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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Bill Bollinger: Water is Life and Like Art it Finds its own Level
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Heidi Wood : enquire within
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Présentation par thème des œuvres récentes de Heidi Wood en quatre livrets : Cosmic, Assorted, Domestic et Industrial. D'un côté, les répertoires de pictogrammes bruts. De l'autre, ces mêmes pictogrammes in situ, dans des peintures murales, séries photographiques, souvenirs alternatifs pour l'industrie du tourisme, etc. Le lecteur est invité à envisager d’autres applications.
Heidi Wood : enquire within
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Présentation par thème des œuvres récentes de Heidi Wood en quatre livrets : Cosmic, Assorted, Domestic et Industrial. D'un côté, les répertoires de pictogrammes bruts. De l'autre, ces mêmes pictogrammes in situ, dans des peintures murales, séries photographiques, souvenirs alternatifs pour l'industrie du tourisme, etc. Le lecteur est invité à envisager d’autres applications.
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
juillet 2011
Avant-garde art in everyday life: early twentieth-century european modernism
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
livres
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In Eugenic Design, Christina Cogdell charts new territory in the history of industrial design, popular science, and American culture in the 1930s by uncovering the links between streamline design and eugenics, the pseudoscientific belief that the best human traits could be cultivated through selective breeding. Streamline designers approached products the same way(...)
Eugenic design: streamlining America in the 1903's
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In Eugenic Design, Christina Cogdell charts new territory in the history of industrial design, popular science, and American culture in the 1930s by uncovering the links between streamline design and eugenics, the pseudoscientific belief that the best human traits could be cultivated through selective breeding. Streamline designers approached products the same way eugenicists approached bodies.
livres
janvier 1900
Expositions en cours
livres
Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
livres
janvier 2009
Monographies photo
livres
Description:
93 p. : ill., fotogr. b/n e color. ; 28 cm
Venezia : Marsilio, c2000.
L'Arsenale di Venezia / Luca Campigotto ; testi di Paolo Barbaro, Gino Benzoni.
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93 p. : ill., fotogr. b/n e color. ; 28 cm
livres
Venezia : Marsilio, c2000.
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Industrialization created cities of Dickensian squalor that were crowded, smoky, dirty, and disease-ridden. By the beginning of the twentieth century, urban visionaries were looking for ways to improve living and working conditions in industrial cities. In "Invented Edens", Robert Kargon and Arthur Molella trace the arc of one form of urban design, which they term the(...)
Architecture écologique
octobre 2005, Cambridge (MA), London
Invented Edens : techno-cities of the twentieth century
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Industrialization created cities of Dickensian squalor that were crowded, smoky, dirty, and disease-ridden. By the beginning of the twentieth century, urban visionaries were looking for ways to improve living and working conditions in industrial cities. In "Invented Edens", Robert Kargon and Arthur Molella trace the arc of one form of urban design, which they term the techno-city : a planned city developed in conjunction with large industrial or technological enterprises, blending the technological and the pastoral, the mill town and the garden city. Techno-cities of the twentieth century range from factory towns in Mussolini's Italy to the Disney creation of Celebration, Florida. Kargon and Molella show that the techno-city represents an experiment in integrating modern technology into the world of ideal life. Techno-cities mirror society's understanding of current technologies and, at the same time, seek to regain the lost virtues of the edenic pre-industrial village. The idea of the techno-city transcended ideologies, crossed national borders, and spanned the entire twentieth century. Kargon and Molella map the concept through a series of exemplars. These include Norris, Tennessee, home to the Tennessee Valley Authority; Torviscosa, Italy, built by Italy's Fascist government to accommodate synthetic textile manufacturing (and featured in an early short by Michelangelo Antonioni); Ciudad Guayana, Venezuela, planned by a team from MIT and Harvard; and, finally, Disney's Celebration - perhaps the ultimate techno-city, a fantasy city reflecting an era in which virtual experiences are rapidly replacing actual ones.
Architecture écologique
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
Everything Without Content 251. The large city
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Théorie de l’architecture
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids(...)
Monographies photo
janvier 1900, Toronto
Peter MacCallum : material world
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids obvious commentary, allowing the material presence of the subject matter to emerge. The work comes from a keen interest in social history and the series of photographs represented here tell a story of commerce, labour and the economic relationship of cities to their industrial hinterlands. Accompanying the plates are contextual texts by novelist and media columnist Russell Smith, curator Michael Baker and artist Terence Dick, as well as an illuminating interview with the artist. This beautiful, accessible book presents the remarkable work of Peter MacCallum to a broad range of readers.
livres
janvier 1900, Toronto
Monographies photo
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
avril 2017
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.