35989 Résultats
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of(...)
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of(...)
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
Titre:
European Union prize for contemporary architecture ; Mies van der Rohe award 2005
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of Emerging architect special mention. This publication illustrates these two winning projects, together with the other 32 shortlisted schemes, with plans, photos and explanatory texts by the architects.
European Union prize for contemporary architecture ; Mies van der Rohe award 2005
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of Emerging architect special mention. This publication illustrates these two winning projects, together with the other 32 shortlisted schemes, with plans, photos and explanatory texts by the architects.
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livres
livres
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
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livres
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Fernando Romero is the founder of LCM (1999) and most recently LAR (2005), an office that considers architecture to be vital as a translator of current societal needs. LAR seeks to generate unprecedented spaces, explore new structures and geometries, and to implement new materials and construction methods. “Translation” divides the projects of LCM and LAR into three(...)
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Fernando Romero is the founder of LCM (1999) and most recently LAR (2005), an office that considers architecture to be vital as a translator of current societal needs. LAR seeks to generate unprecedented spaces, explore new structures and geometries, and to implement new materials and construction methods. “Translation” divides the projects of LCM and LAR into three(...)
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Architecture, monographies
Architecture, monographies
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
Titre:
Translation Lar/Pernando Romero
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Fernando Romero is the founder of LCM (1999) and most recently LAR (2005), an office that considers architecture to be vital as a translator of current societal needs. LAR seeks to generate unprecedented spaces, explore new structures and geometries, and to implement new materials and construction methods. “Translation” divides the projects of LCM and LAR into three categories: 'Fluid Bodies' are long-lasting private projects, designed for specific situations and built with high-tech resources; 'Revised Boxes' are buildings of a more public nature, whose technology is based on industrial products. The Inbursa Bank building, located on one of Mexico City's most prestigious avenues, the Paseo de la Reforma, has a façade of laminated glass that becomes opaque or transparent depending on the visitors physical position; 'Boxes', the third category of projects, combines rapidly applicable, cheap low-tech architecture generated from commercial wholesale products, like the facade of the Cinna Bar which LCM gave a new skin of red-tinted glass.
Translation Lar/Pernando Romero
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Fernando Romero is the founder of LCM (1999) and most recently LAR (2005), an office that considers architecture to be vital as a translator of current societal needs. LAR seeks to generate unprecedented spaces, explore new structures and geometries, and to implement new materials and construction methods. “Translation” divides the projects of LCM and LAR into three categories: 'Fluid Bodies' are long-lasting private projects, designed for specific situations and built with high-tech resources; 'Revised Boxes' are buildings of a more public nature, whose technology is based on industrial products. The Inbursa Bank building, located on one of Mexico City's most prestigious avenues, the Paseo de la Reforma, has a façade of laminated glass that becomes opaque or transparent depending on the visitors physical position; 'Boxes', the third category of projects, combines rapidly applicable, cheap low-tech architecture generated from commercial wholesale products, like the facade of the Cinna Bar which LCM gave a new skin of red-tinted glass.
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livres
livres
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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Victor Gruen became renowned in 1950s America as the "pioneer of the shopping center", then by his urban redevelopment projects as the "savior of the downtowns", and by the mid-1960s as the "architect of the environment". "From Urban Shop to New City" focuses on Gruen's theories and projects, especially with respect to the terms that he set for himself : the return of(...)
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Victor Gruen became renowned in 1950s America as the "pioneer of the shopping center", then by his urban redevelopment projects as the "savior of the downtowns", and by the mid-1960s as the "architect of the environment". "From Urban Shop to New City" focuses on Gruen's theories and projects, especially with respect to the terms that he set for himself : the return of(...)
