Architecture for health
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Hospital architecture reflects society in a state of flux. How do we care for our patients? What working environments do we offer caregivers? How does the hospital fit into our cities? When it comes to planning a hospital, architects are not only faced with the challenge of meaningfully combining function and construction. They also design rooms that temporarily serve(...)
juillet 2020
Architecture for health
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Hospital architecture reflects society in a state of flux. How do we care for our patients? What working environments do we offer caregivers? How does the hospital fit into our cities? When it comes to planning a hospital, architects are not only faced with the challenge of meaningfully combining function and construction. They also design rooms that temporarily serve patients, staff and relatives as a working and living environment. Christine Nickl-Weller and Hans Nickl have been engaged in the field of hospital construction for 40 years. From their rich wealth of experience in practical work and academic research, they view the hospital on a variety of levels. This holistic view is enriched by contributions from renowned authors from disciplines as diverse as psychology, health management, landscape architecture and art history.
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Values such as 'access' and 'inclusion' are unquestioned in the contemporary educational landscape. But many methods of addressing these issues - installing signs, ramps, and accessible washrooms - frame disability only as a problem to be 'fixed.' The Question of Access investigates the social meanings of access in contemporary university life from the perspective of(...)
The question of access: disability, space, meaning
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Values such as 'access' and 'inclusion' are unquestioned in the contemporary educational landscape. But many methods of addressing these issues - installing signs, ramps, and accessible washrooms - frame disability only as a problem to be 'fixed.' The Question of Access investigates the social meanings of access in contemporary university life from the perspective of Cultural Disability Studies.Through narratives of struggle and analyses of policy and everyday practices, Tanya Titchkosky shows how interpretations of access reproduce conceptions of who belongs, where and when. Titchkosky examines how the bureaucratization of access issues has affected understandings of our lives together in social space. Representing 'access' as a beginning point for how disability can be rethought, rather than as a mere synonym for justice, The Question of Access allows readers to critically question their own implicit conceptions of disability, non-disability, and access.
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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth(...)
avril 2007, New York
Smith College : the campus guide
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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody – Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings – Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
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avril 2007, New York
British mosques
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them(...)
mai 2021
British mosques
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them with purpose-built structures. This timely exploration of the British mosque reveals how ad-hoc adaptations have evolved into a uniquely British-Islamic architecture, tracing its development through waves of twentieth-century migration, and further back to the Orientalist visions of Victorian collectors. Born out of two projects at the Venice Architecture Biennale and the V, ''British mosques'' brings together perspectives from curators, architects and artists. Using approaches ranging from archival study to site-specific installations and 3D scanning, together they tell the story of a hybrid architecture that has quietly found its place in Britain’s urban landscape.
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In 1833, the Select Committee for Public Walks was introduced so that “the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.” Being “the safest and surest method of popular culture,” music was seen as an important moral influence in this endeavor. And so the bandstand was born. The history and heritage of bandstands in(...)
Bandstands: pavilions for music, entertainment and leisure
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In 1833, the Select Committee for Public Walks was introduced so that “the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.” Being “the safest and surest method of popular culture,” music was seen as an important moral influence in this endeavor. And so the bandstand was born. The history and heritage of bandstands in England has largely been ignored. Yet in their heyday, there were more than 1500 bandstands in the country—in public parks, on piers, and at seaside promenades, often attracting crowds of thousands. In "Bandstands", landscape architect Paul Rabbitts guides us from their evolution as “orchestras” in the early pleasure gardens, to their great decline after World War II, to their subsequent revival in the late 1990s. This beautifully illustrated book tells for the first time the story of these pavilions made for music, illuminating their history, architecture, and worldwide influence.
Politics of learning, politics of space: architecture and the education shock of the 1960s and 1970s
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How the relationships between education and outer space have developed historically is exemplified in an incisive way by the decades that followed the 'Sputnik shock' of 1957. The wake-up call that resulted from the Soviet space program set the global landscape of learning in motion. New schools and universities came into being against the backdrop of the reform euphoria(...)
février 2021
Politics of learning, politics of space: architecture and the education shock of the 1960s and 1970s
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How the relationships between education and outer space have developed historically is exemplified in an incisive way by the decades that followed the 'Sputnik shock' of 1957. The wake-up call that resulted from the Soviet space program set the global landscape of learning in motion. New schools and universities came into being against the backdrop of the reform euphoria and mood of catastrophe. At the same time, traditional pedagogical concepts were severely called into question—including the call to do away with institutions of education. What is shown in the architectures of learning is not only a politics of space, but also the educational shock that intensively shook up the global societies of the 1960s and 1970s, while they were gradually being transformed into knowledge societies.
