PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
2017
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
dessins
ARCH269506
Description:
Group consists 8 reprographic copies of floor plans and a site plan for the Museum of Knowledge in sector 1 in Chandigarh, India.
ca. 1961
Reprographic copies of floor plans and a site plan for the Museum of Knowledge
Actions:
ARCH269506
Description:
Group consists 8 reprographic copies of floor plans and a site plan for the Museum of Knowledge in sector 1 in Chandigarh, India.
dessins
ca. 1961
DR1994:0007:012
architecture
1941-1943
Perspective sketch for the principal elevation for Museum for a Small City
Actions:
DR1994:0007:012
architecture
DR1994:0007:013
architecture
1941-1943
Perspective sketch for the principal elevation for Museum for a Small City
Actions:
DR1994:0007:013
architecture
DR1994:0007:022
architecture
1941-1943
Perspective sketch for the principal elevation for Museum for a Small City
Actions:
DR1994:0007:022
architecture
DR1994:0007:024
architecture
1941-1943
Perspective sketch for the principal elevation for Museum for a Small City
Actions:
DR1994:0007:024
architecture
DR1994:0007:059
architecture
1941-1943
architecture
DR1994:0007:061
architecture
1941-1943
Sketch elevation with an unidentified sketch for Museum for a Small City
Actions:
DR1994:0007:061
architecture
documents textuels
AP075.S3.SS2.071
Description:
Original folder entitled "CANADIAN WAR MUSEUM".
2000-2001
Request for proposal of architetural services for the New Canadian War Museum in Ottawa
Actions:
AP075.S3.SS2.071
Description:
Original folder entitled "CANADIAN WAR MUSEUM".
documents textuels
2000-2001
Projet
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
1974-1976
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Project
1974-1976