641 Résultats
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livres
livres
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Titre:
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Inherent vice: bootleg histories of videotape and copyright
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$34.95
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Résumé:
In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Classification:
livres
livres
Publication:
juin 2009
juin 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$63.00
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
Sujet:
Monographies photo
Monographies photo
Publication:
décembre 2007, Stuttgart
décembre 2007, Stuttgart
Titre:
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
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livres
livres
Publication:
décembre 2007, Stuttgart
décembre 2007, Stuttgart
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$44.00
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans(...)
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans(...)
Titre:
Little white houses : how the postwar home constructed race in America
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
Little white houses : how the postwar home constructed race in America
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$44.00
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$50.00
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared(...)
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared(...)
Publication:
novembre 2009
novembre 2009
Titre:
Provisional: emerging modes of architectural pratice Usa
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared commitment to experimentation and learning-by-doing. Projects by SHoP Architects, Front Studio, Gehry Technologies, Lewis.Tsurumaki.Lewis, Höweler + Yoon Architecture, nARCHITECTS, servo, GYA Architects, and Chris Hoxie Design are included as well as the following projects: Beijing National Stadium, China Central Television (CCTV) Station and Headquarters (Beijing), Dee and Charles Wyly Theater (Dallas)and al.
Provisional: emerging modes of architectural pratice Usa
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared commitment to experimentation and learning-by-doing. Projects by SHoP Architects, Front Studio, Gehry Technologies, Lewis.Tsurumaki.Lewis, Höweler + Yoon Architecture, nARCHITECTS, servo, GYA Architects, and Chris Hoxie Design are included as well as the following projects: Beijing National Stadium, China Central Television (CCTV) Station and Headquarters (Beijing), Dee and Charles Wyly Theater (Dallas)and al.
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
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livres
livres
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
Titre:
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Classification:
livres
livres
Titre:
Michael Schirner : bye bye
Michael Schirner : bye bye
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$65.00
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Résumé:
“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
$65.00
(disponible en magasin)
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
Titre:
Michael Schirner : bye bye
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$65.00
(disponible en magasin)
Résumé:
“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
Michael Schirner : bye bye
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$65.00
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Résumé:
“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Spartacus Chetwynd
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Titre:
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
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$63.50
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In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale(...)
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Résumé:
In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale(...)
Titre:
Rise of the spectacular: America in the 1950s
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In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale from the local/regional to the national. It was mediated by the increasingly popular medium of television. It exploited middle-class tension between comfortable conformity and desire for safe adventure. It celebrated technological progress, boosterism and military power. It was orchestrated and marketed by a constellation, sometimes a coalition, of entrepreneurs and dream merchants. In this wide-ranging odyssey across mid-century America, Hannigan visits leisure parks, parades, mega-events, architectural styles, innovations and everyday wonders.
Rise of the spectacular: America in the 1950s
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In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale from the local/regional to the national. It was mediated by the increasingly popular medium of television. It exploited middle-class tension between comfortable conformity and desire for safe adventure. It celebrated technological progress, boosterism and military power. It was orchestrated and marketed by a constellation, sometimes a coalition, of entrepreneurs and dream merchants. In this wide-ranging odyssey across mid-century America, Hannigan visits leisure parks, parades, mega-events, architectural styles, innovations and everyday wonders.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben(...)
$45.00
(disponible en magasin)
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben(...)
Titre:
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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$45.00
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben Highmore, and Joseph Bedford, offer a close reading of the course A305, History of Architecture ad Design 1890-1939, which was taught through television and radio broadcasts, aired on the BBC between 1975 and 1982. As current models for producing and transmitting knowledge are being brought into question, "The university is now on air, broadcasting modern architecture" traces a radical attempt at rethinking the mandate of higher education through mass media.
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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$45.00
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Résumé:
"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben Highmore, and Joseph Bedford, offer a close reading of the course A305, History of Architecture ad Design 1890-1939, which was taught through television and radio broadcasts, aired on the BBC between 1975 and 1982. As current models for producing and transmitting knowledge are being brought into question, "The university is now on air, broadcasting modern architecture" traces a radical attempt at rethinking the mandate of higher education through mass media.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Titre:
Perspecta 51
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
Titre:
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Revues
Revues
