24946 Résultats
Classification:
photographies
Quantité:
9 photograph(s)
photographies
Quantité:
9 photograph(s)
Numéro de référence:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Various photographs of Chandigarh
Actions:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
Various photographs of Chandigarh
Actions:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
Classification:
photographies
Quantité:
9 photograph(s)
photographies
Quantité:
9 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Classification:
photographies
Quantité:
10 photograph(s)
photographies
Quantité:
10 photograph(s)
Titre:
Photographs of Chandigarh
Photographs of Chandigarh
Numéro de référence:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Photographs of Chandigarh
Actions:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Photographs of Chandigarh
Actions:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Classification:
photographies
Quantité:
10 photograph(s)
photographies
Quantité:
10 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP148.S1.1970.PR01.001.1
Description:
Original folder title: Modena tesi, with "immagini film" noted on the inside. Folder contains various sketches and notes, many of which are numbered, as well as the thesis text Poli and Gherardi submitted to Professor Savioli for their degree at the University of Florence in 1970. A draft of the text is also included. Photographs are also included, which appear to be of a model. The original folder, with a piece of wood along the edge, has been retained. Most of the notes and sketches appear to be in Poli's handwriting, except for a few pages which may be in Gherardi's handwriting.
AP148.S1.1970.PR01.001.1
Description:
Original folder title: Modena tesi, with "immagini film" noted on the inside. Folder contains various sketches and notes, many of which are numbered, as well as the thesis text Poli and Gherardi submitted to Professor Savioli for their degree at the University of Florence in 1970. A draft of the text is also included. Photographs are also included, which appear to be of a model. The original folder, with a piece of wood along the edge, has been retained. Most of the notes and sketches appear to be in Poli's handwriting, except for a few pages which may be in Gherardi's handwriting.
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Degree thesis text and sketches, Competition for urban park, Modena (Folder 1 of 3)
Actions:
AP148.S1.1970.PR01.001.1
Description:
Original folder title: Modena tesi, with "immagini film" noted on the inside. Folder contains various sketches and notes, many of which are numbered, as well as the thesis text Poli and Gherardi submitted to Professor Savioli for their degree at the University of Florence in 1970. A draft of the text is also included. Photographs are also included, which appear to be of a model. The original folder, with a piece of wood along the edge, has been retained. Most of the notes and sketches appear to be in Poli's handwriting, except for a few pages which may be in Gherardi's handwriting.
Degree thesis text and sketches, Competition for urban park, Modena (Folder 1 of 3)
Actions:
AP148.S1.1970.PR01.001.1
Description:
Original folder title: Modena tesi, with "immagini film" noted on the inside. Folder contains various sketches and notes, many of which are numbered, as well as the thesis text Poli and Gherardi submitted to Professor Savioli for their degree at the University of Florence in 1970. A draft of the text is also included. Photographs are also included, which appear to be of a model. The original folder, with a piece of wood along the edge, has been retained. Most of the notes and sketches appear to be in Poli's handwriting, except for a few pages which may be in Gherardi's handwriting.
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1969-1970
1969-1970
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Personnes et institutions:
Date:
1978-1980
1978-1980
Titre:
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Date:
1978-1980
1978-1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Van Ginkel Associates
Fonds Van Ginkel Associates
Numéro de référence:
AP027
Résumé:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
AP027
Résumé:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Personnes et institutions:
Date:
1944-1992
1944-1992
Titre:
Fonds Van Ginkel Associates
Actions:
AP027
Résumé:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Fonds Van Ginkel Associates
Actions:
AP027
Résumé:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1944-1992
1944-1992
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1915
1915
Titre:
Exterior perspective for the street facade for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Exterior perspective for the street facade for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Classification:
dessins
dessins
Date:
1915
1915
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
DR1984:1633:002
Description:
- This is a group of photographs and drawings by Belgian architects selected by Edward Leonard for inclusion in a book (never published) on Belgian architecture of the 1920s (see object file DR1984:1633:01-02). Some of the photographs have been taken by Duquenne. The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
DR1984:1633:002
Description:
- This is a group of photographs and drawings by Belgian architects selected by Edward Leonard for inclusion in a book (never published) on Belgian architecture of the 1920s (see object file DR1984:1633:01-02). Some of the photographs have been taken by Duquenne. The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1922-1929
1922-1929
Titre:
Album of photographs, drawings, reprographic copies, few correspondences, and ephemera for a book on domestic architecture in Belgium after World War I
Actions:
DR1984:1633:002
Description:
- This is a group of photographs and drawings by Belgian architects selected by Edward Leonard for inclusion in a book (never published) on Belgian architecture of the 1920s (see object file DR1984:1633:01-02). Some of the photographs have been taken by Duquenne. The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Album of photographs, drawings, reprographic copies, few correspondences, and ephemera for a book on domestic architecture in Belgium after World War I
Actions:
DR1984:1633:002
Description:
- This is a group of photographs and drawings by Belgian architects selected by Edward Leonard for inclusion in a book (never published) on Belgian architecture of the 1920s (see object file DR1984:1633:01-02). Some of the photographs have been taken by Duquenne. The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Classification:
photographies
photographies
Date:
1922-1929
1922-1929
Personnes et institutions:
Sujet:
architecture
architecture
Numéro de référence:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Date:
1869-1871
1869-1871
Titre:
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Date:
1869-1871
1869-1871
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Personnes et institutions:
Date:
1948-1999
1948-1999
Titre:
Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado [Restoration of Grandella building, Block C, Reconstruction of the Chiado], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado [Restoration of Grandella building, Block C, Reconstruction of the Chiado], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Niveau de description archivistique:
Project
Project
Date:
1948-1999
1948-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Greenbird
Greenbird
Numéro de référence:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
Titre:
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Niveau de description archivistique:
File 96
File 96
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
Personnes et institutions:
