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Often, buildings are realized by not only their architects but by those who commission them, but the role of the latter tends to be omitted from the official account of how any given building is made. This issue of Oase addresses the commissioner's influence on how buildings or urban ensembles take shape.
Oase 83: Commissioning architecture
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Often, buildings are realized by not only their architects but by those who commission them, but the role of the latter tends to be omitted from the official account of how any given building is made. This issue of Oase addresses the commissioner's influence on how buildings or urban ensembles take shape.
Revues
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
The captured museum : on Carte blanche, a research project by the Museum of contemporary art in Leipzig
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
Muséologie
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West Arch looks at 30 experimental architecture firms in West Germany, Belgium and the Netherlands. Responding to the current market and rise in digital communication, more young architects are working in teams, with such technological advances as video chat facilitating cooperation across countries. Tracing these international networks, the book discusses the conditions(...)
West arch, vol 1 : a new generation in architecture
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West Arch looks at 30 experimental architecture firms in West Germany, Belgium and the Netherlands. Responding to the current market and rise in digital communication, more young architects are working in teams, with such technological advances as video chat facilitating cooperation across countries. Tracing these international networks, the book discusses the conditions of production shaping the next generation of European architects.
Architecture contemporaine
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The once distinct fields of infrastructure and architecture have recently become the joint subject of academic inquiry. Infrastructure as Architecture features essays and projects by a range of influential architects and writers including Stan Allen, Bureau E.A.S.T., Stefano Casciani, Dana Cuff, Alexander D'Hooghe, Jesse LeCavalier, Simon Sellars, Kelly Shannon, Cary(...)
mai 2011
Infrastructure as architecture: Design composite networks
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The once distinct fields of infrastructure and architecture have recently become the joint subject of academic inquiry. Infrastructure as Architecture features essays and projects by a range of influential architects and writers including Stan Allen, Bureau E.A.S.T., Stefano Casciani, Dana Cuff, Alexander D'Hooghe, Jesse LeCavalier, Simon Sellars, Kelly Shannon, Cary Siress, Jonathan D Solomon, Georgeen Theodore and UrbanLab, among others.
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Ronan and Erwan Bouroullec have been key players in French design of the 2000s; among their most popular works are their "Disintegrated Kitchen" (1997), "Closed Bed" (1998), "Spring Chair" (2000) and "Vegetal Chair" (2009), and they have also worked with Issey Miyake and Camper. This volume provides a survey of their activities.
Ronan & Erwan Bouroullec: Lianes
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Ronan and Erwan Bouroullec have been key players in French design of the 2000s; among their most popular works are their "Disintegrated Kitchen" (1997), "Closed Bed" (1998), "Spring Chair" (2000) and "Vegetal Chair" (2009), and they have also worked with Issey Miyake and Camper. This volume provides a survey of their activities.
Design, monographies
livres
Why architecture matters
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This book is not a work of architectural history or a guide to the styles or an architectural dictionary, though it contains elements of all three. The purpose of this book is to 'come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually' - with its impact on our lives. 'Architecture begins(...)
Why architecture matters
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This book is not a work of architectural history or a guide to the styles or an architectural dictionary, though it contains elements of all three. The purpose of this book is to 'come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually' - with its impact on our lives. 'Architecture begins to matter', writes Paul Goldberger, 'when it brings delight and sadness and perplexity and awe along with a roof over our heads'.
livres
mars 2011
Théorie de l’architecture
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists(...)
The Bauhaus group : six masters of modernism
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well as with these figures' lesser-known wives and girlfriends. In thisgroup biography, Weber brings to life the pioneering art school in Germany's Weimar and Dessau in the 1920s and early 1930s, and captures the spirit and flair with which these Bauhaus geniuses lived, as well as their consuming goal of making art and architecture.
Modernisme
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over(...)
avril 2011
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Théorie de l’art
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Eero Saarinen: Shaping the Future offers a new and wide-ranging look at the entire scope of Saarinen’s career. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen's projects to date—a chronological survey of more than 100 built and unbuilt(...)
Eero Saarinen: Shaping the future
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Eero Saarinen: Shaping the Future offers a new and wide-ranging look at the entire scope of Saarinen’s career. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen's projects to date—a chronological survey of more than 100 built and unbuilt works, previously unpublished photographs, plans, and working drawings.
Architecture, monographies