturing the world through his lens never wavered. Sean's dedication to his craft was evident as he documented moments, scenes, and emotions throughout his entire life. Despite living, working, and raising a family in Bristol, Sean held a deep affection for his hometown of Hull. He took great pride in his roots, and his images often reflected the essence and character of Hull and its people. A true testament to his loyalty, Sean remained an avid supporter of Hull City, unwavering in his commitment to his beloved team.? In recent years Sean started rediscovering and scanning his negatives from the 70s. This caught the eye of the publisher Cafe Royal Books and his images are now available for the world to see. Sean sadly died at the beginning of 2023 - his memory lives on through his images.
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