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Victor Gruen: from urban shop to new city
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Victor Gruen became renowned in 1950s America as the "pioneer of the shopping center", then by his urban redevelopment projects as the "savior of the downtowns", and by the mid-1960s as the "architect of the environment". "From Urban Shop to New City" focuses on Gruen's theories and projects, especially with respect to the terms that he set for himself : the return of the city centre and urban public space as a focus of social and cultural life. The context for his vision, however, was the "triumph" of the suburbs and the collapses of American downtown. Gruen's successes and failures engaged or prefigured every important commercial retail, development, and planning trend since World War II ; thus his work is a crucial vehicule for understanding the transformation of American city-scape and landscape, and is a starting point for asking the question : what kind of city do we want?
Victor Gruen: from urban shop to new city
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Victor Gruen became renowned in 1950s America as the "pioneer of the shopping center", then by his urban redevelopment projects as the "savior of the downtowns", and by the mid-1960s as the "architect of the environment". "From Urban Shop to New City" focuses on Gruen's theories and projects, especially with respect to the terms that he set for himself : the return of the city centre and urban public space as a focus of social and cultural life. The context for his vision, however, was the "triumph" of the suburbs and the collapses of American downtown. Gruen's successes and failures engaged or prefigured every important commercial retail, development, and planning trend since World War II ; thus his work is a crucial vehicule for understanding the transformation of American city-scape and landscape, and is a starting point for asking the question : what kind of city do we want?
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livres
livres
Publication:
septembre 2005
septembre 2005
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited,(...)
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited,(...)
Publication:
décembre 2005, Barcelona
décembre 2005, Barcelona
Titre:
Desert America: Territory of paradox
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited, and excessive. Not subject to barriers and seemingly free of the formal, ideological or cultural ties of global society, the desert cultivates alternate architectures, urbanisms, and built phenomena. Through photographs, essays, and history, this book emerges as an exploration of some of these phenomena and the protagonists that made them possible.
Desert America: Territory of paradox
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited, and excessive. Not subject to barriers and seemingly free of the formal, ideological or cultural ties of global society, the desert cultivates alternate architectures, urbanisms, and built phenomena. Through photographs, essays, and history, this book emerges as an exploration of some of these phenomena and the protagonists that made them possible.
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livres
livres
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décembre 2005, Barcelona
décembre 2005, Barcelona
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livres
livres
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A l'heure où le design et la qualité de vie sont souvent associés, être une " ville de design " offre à la fois un puissant levier de communication et un positionnement porteur de croissance économique. Mais qu'est-ce qu'une ville de design ? Et comment le devient-on ? Si Anvers, Glasgow, Lisbonne, Montréal, Saint-Etienne, Stockholm et Times Square New York ont réussi à(...)
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A l'heure où le design et la qualité de vie sont souvent associés, être une " ville de design " offre à la fois un puissant levier de communication et un positionnement porteur de croissance économique. Mais qu'est-ce qu'une ville de design ? Et comment le devient-on ? Si Anvers, Glasgow, Lisbonne, Montréal, Saint-Etienne, Stockholm et Times Square New York ont réussi à(...)
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Nouvelles villes de design / new design cities
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A l'heure où le design et la qualité de vie sont souvent associés, être une " ville de design " offre à la fois un puissant levier de communication et un positionnement porteur de croissance économique. Mais qu'est-ce qu'une ville de design ? Et comment le devient-on ? Si Anvers, Glasgow, Lisbonne, Montréal, Saint-Etienne, Stockholm et Times Square New York ont réussi à se positionner comme " nouvelles villes de design ", c'est qu'elles ont élaboré et mis en place des politiques et programmes favorisant la qualité en design sur leur territoire. Construit autour d'études de cas, cet ouvrage analyse les actions et événements à l'origine de l'émergence de ces sept villes en tant que ville de design. Appuyé sur les réflexions de François Barré, Saskia Sassen et John Thackara, il réunit également les points de vue d'élus, de designers réputés, ou appartenant à la relève, et de citoyens engagés.
