7330 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Personnes et institutions:
Date:
1973-2018
1973-2018
Titre:
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Niveau de description archivistique:
Project
Project
Date:
1973-2018
1973-2018
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Niveau de description archivistique:
Subseries
Subseries
Date:
2002-2015
2002-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Personnes et institutions:
Date:
1997-1999
1997-1999
Titre:
Richmond City Hall, British Columbia (1997-2000)
Actions:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Richmond City Hall, British Columbia (1997-2000)
Actions:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Niveau de description archivistique:
Project
Project
Date:
1997-1999
1997-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
2003-2011
2003-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2012.PR01
Description:
Project series documents Cornelia Hahn Oberlander's various landscaping projects for Lester B. Pearson College in Victoria, British Columbia. In the early 2000s, Oberlander worked on a project for the revitalization of the landscape scheme of the administration building of the College. Also in the early 2000s, she worked on the landscape planning for the GreenHome Project, a project of transforming the Calgary House into an ecological and sustainable building. This project was in collaboration with Matsuzaki and Associates and students of the college. Orberlander also worked on the renewal of master plan and the installation of a green roof in 2012 with DA Architects + Planners. The project series also includes Oberlander's project for the Calgary House Courtyard improvements in 2016 with Enns Gauthier Landscape Architects. The project series contains predominantly documents related to the 2012 renewal of the college master plan. It includes perspective drawings, landscape details and sections, irrigation plans, planting plans and grading plans. The project is also documented through correspondence with client and architects, project presentation and proposals, financial documents, documentation and products catalogs and research material on the college, including a digital version of a promotional video. The project series also includes correspondence with client, photographs and documentation related to the landscape sheme project for the administration building of 2000 and correspondence, documentation and project presentation for the GreenHome project of 2003. The project series also comprises documents related to the improvements of the Calgary House Courtyard of 2016, such as correspondence with architects and financial documents.
AP075.S1.2012.PR01
Description:
Project series documents Cornelia Hahn Oberlander's various landscaping projects for Lester B. Pearson College in Victoria, British Columbia. In the early 2000s, Oberlander worked on a project for the revitalization of the landscape scheme of the administration building of the College. Also in the early 2000s, she worked on the landscape planning for the GreenHome Project, a project of transforming the Calgary House into an ecological and sustainable building. This project was in collaboration with Matsuzaki and Associates and students of the college. Orberlander also worked on the renewal of master plan and the installation of a green roof in 2012 with DA Architects + Planners. The project series also includes Oberlander's project for the Calgary House Courtyard improvements in 2016 with Enns Gauthier Landscape Architects. The project series contains predominantly documents related to the 2012 renewal of the college master plan. It includes perspective drawings, landscape details and sections, irrigation plans, planting plans and grading plans. The project is also documented through correspondence with client and architects, project presentation and proposals, financial documents, documentation and products catalogs and research material on the college, including a digital version of a promotional video. The project series also includes correspondence with client, photographs and documentation related to the landscape sheme project for the administration building of 2000 and correspondence, documentation and project presentation for the GreenHome project of 2003. The project series also comprises documents related to the improvements of the Calgary House Courtyard of 2016, such as correspondence with architects and financial documents.
Personnes et institutions:
Date:
1997-2016
1997-2016
Titre:
Lester B. Pearson College, Victoria, British Columbia (2012)
Actions:
AP075.S1.2012.PR01
Description:
Project series documents Cornelia Hahn Oberlander's various landscaping projects for Lester B. Pearson College in Victoria, British Columbia. In the early 2000s, Oberlander worked on a project for the revitalization of the landscape scheme of the administration building of the College. Also in the early 2000s, she worked on the landscape planning for the GreenHome Project, a project of transforming the Calgary House into an ecological and sustainable building. This project was in collaboration with Matsuzaki and Associates and students of the college. Orberlander also worked on the renewal of master plan and the installation of a green roof in 2012 with DA Architects + Planners. The project series also includes Oberlander's project for the Calgary House Courtyard improvements in 2016 with Enns Gauthier Landscape Architects. The project series contains predominantly documents related to the 2012 renewal of the college master plan. It includes perspective drawings, landscape details and sections, irrigation plans, planting plans and grading plans. The project is also documented through correspondence with client and architects, project presentation and proposals, financial documents, documentation and products catalogs and research material on the college, including a digital version of a promotional video. The project series also includes correspondence with client, photographs and documentation related to the landscape sheme project for the administration building of 2000 and correspondence, documentation and project presentation for the GreenHome project of 2003. The project series also comprises documents related to the improvements of the Calgary House Courtyard of 2016, such as correspondence with architects and financial documents.
