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Can artificial intelligence render actual human labor obsolete—not only in in traditional manufacturing jobs, but also in knowledge industries that until now have been seen as safe from automation? When might artificial intelligence actually surpass human intelligence? And ultimately, will AI lead to human prosperity or, as some argue, human extinction?
CLOG 16: Artificial intelligence
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Can artificial intelligence render actual human labor obsolete—not only in in traditional manufacturing jobs, but also in knowledge industries that until now have been seen as safe from automation? When might artificial intelligence actually surpass human intelligence? And ultimately, will AI lead to human prosperity or, as some argue, human extinction?
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Slanted #42 : Books
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In this issue ''Slanted'' presents experimental design strategies—books that go unconventional ways—in contrast to classical books. They are looking for accidents, work that is based on mistakes and inaccuracy, cutting edge approaches, as well as new experimental procedures, from processing to AI-generated content. In opposition, it presents timeless book designs, where(...)
Slanted #42 : Books
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In this issue ''Slanted'' presents experimental design strategies—books that go unconventional ways—in contrast to classical books. They are looking for accidents, work that is based on mistakes and inaccuracy, cutting edge approaches, as well as new experimental procedures, from processing to AI-generated content. In opposition, it presents timeless book designs, where content dictates form.
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$55.00
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
We are all astronauts : universe Richard Buckinster Fuller reflected in contemporary art
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
Living as nature?
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In a world where artificial intelligence has and increasingly important place in our daily lives, and more and more of our time is spent on screens, what does "Living as Nature" mean anymore? We wanted to answer this question in a two eyed seeing approach, a term coined by Mi’kmaw elder Albert Marshall referring to seeing from one eye with strengths of Indigenous ways of(...)
septembre 2025
Living as nature?
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In a world where artificial intelligence has and increasingly important place in our daily lives, and more and more of our time is spent on screens, what does "Living as Nature" mean anymore? We wanted to answer this question in a two eyed seeing approach, a term coined by Mi’kmaw elder Albert Marshall referring to seeing from one eye with strengths of Indigenous ways of knowing, and from the other eye with the strengths of Western ways of knowing, and to use both of these eyes together to move forward. This can be seen through the pairing of Wendat values and the principles of the Montréal Declaration for a Responsible Development of Artificial Intelligence. We offer a mirrored reflection on this topic, from the perspectives of a researcher in AI for biodiversity conservation (Mélisande) and an Indigenous landscape architect (Carling): How can AI researchers working on applications in biodiversity reconcile Western science with Indigenous knowledge and ways of knowing of "Living as Nature?"
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world.(...)
Medium hot: Images in the age of heat
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times. "Medium hot" is a collection of scintillating meditations on the limits of art and technology: the essential handbook for the present conjuncture. The pieces here probe the manufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.
Théorie de l’art
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255 pages : illustrations (some color) ; 29 cm
Berlin : Jovis, ©2007.
Werner Ruhnau : der Raum, das Spiel und die Künste = space, play, and the art / [Herausgeber, Stadt Gelsenkirchen, M:AI, Museum für Architektur und Ingenieurkunst NRW ; Konzept und autorenschaft, Dorothee Lehmann-Kopp].
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255 pages : illustrations (some color) ; 29 cm
livres
Berlin : Jovis, ©2007.
livres
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279 pages : illustrations (some color) ; 29 cm
Bielefeld : Transcript, ©2010.
Auf den zweiten Blick : Architektur der Nachkriegszeit in Nordrhein-Westfalen / Sonja Hnilica, Markus Jager, Wolfgang Sonne (Hg.).
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279 pages : illustrations (some color) ; 29 cm
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Bielefeld : Transcript, ©2010.
$14.95
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Le Stade olympique est devenu le symbole de Montréal. La Tour penchée (qui reste encore la plus haute au monde), le toit mobile, je les ai conçus alors que tes nobliaux me faisaient la guerre. Pourquoi cette guerre ? Quels en sont encore, trente-quatre années après, les enjeux ? Roger Taillibert racontre cette aventure de la conception, du chantier et du devenir de cet ouvrage.
Stade olympique de Montréal, mythes et scandales
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Le Stade olympique est devenu le symbole de Montréal. La Tour penchée (qui reste encore la plus haute au monde), le toit mobile, je les ai conçus alors que tes nobliaux me faisaient la guerre. Pourquoi cette guerre ? Quels en sont encore, trente-quatre années après, les enjeux ? Roger Taillibert racontre cette aventure de la conception, du chantier et du devenir de cet ouvrage.
Do it: the compendium
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken,(...)
Do it: the compendium
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.
Théorie de l’art
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and(...)
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.
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