Nouvelles villes de design / new design cities
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A l'heure où le design et la qualité de vie sont souvent associés, être une " ville de design " offre à la fois un puissant levier de communication et un positionnement porteur de croissance économique. Mais qu'est-ce qu'une ville de design ? Et comment le devient-on ? Si Anvers, Glasgow, Lisbonne, Montréal, Saint-Etienne, Stockholm et Times Square New York ont réussi à se positionner comme " nouvelles villes de design ", c'est qu'elles ont élaboré et mis en place des politiques et programmes favorisant la qualité en design sur leur territoire. Construit autour d'études de cas, cet ouvrage analyse les actions et événements à l'origine de l'émergence de ces sept villes en tant que ville de design. Appuyé sur les réflexions de François Barré, Saskia Sassen et John Thackara, il réunit également les points de vue d'élus, de designers réputés, ou appartenant à la relève, et de citoyens engagés.
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livres
livres
Publication:
octobre 2005, Montréal
octobre 2005, Montréal
Sujet:
Architecture de Montréal
Architecture de Montréal
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livres
livres
Titre:
Max Huber
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
Publication:
janvier 2005, London, New York
janvier 2005, London, New York
Titre:
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
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livres
livres
Publication:
janvier 2005, London, New York
janvier 2005, London, New York
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livres
livres
Titre:
Gordon Matta-Clark
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
Publication:
janvier 2006, New York / London
janvier 2006, New York / London
Titre:
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
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livres
livres
Publication:
janvier 2006, New York / London
janvier 2006, New York / London
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livres
livres
Titre:
Roman Signer
Roman Signer
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Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the(...)
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Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the(...)
Publication:
juin 2006, London
juin 2006, London
Titre:
Roman Signer
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Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the outset, the artist loses by nearly the entire length); Action at Hotel Weissbad (1992), in which an ordinary table is shot out a hotel window, the resulting photographs showing a table flying incongruously over a sleepy Swiss village; Power of Rain (1974), in which rainwater gathers slowly in a funnel until its force shatters a block of plaster; and Bicycle with Rockets (1991), the photographs of which show a fiery bicycle flying through the gallery like a demon comet. Often Signer will exhibit in the gallery the remains of an event not witnessed by the public, such as four empty barrels and a violently splattered wall, the remains of an explosion of paint in the gallery space (Portrait Gallery, 1993), or four sand piles with perfectly round craters on each, the neat result of four simultaneous explosions at their peaks (Cones of Sand, 1988). Roman Signer’s work has been exhibited at major venues across Europe and North America, as well as important international exhibitions such as Documenta 8 (1987), Skulptur Projekte in Munster (1997) and the 48th Venice Biennale (1999), in which he represented Switzerland.
Roman Signer
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Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the outset, the artist loses by nearly the entire length); Action at Hotel Weissbad (1992), in which an ordinary table is shot out a hotel window, the resulting photographs showing a table flying incongruously over a sleepy Swiss village; Power of Rain (1974), in which rainwater gathers slowly in a funnel until its force shatters a block of plaster; and Bicycle with Rockets (1991), the photographs of which show a fiery bicycle flying through the gallery like a demon comet. Often Signer will exhibit in the gallery the remains of an event not witnessed by the public, such as four empty barrels and a violently splattered wall, the remains of an explosion of paint in the gallery space (Portrait Gallery, 1993), or four sand piles with perfectly round craters on each, the neat result of four simultaneous explosions at their peaks (Cones of Sand, 1988). Roman Signer’s work has been exhibited at major venues across Europe and North America, as well as important international exhibitions such as Documenta 8 (1987), Skulptur Projekte in Munster (1997) and the 48th Venice Biennale (1999), in which he represented Switzerland.
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livres
livres
Publication:
juin 2006, London
juin 2006, London
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livres
livres
Titre:
Tacita Dean
Tacita Dean
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The intricately associative works of Berlin-based English artist Tacita Dean (b.1965) combine film, video, installation, audio and drawing. Dean explores the ways that chance and coincidence influence daily life by archiving forgotten fragments of history and constructing narratives that connect past and present, fact and fiction, private histories and larger events.