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
février 2004, Chichester
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
The Playground Project
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Until sometime in the 1980s, playgrounds were places for social experiments, risky projects and spectacular sculptures. Architects, urban planners, artists, parents and children were invited to leave their comfort zones and to venture something new in the design and use of playgrounds. The Playground Project explores these exemplary initiatives, pioneering acts and(...)
The Playground Project
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Until sometime in the 1980s, playgrounds were places for social experiments, risky projects and spectacular sculptures. Architects, urban planners, artists, parents and children were invited to leave their comfort zones and to venture something new in the design and use of playgrounds. The Playground Project explores these exemplary initiatives, pioneering acts and adventures in designing modern childhood. Examples from Europe, the US, Japan and India are discussed in depth and illustrated with numerous images. Truly a comprehensive overview, this volume includes works by artists, architects and landscape architects such as Marjory Allen, Joseph Brown, Riccardo Dalisi, Richard Dattner, Aldo van Eyck, M. Paul Friedberg, Group Ludic (Xavier de la Salle, Simon Koszel, David Roditi), Alfred Ledermann and Alfred Trachsel, Palle Nielsen, Egon Møller-Nielsen, Isamu Noguchi, Joseph Schagerl, Mitsuru Senda and Carl Theodor Sørensen. Swiss political scientist and urban planner Gabriela Burkhalter contributes an introduction, and essays by Xavier de la Salle, Sreejata Roy and Vincent Romagny investigate the stakes of the architectural and artistic experiments surveyed. The first comprehensive overview of this kind, The Playground Project addresses laymen as well as experts who want to do more on the playground than just seesaw and swing.
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Since 1955, when they were first standardized, shipping containers have had a radical effect on our physical reality. Seven million of these steel containers are now moving around the world, and their measurements have defined the design of ships, railroad cars, trucks, and cargo airplanes, as well as the landscape of ports, airports, and trucking yards. And that doesn't(...)
Architecture, monographies
juin 2003, New York
Lot-ek : mobile dwelling unit
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Since 1955, when they were first standardized, shipping containers have had a radical effect on our physical reality. Seven million of these steel containers are now moving around the world, and their measurements have defined the design of ships, railroad cars, trucks, and cargo airplanes, as well as the landscape of ports, airports, and trucking yards. And that doesn't even begin to touch on the wider and much more invisible system of distribution, of just-in-time-inventory, of information networks in which the container moves. LOT/EK, the New York-based studio with a reputation for creating architecture and environments using industrial objects, here takes on the standard shipping container as medium. The Mobile DwellingUnit (MDU) is "a shipping container transformed into a dwelling that nevertheless retains the attributes of a shipping container, i.e. it remains shippable." It is a "discreet mobile element" that can be moved around the globe, to anywhere with that can receive standard shipping containers. It's full-service interior includes push-out elements with space for sleeping, storage, eating, bathing, and cooking; these elements can be pushed smoothly back into the container when the occupant moves and needs to ship his or her living space along. Consider the MDU a trailer home for travelling between global villages. LOT/EK: Mobile Dwelling Unit, the book, will not only document the MDU concept but will provide greater understanding of the work’s cultural and social context with essays by leading architectural critics, theorists, historians, and practitioners. An interview with the designers by Chris Scoates will illuminate LOT/EK’s process in the creation and development of the MDU as well as their unique approach to architecture. Henry Urbach will place the MDU project in the context of LOT/EK’s larger body of work. Professor Robert Kronenberg, a leading expert on portable architecture, will consider the project within the history of the genre. Aaron Betsky, a leading design critic and Director of NAi, will explore the meaning of the MDU within a larger contemporary cultural and social context of mobility and habitation. A visual essay by Andrew Blauvelt and LOT/EK will explore the territories of the MDU’s inspiration and related themes of nomadic travel and industrial systems of transportation.
Architecture, monographies
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Film noir remains one of the most enduring legacies of 1940's and 1950's Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity, particularly the urban(...)
avril 2004, Cambridge, Mass.
Film noir and the spaces of modernity
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Film noir remains one of the most enduring legacies of 1940's and 1950's Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity, particularly the urban landscape. The originality of Dimendberg's approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood's dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as "The Asphalt Jungle", "Double Indemnity", "Kiss Me Deadly", and "The Naked City" alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture - and will captivate admirers of a vital period in American cinema.