Projet
AP018.S1.1979.PR03
Description:
This project series documents the design and construction of the Bell Trinity Square Administration Building in Toronto from 1979-1984. The office identified this project as 7903. The building, commissioned by Bell Canada, was constructed at the corner of Bay Street and Albert Street. The building is made up of 2 towers joined by an atrium. The project also included construction of several tunnels to connect the building with neighbouring city hall and the Eaton Centre. The project is recorded through original drawings, reprographic copies, presentation boards, construction photographs, and textual records dating from 1978-1985. The textual records show client and consultant correspondence, technical specifications for contractors, site reports, meeting minutes, contemplated change orders for design and technical details, and project budgets and finances.
1978-1985
Bell Trinity Square Administration Building, Toronto (1979-1984)
Actions:
AP018.S1.1979.PR03
Description:
This project series documents the design and construction of the Bell Trinity Square Administration Building in Toronto from 1979-1984. The office identified this project as 7903. The building, commissioned by Bell Canada, was constructed at the corner of Bay Street and Albert Street. The building is made up of 2 towers joined by an atrium. The project also included construction of several tunnels to connect the building with neighbouring city hall and the Eaton Centre. The project is recorded through original drawings, reprographic copies, presentation boards, construction photographs, and textual records dating from 1978-1985. The textual records show client and consultant correspondence, technical specifications for contractors, site reports, meeting minutes, contemplated change orders for design and technical details, and project budgets and finances.
Project
1978-1985
Projet
Bar Braque
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
1981-1983
Bar Braque
Actions:
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
Projet
1981-1983
Projet
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
1987-1988
National Competition for the Calgary Olympic Arches
Actions:
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
Dossier 6
1987-1988
Série(s)
Œuvres du prix de Rome
AP066.S4
Description:
Cette série rassemble les documents produits par Jacques Rousseau dans le cadre du Prix de Rome (1988), soit: les esquisses préparatoires et les gravures blanches (sans encre) qui illustrent un projet de "Nouveau-Port" pour Montréal, et les dessins à la craie sèche sur papier intitulés "Mémoire virtuelle ...". On y retrouve également des avenues de projet qui n'ont pas été développées, "Étude du flanc est du Mont-Royal" et projet de "Boucliers de papier", et des documents issus de l'exposition intitulée Montréal vue de Rome présentée à la Maison Coloniale en mai 1990. Le dossier contient des dessins, des documents textuels, des documents photographiques et un artéfact. Description du projet par l'architecte: "Amorcé en 1985, lors de la consultation publique concernant le Vieux-Port de Montréal, "le projet du Nouveau Port" complète son cycle alors que je séjourne à Rome à titre de Prix de Rome du Conseil des Arts du Canada. Prétexte par excellence pour réfléchir sur l'espoir et la transformation de Montréal, le sujet du Nouveau Port m'est apparu comme le moyen d'informer une approche de la transformation de la ville. J'ai pensé le projet possible, nécessaire même et j'ai plongé." Jacques Rousseau, "Le projet du Nouveau Port", ARQ : Architecture-Québec, nº 67, p. 30.
1987-1990
Œuvres du prix de Rome
Actions:
AP066.S4
Description:
Cette série rassemble les documents produits par Jacques Rousseau dans le cadre du Prix de Rome (1988), soit: les esquisses préparatoires et les gravures blanches (sans encre) qui illustrent un projet de "Nouveau-Port" pour Montréal, et les dessins à la craie sèche sur papier intitulés "Mémoire virtuelle ...". On y retrouve également des avenues de projet qui n'ont pas été développées, "Étude du flanc est du Mont-Royal" et projet de "Boucliers de papier", et des documents issus de l'exposition intitulée Montréal vue de Rome présentée à la Maison Coloniale en mai 1990. Le dossier contient des dessins, des documents textuels, des documents photographiques et un artéfact. Description du projet par l'architecte: "Amorcé en 1985, lors de la consultation publique concernant le Vieux-Port de Montréal, "le projet du Nouveau Port" complète son cycle alors que je séjourne à Rome à titre de Prix de Rome du Conseil des Arts du Canada. Prétexte par excellence pour réfléchir sur l'espoir et la transformation de Montréal, le sujet du Nouveau Port m'est apparu comme le moyen d'informer une approche de la transformation de la ville. J'ai pensé le projet possible, nécessaire même et j'ai plongé." Jacques Rousseau, "Le projet du Nouveau Port", ARQ : Architecture-Québec, nº 67, p. 30.
Série 4
1987-1990
Projet
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
1996-1997
Phat Studios, Def Jam Records, New York City (1996-1997)
Actions:
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
Project
1996-1997
Série(s)
AP156.S6
Description:
La série documente les dossiers et collections de Jacqueline Jeanneret (21 août 1928-18 janvier 2018), ses activités professionnelles et ses intérêts personnels. La série inclut des documents biographiques sur elle, de la correspondance, des dossiers personnels et professionnels, des documents relatifs à sa famille, des dossiers documentaires et des publications. Le matériel dans cette série a été produit entre 1931 et 2011. La série comprend des documents textuels, des documents photographiques, des dessins et reprographies, des publications, des enregistrements sonores, des cartes et des artéfacts. Series documents the files and collections of Jacqueline Jeanneret (21 August 1928-18 January 2018), her profesionnal activities and her personal interests. The series includes biographical documents about her, correspondence, personal and professional files, documents related to her family, documentary files and publications. The material in this series was produced between 1931 and 2011. The series contains textual records, photographic documents, drawings and reprographic copies, publications, sound recordings, maps and artefacts.
1931-2011
Dossiers de Jacqueline Jeanneret = Jacqueline Jeanneret's files
Actions:
AP156.S6
Description:
La série documente les dossiers et collections de Jacqueline Jeanneret (21 août 1928-18 janvier 2018), ses activités professionnelles et ses intérêts personnels. La série inclut des documents biographiques sur elle, de la correspondance, des dossiers personnels et professionnels, des documents relatifs à sa famille, des dossiers documentaires et des publications. Le matériel dans cette série a été produit entre 1931 et 2011. La série comprend des documents textuels, des documents photographiques, des dessins et reprographies, des publications, des enregistrements sonores, des cartes et des artéfacts. Series documents the files and collections of Jacqueline Jeanneret (21 August 1928-18 January 2018), her profesionnal activities and her personal interests. The series includes biographical documents about her, correspondence, personal and professional files, documents related to her family, documentary files and publications. The material in this series was produced between 1931 and 2011. The series contains textual records, photographic documents, drawings and reprographic copies, publications, sound recordings, maps and artefacts.
Série 6
1931-2011
Projet
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
2000
Sheff Residence, Toronto, Ontario (2000)
Actions:
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
Project
2000
Sous-série
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
1984-2005
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Project
1984-2005
Projet
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
1984-1987
Plano Geral da Expo '92 [Expo '92 master plan], Seville, Spain (1984)
Actions:
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
Project
1984-1987
Projet
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
1983-1987
National Aviation Museum, Rockcliffe Airport, Ottawa, Ontario (1983-1987)
Actions:
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
Project
1983-1987