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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the(...)
Arch+ Spring 2018: the property issue
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the Luxembourg Pavilion at Venice Biennale.
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The form of the book book
$28.00
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss(...)
décembre 2012
The form of the book book
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective(...)
Imagining the audience: viewing positions in curatorial and artistic practice
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective influences the artwork, the way the viewer experiences it.
Muséologie
October 162
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original,(...)
October 162
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
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livres
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Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers(...)
Colour for architecture today
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Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers such as Kristina Enberg and Anders Hård, who developed the Natural Colour System.
livres
décembre 2008
Matériaux et éclairage
livres
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x, 298 pages : illustrations ; 23 cm
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
Buildings must die : a perverse view of architecture / Stephen Cairns, Jane M. Jacobs.
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x, 298 pages : illustrations ; 23 cm
livres
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
livres
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xvii, 340 pages ; 26 cm
London ; New York : Routledge, Taylor & Francis Group, 2017.
Architecture and the landscape of modernity in China before 1949 / Edward Denison.
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xvii, 340 pages ; 26 cm
livres
London ; New York : Routledge, Taylor & Francis Group, 2017.
vidéo
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1 online resource (1 video file (30 minutes)) : sound, color
London, England : Pidgeon Digital, 1986.
The Representation of Opposites / [presented by] Peter Ahrends (Ahrends, Burton & Koralek).
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1 online resource (1 video file (30 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1986.
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xviii, 262 pages : illustrations, maps ; 26 cm
London ; New York, NY : Routledge, 2011.
New directions in sustainable design / edited by Adrian Parr and Michael Zaretsky.
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xviii, 262 pages : illustrations, maps ; 26 cm
livres
London ; New York, NY : Routledge, 2011.
Heidegger's hut
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"This is the most thorough architectural 'crit' of a hut ever set down, the justification for which is that the hut was the setting in which Martin Heidegger wrote phenomenological texts that became touchstones for late-twentieth-century architectural theory." --from the foreword by Simon Sadler Beginning in the summer of 1922, philosopher Martin Heidegger(...)
Théorie de l’architecture
octobre 2006, Cambridge / London
Heidegger's hut
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"This is the most thorough architectural 'crit' of a hut ever set down, the justification for which is that the hut was the setting in which Martin Heidegger wrote phenomenological texts that became touchstones for late-twentieth-century architectural theory." --from the foreword by Simon Sadler Beginning in the summer of 1922, philosopher Martin Heidegger (1889-1976) occupied a small, three-room cabin in the Black Forest Mountains of southern Germany. He called it "die Hütte" ("the hut"). Over the years, Heidegger worked on many of his most famous writings in this cabin, from his early lectures to his last enigmatic texts. He claimed an intellectual and emotional intimacy with the building and its surroundings, and even suggested that the landscape expressed itself through him, almost without agency. In Heidegger's Hut, Adam Sharr explores this intense relationship of thought, place, and person. Heidegger's mountain hut has been an object of fascination for many, including architects interested in his writings about "dwelling" and "place." Sharr's account--the first substantive investigation of the building and Heidegger's life there--reminds us that, in approaching Heidegger's writings, it is important to consider the circumstances in which the philosopher, as he himself said, felt "transported" into the work's "own rhythm." Indeed, Heidegger's apparent abdication of agency and tendency toward romanticism seem especially significant in light of his troubling involvement with the Nazi regime in the early 1930s. Sharr draws on original research, including interviews with Heidegger's relatives, as well as on written accounts of the hut by Heidegger and his visitors. The book's evocative photographs include scenic and architectural views taken by the author and many remarkable images of a septuagenarian Heidegger in the hut taken by the photojournalist Digne Meller-Markovicz. There are many ways to interpret Heidegger's hut--as the site of heroic confrontation between philosopher and existence; as the petit bourgeois escape of a misguided romantic; as a place overshadowed by fascism; or as an entirely unremarkable little building. Heidegger's Hut does not argue for any one reading, but guides readers toward their own possible interpretations of the importance of "die Hütte."
Théorie de l’architecture