118854 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
Classification:
photographies
Quantité:
7 photograph(s)
photographies
Quantité:
7 photograph(s)
Numéro de référence:
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
Personnes et institutions:
Date:
between 1955 and 1963
between 1955 and 1963
Titre:
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
Classification:
photographies
Quantité:
7 photograph(s)
photographies
Quantité:
7 photograph(s)
Date:
between 1955 and 1963
between 1955 and 1963
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Personnes et institutions:
Date:
1965- 2009
1965- 2009
Titre:
Studies in tectonic culture (1984-2018)
Actions:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Studies in tectonic culture (1984-2018)
Actions:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Niveau de description archivistique:
Subseries
Subseries
Date:
1965- 2009
1965- 2009
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Personnes et institutions:
Date:
1949-2019
1949-2019
Titre:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP129.S1.D7.P1
Description:
Cette série de projet documente le projet de Ouellet, Reeves, Alain, architectes pour la Garage Louis Colin de l'Université de Montréal, à Montréal, Québec. Le projet reporte la Médaille Massey en architecture en 1970 et le Concours pour ouvrage en béton, attestation de modèles canadiens remarquables en 1971. La série de projet est constitué de documents photographiques et textuels, ainsi que de dessins.
AP129.S1.D7.P1
Description:
Cette série de projet documente le projet de Ouellet, Reeves, Alain, architectes pour la Garage Louis Colin de l'Université de Montréal, à Montréal, Québec. Le projet reporte la Médaille Massey en architecture en 1970 et le Concours pour ouvrage en béton, attestation de modèles canadiens remarquables en 1971. La série de projet est constitué de documents photographiques et textuels, ainsi que de dessins.
Personnes et institutions:
Date:
1944-1998
1944-1998
Titre:
Garage Louis Colin, Université de Montréal, Montréal, Québec
Actions:
AP129.S1.D7.P1
Description:
Cette série de projet documente le projet de Ouellet, Reeves, Alain, architectes pour la Garage Louis Colin de l'Université de Montréal, à Montréal, Québec. Le projet reporte la Médaille Massey en architecture en 1970 et le Concours pour ouvrage en béton, attestation de modèles canadiens remarquables en 1971. La série de projet est constitué de documents photographiques et textuels, ainsi que de dessins.
Garage Louis Colin, Université de Montréal, Montréal, Québec
Actions:
AP129.S1.D7.P1
Description:
Cette série de projet documente le projet de Ouellet, Reeves, Alain, architectes pour la Garage Louis Colin de l'Université de Montréal, à Montréal, Québec. Le projet reporte la Médaille Massey en architecture en 1970 et le Concours pour ouvrage en béton, attestation de modèles canadiens remarquables en 1971. La série de projet est constitué de documents photographiques et textuels, ainsi que de dessins.
Niveau de description archivistique:
Projet 1
Projet 1
Date:
1944-1998
1944-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S2.D46
Description:
Le dossier documente le projet de la Maison Choquette, une construction rédientielle neuve, située au Domaine Bousquet, rue Saint-Jacques, Sainte-Pie-de-Bagot, Québec. Le projet s'est mérité le Prix d'excellence de l'Ordre des architectes du Québec, Distinction en architecture, en 1981. Le dossier contient des dessins, des reprographies, une photographie, un album, des documents textuels et des panneaux.
AP066.S2.D46
Description:
Le dossier documente le projet de la Maison Choquette, une construction rédientielle neuve, située au Domaine Bousquet, rue Saint-Jacques, Sainte-Pie-de-Bagot, Québec. Le projet s'est mérité le Prix d'excellence de l'Ordre des architectes du Québec, Distinction en architecture, en 1981. Le dossier contient des dessins, des reprographies, une photographie, un album, des documents textuels et des panneaux.
Personnes et institutions:
Date:
1976-1981
1976-1981
Titre:
Maison Choquette
Actions:
AP066.S2.D46
Description:
Le dossier documente le projet de la Maison Choquette, une construction rédientielle neuve, située au Domaine Bousquet, rue Saint-Jacques, Sainte-Pie-de-Bagot, Québec. Le projet s'est mérité le Prix d'excellence de l'Ordre des architectes du Québec, Distinction en architecture, en 1981. Le dossier contient des dessins, des reprographies, une photographie, un album, des documents textuels et des panneaux.
