Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories(...)
octobre 2007
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories for Gander's conceptual work. Bailey says, "The problem (a good problem) is to work out how the second [collaboration] is affected by the first, how it swallows it. I always relate these things to music, so it's like thinking what's the second album going to be after the rough debut; more studio time, more pressure, bigger egos, drinking problems, etcetera." Bailey has created books with Paulina Olowska, Lucy McKenzie and Frances Stark; Gander recently won the Baloise Prize at Art Basel and appeared in the 2006 Tate Triennial.
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How have architecture and design been represented in popular culture? How do these fictional reflections feed back into and influence 'the real world'? Archi.Pop: Architecture and Design in Popular Culture offers the first contemporary critical overview of this diverse and intriguing relationship in cultural forms including television, cinema, iconic buildings and(...)
Archi.pop: mediating architecture in popular culture
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How have architecture and design been represented in popular culture? How do these fictional reflections feed back into and influence 'the real world'? Archi.Pop: Architecture and Design in Popular Culture offers the first contemporary critical overview of this diverse and intriguing relationship in cultural forms including television, cinema, iconic buildings and everyday interiors, music and magazines.
Théorie de l’architecture
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Théorie de l’art
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
Muntadas: la construction del miedo y la pérdida de lo publico
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
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janvier 2008, Barcelona
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Ways of seeing
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John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at(...)
Ways of seeing
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John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
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janvier 2008
Théorie de l’art
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
Lee Friedlander : the little screens
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Théorie de la photographie
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Populuxe / Thomas Hine.
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184 pages : illustrations (some color) ; 27 cm
New York : Alfred A. Knopf, 1986.
Populuxe / Thomas Hine.
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184 pages : illustrations (some color) ; 27 cm
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New York : Alfred A. Knopf, 1986.
Imagery in the 21st century
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We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images(...)
Imagery in the 21st century
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We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual.
Théorie de l’art
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407 pages : chiefly illustrations (some color), maps (some color), plans ; 23 x 30 cm
New York, NY : Metropolis Books, [2016], ©2016
Never built New York / Greg Goldin, Sam Lubell ; foreword by Daniel Libeskind.
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407 pages : chiefly illustrations (some color), maps (some color), plans ; 23 x 30 cm
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New York, NY : Metropolis Books, [2016], ©2016
A+U 454 Beijing 2008
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A never ending succession of large-scale projects in China has attracted world-wide attention, in particular the ambitious development projects in Beijing, host city of the 2008 Olympics. Three of the most notable and eagerly anticipated are examined here – namely the National Stadium Beijing, the Beijing National Aquatics Center, and the China Central Television (CCTV)(...)
A+U 454 Beijing 2008
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A never ending succession of large-scale projects in China has attracted world-wide attention, in particular the ambitious development projects in Beijing, host city of the 2008 Olympics. Three of the most notable and eagerly anticipated are examined here – namely the National Stadium Beijing, the Beijing National Aquatics Center, and the China Central Television (CCTV) Headquarters through plans and photographs. In addition a survey of the top 50 recent architectural projects in Beijing is included, accompanied by a handy map of the city which indicates their locations.
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