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Take as a starting point the cover of this book; Anthony Hernandez’s wonderful photograph of square, colourful ceramic tiles could be almost anything you might imagine it to be. A Mondrian-like painting, a random pattern, a city grid, or perhaps the work of an anonymous tile setter, brightening up the facade of a government building in South Central Los Angeles. With the(...)
Anthony Hernandez : waiting for Los Angeles
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Take as a starting point the cover of this book; Anthony Hernandez’s wonderful photograph of square, colourful ceramic tiles could be almost anything you might imagine it to be. A Mondrian-like painting, a random pattern, a city grid, or perhaps the work of an anonymous tile setter, brightening up the facade of a government building in South Central Los Angeles. With the passage of time, these vibrant squares have been lost beneath a coat of anti-graffiti paint. Anthony Hernandez is a photographer for whom waiting has long been a theme, with his bus stop pictures in the late 1970s, and his fishing photographs in the 1980s. Hernandez’s vision is both abstract and documentary, and there is a pattern to his work in every sense of that word – whether he is focusing on an empty waiting room, a phone hanging in a booth, or random scribbles etched on a sheet of glass. Hernandez skillfully draws attention to the simple geometric beauty that can be found in even the most utilitarian fence, wall, or window. There is not a soul in sight, but there is a strong sense that someone has been here, and there is enough to grip the attention until, perhaps, they return. With an essay by photographer, writer and critic Allan Sekula.
Monographies photo
Waffenruhe
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Schmidt uses atmosphere-laden details with high-contrast black-and-white images of cityscapes, details in nature, and portraits in 'Waffenruhe' to create a subjective, leaden picture of a still-divided city. He no longer deploys the techniques of pure documentation, but brings together surprising combinations of images to express a generation's dystopian sense of life(...)
Waffenruhe
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Schmidt uses atmosphere-laden details with high-contrast black-and-white images of cityscapes, details in nature, and portraits in 'Waffenruhe' to create a subjective, leaden picture of a still-divided city. He no longer deploys the techniques of pure documentation, but brings together surprising combinations of images to express a generation's dystopian sense of life shortly before the fall of the Wall. The first edition, published in 1987 by the Berlin-based Dirk Nishen Verlag quickly sold out and continues to fetch high prices on the antiquarian book market. Thirty years later, 'Waffenruhe' is now being reprinted. This artist's book - often included on lists of the most influential photographic books of all time - is once again being made available.
Monographies photo
Montreal 1909
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Explore Montreal in the year 1909. Learn about the day-to-day lives of our civic ancestors over a century ago, what they experienced in their everyday routine – the good, the bad and the ugly. Extracted from the now defunct Montreal Star (at one time, Canada’s largest newspaper) this Edwardian journey through The Star’s microfilmed copies starts on a wintry Saturday,(...)
Montreal 1909
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Explore Montreal in the year 1909. Learn about the day-to-day lives of our civic ancestors over a century ago, what they experienced in their everyday routine – the good, the bad and the ugly. Extracted from the now defunct Montreal Star (at one time, Canada’s largest newspaper) this Edwardian journey through The Star’s microfilmed copies starts on a wintry Saturday, January 2, 1909, and ends on Friday, December 31 of that same year with the town in the grip of a major typhoid epidemic. ‘Montreal 1909’ is a testimony to the delights of local history. In rummaging through its 600 plus pages, consisting of both extracts and commentary, one emerges with a clear sense of what our city was like, warts and all, 108 years ago.
Kahn
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This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute’s Minimalist elements radiate a sense of eternal(...)
Kahn
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This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute’s Minimalist elements radiate a sense of eternal beauty. The Kimbell Art Museum in Fort Worth (1966–1972) occupies the somewhat faceless city like an island of spiritual space, an effect that is achieved by simplicity in design and materials. Also, the Indian Institute of Management in Ahmedabad (1962–1974) and the Sher-e-Bangla Nagar, National Assembly of Bangladesh in Dhaka that was finished after his death are buildings of monumental importance, demonstrating the vision the architect.
Architecture, monographies
périodiques
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of(...)
Volume 16 engineering society
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of collapse. The practice and education of the engineers of this society is determined by short-term effect instead of long-term social responsibility. Culture becomes little more than a market, politics its façade and the city its stage. Instead of reviving old school high modernist social engineering or claiming the need for an intellectual junta, we solicit new forms of social engineering. Where shall this lead?
périodiques
juillet 2008, Amsterdam
Revues
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The book discusses the ways in which the project can critically contribute to an affirmative biopolitical action of substantial emancipation; it considers space an essential agent, and not only a collective capital, or a support, for adapting our lives to the recent profoundly changed conditions. In all the new research on the future of urban space, the renewed interest(...)