Maison Choquette
Actions:
AP066.S2.D46
Description:
Le dossier documente le projet de la Maison Choquette, une construction rédientielle neuve, située au Domaine Bousquet, rue Saint-Jacques, Sainte-Pie-de-Bagot, Québec. Le projet s'est mérité le Prix d'excellence de l'Ordre des architectes du Québec, Distinction en architecture, en 1981. Le dossier contient des dessins, des reprographies, une photographie, un album, des documents textuels et des panneaux.
Niveau de description archivistique:
Projet
Projet
Date:
1976-1981
1976-1981
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S4.D4
Description:
Papers (1982-1985) relating to the exhibition "Work by Myron Goldsmith" mounted by the Harvard University Graduate School of Design from October 25th to November 14th, 1982. Included are drafts and final texts, and visuals (photos, slides) of the exhibition. Also assorted material concerning Harvard University and copies of the HGSD News bulletin. Goldsmith was Eliot Noyes visiting professor of architecture at Harvard from 1982-1983.
AP032.S4.D4
Description:
Papers (1982-1985) relating to the exhibition "Work by Myron Goldsmith" mounted by the Harvard University Graduate School of Design from October 25th to November 14th, 1982. Included are drafts and final texts, and visuals (photos, slides) of the exhibition. Also assorted material concerning Harvard University and copies of the HGSD News bulletin. Goldsmith was Eliot Noyes visiting professor of architecture at Harvard from 1982-1983.
Personnes et institutions:
Date:
1982-1985
1982-1985
Titre:
Work by Myron Goldsmith - Harvard University Exhibition
Actions:
AP032.S4.D4
Description:
Papers (1982-1985) relating to the exhibition "Work by Myron Goldsmith" mounted by the Harvard University Graduate School of Design from October 25th to November 14th, 1982. Included are drafts and final texts, and visuals (photos, slides) of the exhibition. Also assorted material concerning Harvard University and copies of the HGSD News bulletin. Goldsmith was Eliot Noyes visiting professor of architecture at Harvard from 1982-1983.
Work by Myron Goldsmith - Harvard University Exhibition
Actions:
AP032.S4.D4
Description:
Papers (1982-1985) relating to the exhibition "Work by Myron Goldsmith" mounted by the Harvard University Graduate School of Design from October 25th to November 14th, 1982. Included are drafts and final texts, and visuals (photos, slides) of the exhibition. Also assorted material concerning Harvard University and copies of the HGSD News bulletin. Goldsmith was Eliot Noyes visiting professor of architecture at Harvard from 1982-1983.
Niveau de description archivistique:
File 4
File 4
Date:
1982-1985
1982-1985
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP182.S2
Description:
Series consists of self-produced reference documentation about Studio Mumbai and the firm's work. It includes thirteen "red books"-- photobooks with numerous images ranging from shots of the working studio and images of completed projects, to seemingly random details of architecture and other objects of interest. The series also includes two videorecordings depicting various artisans at work creating models and other materials used by the studio.
AP182.S2
Description:
Series consists of self-produced reference documentation about Studio Mumbai and the firm's work. It includes thirteen "red books"-- photobooks with numerous images ranging from shots of the working studio and images of completed projects, to seemingly random details of architecture and other objects of interest. The series also includes two videorecordings depicting various artisans at work creating models and other materials used by the studio.
Personnes et institutions:
Date:
2010-2015
2010-2015
Titre:
Studio Mumbai
Actions:
AP182.S2
Description:
Series consists of self-produced reference documentation about Studio Mumbai and the firm's work. It includes thirteen "red books"-- photobooks with numerous images ranging from shots of the working studio and images of completed projects, to seemingly random details of architecture and other objects of interest. The series also includes two videorecordings depicting various artisans at work creating models and other materials used by the studio.
Studio Mumbai
Actions:
AP182.S2
Description:
Series consists of self-produced reference documentation about Studio Mumbai and the firm's work. It includes thirteen "red books"-- photobooks with numerous images ranging from shots of the working studio and images of completed projects, to seemingly random details of architecture and other objects of interest. The series also includes two videorecordings depicting various artisans at work creating models and other materials used by the studio.
Niveau de description archivistique:
Series 2
Series 2
Date:
2010-2015
2010-2015
Personnes et institutions:
