The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the(...)
The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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$56.95
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Résumé:
First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.
Ornementation
Watercolors by Finn Juhl
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Among the great Danish designers, Finn Juhl (1912–89) ranks alongside such giants as Hans J. Wegner and Arne Jacobsen. He was particularly well known for his sculptural, seemingly organic tables, chairs and sofas, but the complex interior designs that he developed in the 1940s and ‘50s were also enormously successful. These include the Danish Embassy in Washington, DC,(...)
Watercolors by Finn Juhl
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$79.00
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Among the great Danish designers, Finn Juhl (1912–89) ranks alongside such giants as Hans J. Wegner and Arne Jacobsen. He was particularly well known for his sculptural, seemingly organic tables, chairs and sofas, but the complex interior designs that he developed in the 1940s and ‘50s were also enormously successful. These include the Danish Embassy in Washington, DC, and the conference room of the United Nations Trusteeship Council in New York. However, it is not widely known that Finn Juhl was also a talented watercolor painter who used the medium to devise gorgeous, exacting sketches of his pieces. For the first time, this publication allows readers to take a unique look at the designer’s working methods.
Design, monographies
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Théorie de l’art
octobre 2024
Film X Autochthonous struggles today
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Théorie de l’art
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The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to(...)
The pivot of the world : photography and its nation
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The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to bind together into a new global identity--into a world nation or "family of man"--seemed ever more pressing as a bulwark against the rapidly expanding threat of a nuclear World War III. The Pivot of the World looks at an exceptional effort to work out that geopolitical tension by cultural means as developed in three hugely ambitious photographic projects: The Family of Man exhibition that opened in 1955 and traveled the world for the next decade; Robert Frank's influential book The Americans, photographed in 1955-1956 and first published in 1958; and Bernd and Hilla Becher's typological record of industrial architecture, begun in 1957 and continuing today. Each of these projects worked to release the dream of nation--of belonging and sovereignty--from its old civic trappings through the medium of photography's serial form, in the experience of one photograph followed by another and another and another, so that all seem at once intimately connected and at the same time autonomous and distinct. Innovations in the serial composition of photographic form could open new possibilities for social form while the modern desire for political belonging could be made cosmopolitan, could be globalized--but in the most human of ways. This epic sense of purpose lasted only for a moment--it had already passed by the beginning of the 1960s--but it bears particular interest for any historical understanding of the contest over globalization that continues to hold such great consequence for us now.
Théorie de la photographie
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5 unnumbered pages, 402 pages : illustrations (some color), maps (some color), plans, facsimiles ; 30 cm
San Francisco, California : Applied Research + Design Publishing (ar+d) , [2015], ©2015
Ganges water machine : designing new India's ancient river / Anthony Acciavatti ; editing by Aleksandr Bierig and Duncan Corrigall.
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5 unnumbered pages, 402 pages : illustrations (some color), maps (some color), plans, facsimiles ; 30 cm
livres
San Francisco, California : Applied Research + Design Publishing (ar+d) , [2015], ©2015
livres
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287 pages : illustrations ; 21 x 26 cm
Cleveland, Ohio : Belt Publishing, [2019], ©2019
Midwest architecture journeys / edited by Zach Mortice ; introduction by Alexandra Lange.
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287 pages : illustrations ; 21 x 26 cm
livres
Cleveland, Ohio : Belt Publishing, [2019], ©2019
$34.95
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks,(...)
Edible histories, cultural politics : towards a Canadian food history
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks, government documents, advertisements, media sources, oral histories, memoirs, and archival collections, Edible Histories offers a veritable feast of original research on Canada's food history and its relationship to culture and politics. This exciting collection explores a wide variety of topics, including urban restaurant culture, ethnic cuisines, and the controversial history of margarine in Canada. It also covers a broad time-span, from early contact between European settlers and First Nations through the end of the twentieth century.
Bouffe
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In an era of unprecedented mobility, people can now live and work not only in different places, but even in different countries. Binational Urbanism examines the lifestyle of these people who start a second life in a second city, in a second country, without saying goodbye to their first city. In a uniquely 21st-century diaspora, they live in constant transit between two(...)
Binational urbanism: on the road to paradise
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In an era of unprecedented mobility, people can now live and work not only in different places, but even in different countries. Binational Urbanism examines the lifestyle of these people who start a second life in a second city, in a second country, without saying goodbye to their first city. In a uniquely 21st-century diaspora, they live in constant transit between two homes and two nations. "Binational urbanists" come from all strata of society, from the working class to the highly educated and cosmopolitan creative classes. For this volume, German architect Bernd Upmeyer interviewed people of Turkish origin living in Germany who commute regularly between cities in Germany and Turkey. From these interviews the author develops a theory of binational urbanism, concluding that it has the potential to become one of the most interesting forms of life in the 21st century.
Théorie de l’urbanisme
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native(...)
Native visual sovereignty: A reader on art and performance
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native artists. Song, dance and music are also posited as a basis for collectivity and resistance and a means to speak to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. Featuring excerpts from the 1969 document Indian Theatre: An Artistic Experiment in Process, this illustrated reader also includes four long-form essays by leading Indigenous scholars, nine artist contributions, oral history interviews and a selection of key texts from the fields of Native contemporary art, art history and theory.
Théorie de l’art
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
mars 2015
Klara Källström et Thobias Fäldt : village
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux