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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a(...)
God's own language: Architectural drawing in the twelfth century
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a Scottish monk named Richard of Saint Victor, along with his mentor Hugh, developed an innovative visual and textual architectural language. In the process, he devised techniques and terms that we still use today, from sectional elevations to the word “plan.” Surprisingly, however, Richard’s detailed drawings appeared not in an architectural treatise but in a widely circulated set of biblical commentaries. Seeing architecture as a way of communicating with the divine, Richard drew plans and elevations for such biblical constructions as Noah’s ark and the temple envisioned by the prophet Ezekiel. Interpreting Richard and Hugh’s drawings and writings within the context of the thriving theological and intellectual cultures of medieval Paris, Karl Kinsella argues that the popularity of these works suggests that, centuries before the Renaissance, there was a large circle of readers with a highly developed understanding of geometry and the visual language of architecture.
Théorie de l’architecture
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning(...)
All the king's horses: Vitruvius in an age of princes
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning with Petrarch—a political reception preoccupied with legitimating existing power structures. During this ''age of princes'' various signori took over Italian towns and cities, displacing independent communes and their avowed ideal of the common good. Architects, taking up Vitruvius's mantle, designed buildings and other structures for these princes with the intent of celebrating and making their power manifest. Through meticulous descriptions of the work of architects and artists from Alberti to Leonardo, McEwen explains how architecture became an instrument of control in the early Italian Renaissance. She shows how architectural magnificence supported claims to power, a phenomenon best displayed in one of the era's most prominent monumental themes: the equestrian statue of a prince, in which the horse became an emanation of the will of the rider, its strength the expression of his strength.
Théorie de l’architecture
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Modern urban terraced houses or row houses emerged in Europe from the 17th century onwards. Usually two to three storeys high and with a garden at the back, they formed the traditional urban block. In Brussels, this bourgeois form of housing took on a particularly varied and inspiring form – including the well-known Art Nouveau residences – and forms the DNA of the city(...)
Architecture résidentielle
janvier 2023
Brussels Housing: Atlas of Residential Building Types
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Modern urban terraced houses or row houses emerged in Europe from the 17th century onwards. Usually two to three storeys high and with a garden at the back, they formed the traditional urban block. In Brussels, this bourgeois form of housing took on a particularly varied and inspiring form – including the well-known Art Nouveau residences – and forms the DNA of the city to this day. This publication analyses 100 selected examples illustrating the emergence of the terraced house and its further development in other forms of housing. The result is a broad panorama and a history of the architecture and development of the city of Brussels with its particularly heterogenous cityscape.
Architecture résidentielle
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This first book in Dongola’s Architecture Series, a platform to publish multi-layered readings of conversations with Arab architects working across the region's contemporary landscapes. Ammar Khammash’s work in building, painting, sculpture and music, together with his social, geological and botanical research break and intersect with every possible disciplinary mold in(...)
Ammar Khammash: Notes on formation. Dongola Architectue series DAS 01
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This first book in Dongola’s Architecture Series, a platform to publish multi-layered readings of conversations with Arab architects working across the region's contemporary landscapes. Ammar Khammash’s work in building, painting, sculpture and music, together with his social, geological and botanical research break and intersect with every possible disciplinary mold in favor of an ongoing momentum of production and dissemination of knowledge. His practice is an act of mutual formation, an ongoing collaboration between himself and nature, which is, in his regard, the only real architect. Rather than package the practice, this book aims to reveal associations, untangle connections, and trace wandering threads. In exploring these various processes of formation – material, intellectual, and otherwise – this book works to offer a reading of architecture that draws on experimentation, context sensitivity and cultural introspection as main foundations.
Architecture, monographies
Architectural guide Montréal
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Montréal, Canada’s second largest city and the centre of the francophone province of Québec, is a sprawling and green metropolis where French, British, and American architectural traditions meet. Many buildings and streets bear witness to the influence of the Parisian École des Beaux-Arts; there are structures in the tradition of the Chicago School; and the city also(...)
Architecture de Montréal
juillet 2023
Architectural guide Montréal
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Montréal, Canada’s second largest city and the centre of the francophone province of Québec, is a sprawling and green metropolis where French, British, and American architectural traditions meet. Many buildings and streets bear witness to the influence of the Parisian École des Beaux-Arts; there are structures in the tradition of the Chicago School; and the city also has an extensive heritage of both elegant Art Deco and massive Brutalist edifices. This book presents a total of 130 buildings and projects from the almost 400-year history of the port city on the St. Lawrence River. This journey through time is complemented by guest contributions from renowned experts, for example on the original Northern Deco style, the buildings of Expo 1967, and art in Montréal’s metro.