Lester B. Pearson College, Victoria, British Columbia (2012)
Actions:
AP075.S1.2012.PR01
Description:
Project series documents Cornelia Hahn Oberlander's various landscaping projects for Lester B. Pearson College in Victoria, British Columbia. In the early 2000s, Oberlander worked on a project for the revitalization of the landscape scheme of the administration building of the College. Also in the early 2000s, she worked on the landscape planning for the GreenHome Project, a project of transforming the Calgary House into an ecological and sustainable building. This project was in collaboration with Matsuzaki and Associates and students of the college. Orberlander also worked on the renewal of master plan and the installation of a green roof in 2012 with DA Architects + Planners. The project series also includes Oberlander's project for the Calgary House Courtyard improvements in 2016 with Enns Gauthier Landscape Architects. The project series contains predominantly documents related to the 2012 renewal of the college master plan. It includes perspective drawings, landscape details and sections, irrigation plans, planting plans and grading plans. The project is also documented through correspondence with client and architects, project presentation and proposals, financial documents, documentation and products catalogs and research material on the college, including a digital version of a promotional video. The project series also includes correspondence with client, photographs and documentation related to the landscape sheme project for the administration building of 2000 and correspondence, documentation and project presentation for the GreenHome project of 2003. The project series also comprises documents related to the improvements of the Calgary House Courtyard of 2016, such as correspondence with architects and financial documents.
Niveau de description archivistique:
Project
Project
Date:
1997-2016
1997-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Personnes et institutions:
Date:
1997
1997
Titre:
Holt Renfrew Store Competition, Toronto (1997)
Actions:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Holt Renfrew Store Competition, Toronto (1997)
Actions:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
Personnes et institutions:
Date:
1970 - 2011
1970 - 2011
Titre:
Toyo Ito & Associates, Architects fonds
Actions:
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
Toyo Ito & Associates, Architects fonds
Actions:
AP226
Résumé:
The Toyo Ito & Associates, Architects fonds, 1970 – 2011, documents the studio’s architectural work and involvement in selected exhibitions in the 1970s and 1980s. The records in this fonds represent 34 architectural projects, including built, unbuilt, and conceptual projects. The majority of the projects are located in Japan and are mostly documented through drawings as well as a limited number of videos, models, panels, textual records, and photographs. The fonds also contains records related to Toyo Ito & Associates, Architects’ participation in three exhibitions in the USA and the UK in 1978 and 1986.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1970 - 2011
1970 - 2011
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Date:
7 décembre 2017
7 décembre 2017
Titre:
Venez oublier l’Internet, avec Evgueny Morozov
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier l’Internet, avec Evgueny Morozov
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
7 décembre 2017
7 décembre 2017
Classification:
événements
événements
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Mot(s)-clé(s):
Craig Hodgetts
Craig Hodgetts
Date:
29 mars 2018
29 mars 2018
Titre:
Venez oublier la grille, avec Craig Hodgetts
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier la grille, avec Craig Hodgetts
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
29 mars 2018
29 mars 2018
Mot(s)-clé(s):
Craig Hodgetts
Craig Hodgetts
Classification:
événements
événements
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Mot(s)-clé(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 avril 2018
12 avril 2018
Titre:
Venez oublier la contre-culture, avec Johannes Grenzfurthner
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier la contre-culture, avec Johannes Grenzfurthner
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
12 avril 2018
12 avril 2018
Mot(s)-clé(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
