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livres
livres
Titre:
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
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Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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$54.00
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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$54.00
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Résumé:
New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
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livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$84.95
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the(...)
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the(...)
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Berenice Abbott : documenting science
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks.
Berenice Abbott : documenting science
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Peter Friedl : playgrounds
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Titre:
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
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livres
livres
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Paul Graham: The Present
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring(...)
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring(...)
Titre:
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring and dull. In a way The Present is about nothingness, "nothing moments of life". The present is a period of time between the past and the future, also referred to as now. The images capture the same places, shot from the same position, with just few moments apart. While the street photography is about a perfect frozen moment, Paul Graham shifts it by creating a combinations before/after.
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring and dull. In a way The Present is about nothingness, "nothing moments of life". The present is a period of time between the past and the future, also referred to as now. The images capture the same places, shot from the same position, with just few moments apart. While the street photography is about a perfect frozen moment, Paul Graham shifts it by creating a combinations before/after.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
Titre:
The bitter years: Edward Steichen and the Farm Security Administration photographs
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
The bitter years: Edward Steichen and the Farm Security Administration photographs
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Prix:
$23.50
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Résumé:
''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
Titre:
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Classification:
livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$66.00
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum,(...)
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum,(...)
Titre:
Vera Lutter: Museum in the Camera
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum, Lutter captured the exterior of the campus buildings in images that transform the mid- and late-20th century architecture. Using an enormous camera, custom-built into the museum’s Old Masters gallery, she captured the long perspective on the classically installed room, echoing historical paintings of museum interiors. Finally, with four smaller cameras, Lutter photographed various works in the LACMA collection, transforming colorful paintings into ethereal black-and-white images. In contrast to digitized photography, which allows artists to fine-tune and perfect their product, Lutter’s analogue pinhole photographs are a refreshing reminder of the medium’s origins.
Vera Lutter: Museum in the Camera
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum, Lutter captured the exterior of the campus buildings in images that transform the mid- and late-20th century architecture. Using an enormous camera, custom-built into the museum’s Old Masters gallery, she captured the long perspective on the classically installed room, echoing historical paintings of museum interiors. Finally, with four smaller cameras, Lutter photographed various works in the LACMA collection, transforming colorful paintings into ethereal black-and-white images. In contrast to digitized photography, which allows artists to fine-tune and perfect their product, Lutter’s analogue pinhole photographs are a refreshing reminder of the medium’s origins.
Classification:
livres
livres
Publication:
avril 2020
avril 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$60.00
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large(...)
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large(...)
Titre:
Guido Guidi: In Veneto 1984-89
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal landscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in "Beauty in Photography": geography, biography, and metaphor.
Guido Guidi: In Veneto 1984-89
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal landscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in "Beauty in Photography": geography, biography, and metaphor.
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livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$74.95
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and(...)
$74.95
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and(...)
Titre:
John Vachon's America : photographs and letters from the Depression to World War II
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$74.95
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to small towns and urban centers, present a remarkable visual account of these pivotal years, in a style that is transitional from Walker Evans to Robert Frank.
John Vachon's America : photographs and letters from the Depression to World War II
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to small towns and urban centers, present a remarkable visual account of these pivotal years, in a style that is transitional from Walker Evans to Robert Frank.
Classification:
livres
livres
Publication:
novembre 2003, Berkeley
novembre 2003, Berkeley
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Ken Lum
Ken Lum
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$95.00
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
