16290 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Personnes et institutions:
Date:
1997-2003
1997-2003
Titre:
Biblioteca Municipal de Albergaria-a-Velha [Albergaria-a-Velha Municipal Library], Albergaria-a-Velha (1999)
Actions:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Biblioteca Municipal de Albergaria-a-Velha [Albergaria-a-Velha Municipal Library], Albergaria-a-Velha (1999)
Actions:
AP178.S1.1999.PR09
Description:
This project series documents the Biblioteca Municipal de Albergaria-a-Velha in Albergaria-a-Velha, Portugal. While the records were held in the office’s archives this project was assigned the number 115/90. The office assigned the date 1999 for this project. The project site was located on the top of a hill in the Parque da Vila near a sports center and a school. The program presented by Siza and his team respected the criteria developed by the Instituto do Livro Português e as bibliotecas for a municipal library of a city between 20 000 and 50 000 citizens (BM2). The design for the two-story library includes reading rooms, multimedia rooms, a section for adults, a section for children, and a multipurpose room for conferences and exhibitions, as well as private parking for fifty cars. The project was not built. Documenting this project are sketches, working drawings, structural drawings, and technical drawings. Textual material includes reference documentation, technical documentation, correspondence, and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1997-2003
1997-2003
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Personnes et institutions:
Date:
1967-1988
1967-1988
Titre:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Niveau de description archivistique:
sub-series
sub-series
Date:
1967-1988
1967-1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S4.SS5.D10
Description:
Le dossier documente les photographies prises par un ou des photographes non identifiés de Chandigarh, en Inde. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des paysages de Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes, de mobilier créé par Pierre Jeanneret et des signes de Le Corbusier. Le matériel dans ce dossier a été produit entre 1950 et ls années 1970. Le dossier contient des photographies. File documents the photographs taken by unidentified photographers. The file includes photographs of the everyday life at Chandigarh, Chandigarh's landscapes, private and governmental residences, schools, the Panjab University, the Capitol, miscellaneous buildings and installations, models, furniture designed by Pierre Jeanneret and Le Corbusier's signs. The material in this file was produced between 1950 and in the 1970s. The file contains photographs.
AP156.S4.SS5.D10
Description:
Le dossier documente les photographies prises par un ou des photographes non identifiés de Chandigarh, en Inde. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des paysages de Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes, de mobilier créé par Pierre Jeanneret et des signes de Le Corbusier. Le matériel dans ce dossier a été produit entre 1950 et ls années 1970. Le dossier contient des photographies. File documents the photographs taken by unidentified photographers. The file includes photographs of the everyday life at Chandigarh, Chandigarh's landscapes, private and governmental residences, schools, the Panjab University, the Capitol, miscellaneous buildings and installations, models, furniture designed by Pierre Jeanneret and Le Corbusier's signs. The material in this file was produced between 1950 and in the 1970s. The file contains photographs.
Personnes et institutions:
Date:
1950-1970s
1950-1970s
Titre:
Photographes inconnus = Unknown photographers
Actions:
AP156.S4.SS5.D10
Description:
Le dossier documente les photographies prises par un ou des photographes non identifiés de Chandigarh, en Inde. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des paysages de Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes, de mobilier créé par Pierre Jeanneret et des signes de Le Corbusier. Le matériel dans ce dossier a été produit entre 1950 et ls années 1970. Le dossier contient des photographies. File documents the photographs taken by unidentified photographers. The file includes photographs of the everyday life at Chandigarh, Chandigarh's landscapes, private and governmental residences, schools, the Panjab University, the Capitol, miscellaneous buildings and installations, models, furniture designed by Pierre Jeanneret and Le Corbusier's signs. The material in this file was produced between 1950 and in the 1970s. The file contains photographs.
Photographes inconnus = Unknown photographers
Actions:
AP156.S4.SS5.D10
Description:
Le dossier documente les photographies prises par un ou des photographes non identifiés de Chandigarh, en Inde. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des paysages de Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes, de mobilier créé par Pierre Jeanneret et des signes de Le Corbusier. Le matériel dans ce dossier a été produit entre 1950 et ls années 1970. Le dossier contient des photographies. File documents the photographs taken by unidentified photographers. The file includes photographs of the everyday life at Chandigarh, Chandigarh's landscapes, private and governmental residences, schools, the Panjab University, the Capitol, miscellaneous buildings and installations, models, furniture designed by Pierre Jeanneret and Le Corbusier's signs. The material in this file was produced between 1950 and in the 1970s. The file contains photographs.
Niveau de description archivistique:
Dossier 10
Dossier 10
Date:
1950-1970s
1950-1970s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Personnes et institutions:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Titre:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Niveau de description archivistique:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2018
2012-2018
Titre:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2018
2012-2018
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Jacqueline Jeanneret
Jacqueline Jeanneret
Numéro de référence:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
Personnes et institutions:
Date:
between 1960 and 1965
between 1960 and 1965
Titre:
Jacqueline Jeanneret
Actions:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
Jacqueline Jeanneret
Actions:
AP156.S5.SS1.D2
Description:
Le dossier documente les photographies prises par Jacqueline Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, de divers bâtiments et installations et du mobilier créé par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1960 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jacqueline Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, the private and governement residences, the schools, the Panjab University, various buildings and installations and furniture designed by Pierre Jeanneret. The material in this file was produced between 1960 and 1965. The file contains photographs mounted on board.
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
between 1960 and 1965
between 1960 and 1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Pierre Jeanneret
Pierre Jeanneret
Numéro de référence:
AP156.S5.SS1.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et des peintures de Le Corbusier. Le matériel dans ce dossier a été produit entre 1951 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Pierre Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and paintings by Le Corbusier. The material in this file was produced between 1951 and 1965. The file contains photographs mounted on board.
AP156.S5.SS1.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et des peintures de Le Corbusier. Le matériel dans ce dossier a été produit entre 1951 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Pierre Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and paintings by Le Corbusier. The material in this file was produced between 1951 and 1965. The file contains photographs mounted on board.
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Pierre Jeanneret
Actions:
AP156.S5.SS1.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et des peintures de Le Corbusier. Le matériel dans ce dossier a été produit entre 1951 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Pierre Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and paintings by Le Corbusier. The material in this file was produced between 1951 and 1965. The file contains photographs mounted on board.
Pierre Jeanneret
Actions:
AP156.S5.SS1.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et des peintures de Le Corbusier. Le matériel dans ce dossier a été produit entre 1951 et 1965. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Pierre Jeanneret and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and paintings by Le Corbusier. The material in this file was produced between 1951 and 1965. The file contains photographs mounted on board.
Niveau de description archivistique:
Dossier 1
Dossier 1
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Personnes et institutions:
Date:
1949-1965
1949-1965
Titre:
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Niveau de description archivistique:
Sous-série 2
Sous-série 2
Date:
1949-1965
1949-1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
