Série(s)
OCEAN North reference files
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
1997-2000
OCEAN North reference files
Actions:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
Series
1997-2000
articles
Désenchantements technologiques
Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
28 novembre 2011
Désenchantements technologiques
archives
Niveau de description archivistique:
Fonds
Fonds Ross & Macdonald
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
1902-1982
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
archives
Niveau de description archivistique:
Fonds
1902-1982
Sous-série
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
1754-1875
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
File 3
1754-1875
documents textuels
DR1995:0316:001-001
Description:
clippings, including material relating to the Cedric Price projects: New Aviary, Zoological Society (AP144.S2.D31), Robson Translloyd, London W.1 (AP144.S2.D36), Radome Development (AP144.S2.D40), Auditorium, Claverton Bath (AP144.S2.D41), House, Selsdon (AP144.S2.D42), Tone Vale Hospital, Taunton (AP144.S2.D47), Circlorama (AP144.S2.D51), Barking Flyover (AP144.S2.D57), Whyte Lion Development (AP144.S2.D60), Bath Festival (AP144.S2.D62), BAA/LHA/North (AP144.S2.D65), (AP144.S2.D70 BTDB Computer), Shantasea Development (AP144.S2.D72), BMI/HQ (AP144.S2.D74), Phun City (AP144.S2.D77), Olympia (AP144.S2.D83), Two Tree Island (AP144.S2.D84), McAppy (AP144.S2.D89), River Clyde Competition (AP144.S2.D90), Trucksafe Air Portable Dock Ahoy (AP144.S2.D93), Water Wall (AP144.S2.D94), Scotswhim (AP144.S2.D95), G.T.R. (AP144.S2.D97), Whitehall (AP144.S2.D98), Strike (AP144.S2.D99), Generator (AP144.S2.D100), Domain (AP144.S2.D108), Castel (AP144.S2.D109), CP Aviary (AP144.S2.D113), and for Picstate, Polyark (AP144.S3.D33), and a project for Tunisia
1962-1993
Press clippings for various projects
Actions:
DR1995:0316:001-001
Description:
clippings, including material relating to the Cedric Price projects: New Aviary, Zoological Society (AP144.S2.D31), Robson Translloyd, London W.1 (AP144.S2.D36), Radome Development (AP144.S2.D40), Auditorium, Claverton Bath (AP144.S2.D41), House, Selsdon (AP144.S2.D42), Tone Vale Hospital, Taunton (AP144.S2.D47), Circlorama (AP144.S2.D51), Barking Flyover (AP144.S2.D57), Whyte Lion Development (AP144.S2.D60), Bath Festival (AP144.S2.D62), BAA/LHA/North (AP144.S2.D65), (AP144.S2.D70 BTDB Computer), Shantasea Development (AP144.S2.D72), BMI/HQ (AP144.S2.D74), Phun City (AP144.S2.D77), Olympia (AP144.S2.D83), Two Tree Island (AP144.S2.D84), McAppy (AP144.S2.D89), River Clyde Competition (AP144.S2.D90), Trucksafe Air Portable Dock Ahoy (AP144.S2.D93), Water Wall (AP144.S2.D94), Scotswhim (AP144.S2.D95), G.T.R. (AP144.S2.D97), Whitehall (AP144.S2.D98), Strike (AP144.S2.D99), Generator (AP144.S2.D100), Domain (AP144.S2.D108), Castel (AP144.S2.D109), CP Aviary (AP144.S2.D113), and for Picstate, Polyark (AP144.S3.D33), and a project for Tunisia
documents textuels
1962-1993
ARCH264226:024
Description:
La lettre fait référence à Eulie Chowdhury et à Jacqueline Jeanneret. La lettre est à propos de l’hospitalisation de Eulie Chowdhury à Paris, en France.
2 mai 1963
Lettre de Jeanne Heilbuth, secrétaire de Le Corbusier, à Pierre Jeanneret relative à Chandigarh, Inde
Actions:
ARCH264226:024
Description:
La lettre fait référence à Eulie Chowdhury et à Jacqueline Jeanneret. La lettre est à propos de l’hospitalisation de Eulie Chowdhury à Paris, en France.
2 mai 1963
Various awards and honours
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
1964-1994
Various awards and honours
Actions:
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
1964-1994
photographies
Our Old Home
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
architecture
1891
Our Old Home
Actions:
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
photographies
1891
architecture
PH1990:0314:001-055
Description:
- Album PH1990:0314:001-055 comprises 55 photographs by S.J. Hayward. There are 32 exterior views and 23 interior views of 32 buildings. The B. B. Electric Co. Ltd. was involved in the construction and/or installation of the electrical systems of these buildings (Harris, n.p.). Most of the interior views show electrical systems installed in various buildings. There is one photograph of a model for the main pavilion of Université de Montréal. Twenty-six of the buildings are located in Montréal, two in Lachine, two in Outremont, one in Saint Laurent and one in Westmount. Buildings in Montréal include eight educational buildings, four warehouses or workshops, three service stations and one garage, three hospitals, three office buildings, two churches, two apartment buildings, and one distillery. Buildings in Lachine include one school and one convent school. Buildings in Outremont include a theatre and a post office. The building in Saint-Laurent is a seminary. The building in Westmount is an appartment building.
architecture, design d'intérieur, ingénierie
ca. 1931
Album of exterior views of buildings, interior views of electrical systems, and one photograph of a model compiled by the B. B. Electric Co. Ltd., Montréal, Outremont, Lachine, Saint-Laurent and Westmount, Québec
Actions:
PH1990:0314:001-055
Description:
- Album PH1990:0314:001-055 comprises 55 photographs by S.J. Hayward. There are 32 exterior views and 23 interior views of 32 buildings. The B. B. Electric Co. Ltd. was involved in the construction and/or installation of the electrical systems of these buildings (Harris, n.p.). Most of the interior views show electrical systems installed in various buildings. There is one photograph of a model for the main pavilion of Université de Montréal. Twenty-six of the buildings are located in Montréal, two in Lachine, two in Outremont, one in Saint Laurent and one in Westmount. Buildings in Montréal include eight educational buildings, four warehouses or workshops, three service stations and one garage, three hospitals, three office buildings, two churches, two apartment buildings, and one distillery. Buildings in Lachine include one school and one convent school. Buildings in Outremont include a theatre and a post office. The building in Saint-Laurent is a seminary. The building in Westmount is an appartment building.
architecture, design d'intérieur, ingénierie
archives
Niveau de description archivistique:
Fonds
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
1914-2008
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
archives
Niveau de description archivistique:
Collection
1914-2008