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The intricately associative works of Berlin-based English artist Tacita Dean (b.1965) combine film, video, installation, audio and drawing. Dean explores the ways that chance and coincidence influence daily life by archiving forgotten fragments of history and constructing narratives that connect past and present, fact and fiction, private histories and larger events.
Publication:
mars 2006, London
mars 2006, London
Titre:
Tacita Dean
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The intricately associative works of Berlin-based English artist Tacita Dean (b.1965) combine film, video, installation, audio and drawing. Dean explores the ways that chance and coincidence influence daily life by archiving forgotten fragments of history and constructing narratives that connect past and present, fact and fiction, private histories and larger events.
Tacita Dean
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The intricately associative works of Berlin-based English artist Tacita Dean (b.1965) combine film, video, installation, audio and drawing. Dean explores the ways that chance and coincidence influence daily life by archiving forgotten fragments of history and constructing narratives that connect past and present, fact and fiction, private histories and larger events.
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livres
livres
Publication:
mars 2006, London
mars 2006, London
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livres
livres
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$22.95
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The only residence built by Ludwig Mies van der Rohe in America, Farnsworth House (1948-51) exemplifies the central tenet both of the International Style, be inverting the conventions of traditional architecture, and of Mies` own design philosophy. Commissioned by Dr Edith Farnsworth to build a weekend retreat, Mies designed the house as an envelope of glass and steel(...)
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The only residence built by Ludwig Mies van der Rohe in America, Farnsworth House (1948-51) exemplifies the central tenet both of the International Style, be inverting the conventions of traditional architecture, and of Mies` own design philosophy. Commissioned by Dr Edith Farnsworth to build a weekend retreat, Mies designed the house as an envelope of glass and steel(...)
Titre:
Ludwig Mies van der Rohe : Farnsworth house
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The only residence built by Ludwig Mies van der Rohe in America, Farnsworth House (1948-51) exemplifies the central tenet both of the International Style, be inverting the conventions of traditional architecture, and of Mies` own design philosophy. Commissioned by Dr Edith Farnsworth to build a weekend retreat, Mies designed the house as an envelope of glass and steel floating over the Illinois Fox River flood plain. Its spare interior was intended for a simpler, cleaner, and healthier lifestyle. Even before its completion, however, architect and client had fallen out over expenses and practical problems with the house, and by the time Lord Palumbo bought it in 1972, Farnsworth had changed many of the interior elements dictated so precisely by Mies. Following a ruinous flood in 1996, the house has been faithfully reconstructed to its original conception. Richly illustrated with detailed drawings and specially commissioned photography, this latest book provides an in depth account of this icon of twentieth century Modernist architecture.
Ludwig Mies van der Rohe : Farnsworth house
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The only residence built by Ludwig Mies van der Rohe in America, Farnsworth House (1948-51) exemplifies the central tenet both of the International Style, be inverting the conventions of traditional architecture, and of Mies` own design philosophy. Commissioned by Dr Edith Farnsworth to build a weekend retreat, Mies designed the house as an envelope of glass and steel floating over the Illinois Fox River flood plain. Its spare interior was intended for a simpler, cleaner, and healthier lifestyle. Even before its completion, however, architect and client had fallen out over expenses and practical problems with the house, and by the time Lord Palumbo bought it in 1972, Farnsworth had changed many of the interior elements dictated so precisely by Mies. Following a ruinous flood in 1996, the house has been faithfully reconstructed to its original conception. Richly illustrated with detailed drawings and specially commissioned photography, this latest book provides an in depth account of this icon of twentieth century Modernist architecture.
Classification:
livres
livres
Publication:
septembre 2005, London
septembre 2005, London
Sujet:
Architecture, monographies
Architecture, monographies