Biopolitical garden: Spaces, lives, transition
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The book discusses the ways in which the project can critically contribute to an affirmative biopolitical action of substantial emancipation; it considers space an essential agent, and not only a collective capital, or a support, for adapting our lives to the recent profoundly changed conditions. In all the new research on the future of urban space, the renewed interest in life, tragically affected by health, ecological and socio-political crises, raises a crucial theoretical and projective question: what role can space play in maintaining and promoting life in the broader sense of bíos? This book is based on the conviction that there is an urgent need to revisit the Foucauldian notion of biopolitics - free, however, from the privilege given to the goal of control - to rethink the project of the city and territory in transition in an affirmative and emancipatory way.
Théorie du paysage
livres
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian (...)
E-topia : "Urban life, Jim -- but not as we know it"
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian circulation and mechanized transportation systems. He proposes strategies for the creation of cities that not only will be sustainable but will make economic, social, and cultural sense in an electronically interconnected and global world. The new settlement patterns of the twenty-first century will be characterized by live/work dwellings, 24-hour pedestrian-scale neighborhoods rich in social relationships, and vigorous local community life, complemented by far-flung configurations of electronic meeting places and decentralized production, marketing, and distribution systems. Neither digiphile nor digiphobe, Mitchell advocates the creation of e-topias--cities that work smarter, not harder.
livres
octobre 1999, Cambridge
Théorie de l’urbanisme
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian (...)
E-topia : "Urban life, Jim -- but not as we know it"
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian circulation and mechanized transportation systems. He proposes strategies for the creation of cities that not only will be sustainable but will make economic, social, and cultural sense in an electronically interconnected and global world. The new settlement patterns of the twenty-first century will be characterized by live/work dwellings, 24-hour pedestrian-scale neighborhoods rich in social relationships, and vigorous local community life, complemented by far-flung configurations of electronic meeting places and decentralized production, marketing, and distribution systems. Neither digiphile nor digiphobe, Mitchell advocates the creation of e-topias--cities that work smarter, not harder.
Théorie de l’urbanisme
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In the ten years since the first edition of "A Guide to Canadian Architectural Styles" was published, the heritage movement has gained strength, sensitizing many to the value of our architectural legacy. This new edition reflects an enriched understanding of architecture that focuses more on the visual and cultural setting of the built environment and less on individual(...)
Architecture du Canada
septembre 2003, Peterborough, Ontario
A guide to Canadian architectural styles, second edition
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In the ten years since the first edition of "A Guide to Canadian Architectural Styles" was published, the heritage movement has gained strength, sensitizing many to the value of our architectural legacy. This new edition reflects an enriched understanding of architecture that focuses more on the visual and cultural setting of the built environment and less on individual works seen in isolation. Today, we cherish the buildings that characterize the original Main Street / rue Principale - the bank building, the shops, the old hotel, the post office, the city hall. There is more recognition for older inner-city neighbourhoods, with their row housing, churches, and community halls as well as for our often romantic attachment to vernacular rural architecture. This interest in more ordinary-looking architecture marks both the democratization of Canada's heritage movement and its coming of age, for the value of these more modest structures lies in their unique ability to sustain a sense of identity. This book provides an essential profile of the origins and development of the many architectural styles across Canada, from early settlement to the postmodern period, and discusses special forms such as religious, civic, domestic, commercial, and industrial design. While remaining true to the accessible format of the first edition, the second offers updated and considerably expanded text, as well as many more illustrations.
Architecture du Canada
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los(...)
Strange new world : art and design from Tijuana
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los Angeles but are now staying or returning, and being joined by friends from Mexico City and beyond. This flourishing, strengthening artistic community has responded to the city’s accelerated evolution with a broad range of work, from painting to conceptually driven installations; from street-level digital video to ambitious photo-documentation, filmmaking and political work; from architectural proposals to product design associated with the "Nortec" musical movement. The work gathered in "Strange new world" embraces Tijuana as a paradigm of a new postmodern form of urbanization shaped by the pressures of economic globalization and cultural transnationalism since 1994. It struggles to make sense of new realities changing the ways in which people live in cities around the globe. Like Aldous Huxley's Brave New World, it is part science fiction, part political commentary and part artistic revolution and cultural critique. Arranged around the concepts of the urban theorist Michael Smith, it features work by ERRE, Einar and Jamex de la Torre and Yvonne Venegas, among others.