Architecture de Montréal
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Ouvrage de référence sur le mouvement Global Tools lié aux architectes radicaux italiens des années 1970, une contre-école de design valorisant les techniques pauvres, l'artisanat et questionnant la société consumériste, dont les propositions traduisent les préoccupations de l'époque post-révolution de 1968. Première traduction française des Bulletins, cette édition(...)
Architecture, monographies
mars 2023
Global Tools (1973-1975) – Éco-Design : Dé-projet & Low-Tech
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Ouvrage de référence sur le mouvement Global Tools lié aux architectes radicaux italiens des années 1970, une contre-école de design valorisant les techniques pauvres, l'artisanat et questionnant la société consumériste, dont les propositions traduisent les préoccupations de l'époque post-révolution de 1968. Première traduction française des Bulletins, cette édition exceptionnelle rend compte de l'ensemble de la recherche initiée par Global Tools et la prolonge par le faire et le fabriquer à travers un renouveau de la Progettazione.
Architecture, monographies
livres
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This publication documents the origins and evolution of Coromandel House, the farmhouse in Mpumalanga, eastern South Africa, whose ground-breaking design champions a visionary integration of architecture and nature. From inspired concept to the building of a legacy, the book charts the story of architect Marco Zanuso’s remarkable creation for Sydney and Victoria Press – a(...)
Creating Coromandel: Marco Zanuso in South Africa
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This publication documents the origins and evolution of Coromandel House, the farmhouse in Mpumalanga, eastern South Africa, whose ground-breaking design champions a visionary integration of architecture and nature. From inspired concept to the building of a legacy, the book charts the story of architect Marco Zanuso’s remarkable creation for Sydney and Victoria Press – a creative partnership that spanned ten years and resulted in one of the most significant house designs of the 20th century.
livres
juin 2022
Architecture, monographies
$101.95
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Acheve´ en 1956, le sie`ge de la Mutuelle Vaudoise a` Lausanne devient rapidement le mode`le de l’architecture administrative en Suisse. L’intention du mai^tre de l’ouvrage est clairement de´monstrative : on veut un ba^timent en mesure d’exprimer, par sa modernite´ architecturale, l’image d’une socie´te´ tout aussi moderne et dynamique. Jean Tschumi, figure cle´ de(...)
Le Cèdre : Jean tschumi 1951-1956
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Acheve´ en 1956, le sie`ge de la Mutuelle Vaudoise a` Lausanne devient rapidement le mode`le de l’architecture administrative en Suisse. L’intention du mai^tre de l’ouvrage est clairement de´monstrative : on veut un ba^timent en mesure d’exprimer, par sa modernite´ architecturale, l’image d’une socie´te´ tout aussi moderne et dynamique. Jean Tschumi, figure cle´ de l’architecture du XXe sie`cles, est a` l’œuvre. Be´ton arme´ apparent ; dispositifs techniques de pointe ; flexibilite´ des inte´rieurs. Ces ide´es sont savamment transpose´es dans le bel ensemble dit « Le Ce`dre », du nom du site, dans un cadre naturel d’exception que Tschumi saura valoriser. L’architecte compose avec les formes et les mate´riaux, les couleurs et les textures, selon une de´marche de tre`s grande cohe´rence. Le Ce`dre est l’un des ba^timents les plus ce´le´bre´s en Suisse et au-dela`, une de´monstration me^me. Cette premie`re monographie consacre´e au ba^timent de Jean Tschumi souhaite lui rendre hommage
Architecture, monographies
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A l'occasion des cinquante ans de Prelco, entreprise suisse spécialisée dans le béton préfabriqué, des entretiens et des tables rondes consacrés à son histoire, à ses différents projets ainsi qu'au futur de la préfabrication en béton.
Prelco : L'art de la préfrabrication
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A l'occasion des cinquante ans de Prelco, entreprise suisse spécialisée dans le béton préfabriqué, des entretiens et des tables rondes consacrés à son histoire, à ses différents projets ainsi qu'au futur de la préfabrication en béton.
Architecture, monographies
$31.00
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Architects usually try to create finished buildings, i.e. coherent works of architecture for eternity. But does this claim stand up to reality? Should that be the claim at all? After all, it can’t be ruled out that the building will change after completion. Inspired by references from architectural history, art and anthropology, Kaiser Shen Studio developed various theses(...)
Atelier Kaiser Shen: Unfertige Häuser
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Architects usually try to create finished buildings, i.e. coherent works of architecture for eternity. But does this claim stand up to reality? Should that be the claim at all? After all, it can’t be ruled out that the building will change after completion. Inspired by references from architectural history, art and anthropology, Kaiser Shen Studio developed various theses at the beginning of its practice and tested them on the basis of its own projects. Central to this is the question of how buildings change in their lifespan due to external influences and what this change means for permanence in architecture and for the idea of space.
Architecture, monographies