578 Résultats
Classification:
livres
livres
Titre:
Eco-operations
Eco-operations
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Prix:
$88.00
(disponible sur commande)
Résumé:
The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a(...)
$88.00
(disponible sur commande)
Résumé:
The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a(...)
Titre:
Eco-operations
Actions:
Prix:
$88.00
(disponible sur commande)
Résumé:
The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, "eco-operations" instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, "eco-operations" explores this field of tension between global and local ecologies and aims to speculate on where dissonances imply both creative potential and political challenges.
Eco-operations
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Prix:
$88.00
(disponible sur commande)
Résumé:
The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, "eco-operations" instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, "eco-operations" explores this field of tension between global and local ecologies and aims to speculate on where dissonances imply both creative potential and political challenges.
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
L'écologie de l'architecure
L'écologie de l'architecure
Classification:
livres
livres
Titre:
Elements
Elements
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Prix:
$190.00
(disponible sur commande)
Résumé:
Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the(...)
$190.00
(disponible sur commande)
Résumé:
Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the(...)
Titre:
Elements
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Prix:
$190.00
(disponible sur commande)
Résumé:
Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous. Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix - the ideas of the architect that constitute the practice of architecture today. A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.
Elements
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Prix:
$190.00
(disponible sur commande)
Résumé:
Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous. Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix - the ideas of the architect that constitute the practice of architecture today. A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
Publication:
octobre 2021
octobre 2021
Titre:
From Brussels with love: Office Kersten Geers David Van Severen
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Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
From Brussels with love: Office Kersten Geers David Van Severen
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Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Classification:
livres
livres
Prix:
$64.00
(disponible sur commande)
Résumé:
From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly(...)
$64.00
(disponible sur commande)
Résumé:
From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly(...)
Titre:
Shock city: Image and architecture in industrial Manchester
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Prix:
$64.00
(disponible sur commande)
Résumé:
From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester’s mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester’s newly emergent industrial middle classes, who remade the city in their image.
Shock city: Image and architecture in industrial Manchester
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Prix:
$64.00
(disponible sur commande)
Résumé:
From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester’s mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester’s newly emergent industrial middle classes, who remade the city in their image.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Classification:
livres
livres
Actions:
Prix:
$44.00
(disponible en magasin)
Résumé:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
$44.00
(disponible en magasin)
Résumé:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2001, New York
novembre 2001, New York
Titre:
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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Prix:
$44.00
(disponible en magasin)
Résumé:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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Prix:
$44.00
(disponible en magasin)
Résumé:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Classification:
livres
livres
Publication:
novembre 2001, New York
novembre 2001, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
Sujet:
Jardins
Jardins
Publication:
mars 2005, San Rafael, California
mars 2005, San Rafael, California
Titre:
Peter Walker and Partners : defining the craft
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Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
Peter Walker and Partners : defining the craft
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Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
Classification:
livres
livres
Publication:
mars 2005, San Rafael, California
mars 2005, San Rafael, California
Sujet:
Jardins
Jardins
Classification:
livres
livres
Actions:
Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
février 2019
février 2019
Titre:
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
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Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
Actions:
Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
Classification:
livres
livres
Publication:
février 2019
février 2019
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through(...)
$29.95
(disponible sur commande)
Résumé:
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through(...)
Titre:
Made in Canada : craft and design in the sixties
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Prix:
$29.95
(disponible sur commande)
Résumé:
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through ambitious government programs meant to reinforce the country's identity as a modern, sophisticated, and autonomous nation. As well, it documents the demise of a singular notion of modern life and its replacement with a focus on personal identity and consumerism. Changes in the 1960s included the building of modern airports, first space satellite, and new national symbols such as the maple leaf flag. Canadians embraced this heightened sense of individuality and demanded products that were equally individual. As a result pop culture objects sat on cool furniture influenced by Scandinavian modernism while handmade crafts reflected a growing concern with environmental issues. Expo 67 was the turning point - one final expression of optimism before Canada was rocked by social change and varied struggles for identity. Made in Canada examines national dreams and expressions of individuality in thoughtful and illuminating essays. Contributors include Sandra Alfoldy (NSCAD University), Paul Bourassa (Musée des beaux-arts de Québec), Brent Cordner (designer and educator, Toronto), Douglas Coupland (artist and author, Vancouver), Bernard Flaman (Government of Saskatchewan), Rachel Gotlieb (freelance curator and writer, Toronto), Michael Large (Sheridan College Institute of Technology and Advanced Learning), and Michael Prokopow (Design Exchange).
Made in Canada : craft and design in the sixties
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Prix:
$29.95
(disponible sur commande)
Résumé:
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through ambitious government programs meant to reinforce the country's identity as a modern, sophisticated, and autonomous nation. As well, it documents the demise of a singular notion of modern life and its replacement with a focus on personal identity and consumerism. Changes in the 1960s included the building of modern airports, first space satellite, and new national symbols such as the maple leaf flag. Canadians embraced this heightened sense of individuality and demanded products that were equally individual. As a result pop culture objects sat on cool furniture influenced by Scandinavian modernism while handmade crafts reflected a growing concern with environmental issues. Expo 67 was the turning point - one final expression of optimism before Canada was rocked by social change and varied struggles for identity. Made in Canada examines national dreams and expressions of individuality in thoughtful and illuminating essays. Contributors include Sandra Alfoldy (NSCAD University), Paul Bourassa (Musée des beaux-arts de Québec), Brent Cordner (designer and educator, Toronto), Douglas Coupland (artist and author, Vancouver), Bernard Flaman (Government of Saskatchewan), Rachel Gotlieb (freelance curator and writer, Toronto), Michael Large (Sheridan College Institute of Technology and Advanced Learning), and Michael Prokopow (Design Exchange).
Classification:
livres
livres
Publication:
février 2005, Montreal
février 2005, Montreal
Sujet:
Architecture du Canada
Architecture du Canada
