24946 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Fun Palace Project
Fun Palace Project
Numéro de référence:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Titre:
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Niveau de description archivistique:
File 46
File 46
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Personnes et institutions:
Date:
1983-2006
1983-2006
Titre:
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Niveau de description archivistique:
Series
Series
Date:
1983-2006
1983-2006
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP018.S1
Description:
The Architectural Projects series, 1945-1986, is the largest series in the fonds and documents the projects worked on by Parkin’s two firms throughout his career. These projects include built work, urban planning, proposals, competitions and feasibility studies. The majority of the projects were based in Toronto and the surrounding area, but projects from across Canada and some international projects in the Caribbean, Middle East, and Northern Africa are also included. These individual projects were identified and separated based on distinct project numbers assigned by the creating offices. The general numbering rule at the offices was two digits to represent the year, followed by two or three digits to represent the consecutive project number for that year (YY###). For instance the 7th project taken on in the year 1980 would be assigned the project number 8007. This chronological ordering has been respected in the arrangement of this series. These projects are recorded primarily through textual records and drawings, but some photographs, paintings, artefacts and one book are also included in this series. The amount of drawings and textual materials for the projects vary greatly. Materials for projects before 1971, from the firm John B. Parkin Associates, are very sparse, sometimes with only a few files or drawings representing a project. Materials after 1971, from the firm Parkin Architects Planners, are much more complete and often contain drawings from initial sketches to finished construction work. Among these drawings are plans, elevations, sections, details, perspectives, and mechanical, electrical and structural drawings. Textual records for these projects typically include correspondence, meeting minutes, specifications, site reports, consultancy files and other construction documentation. The photographic materials in this series often show construction progress and completed work. Also present are presentation panels with mounted drawings, photographs and paintings for some projects. The artefacts typically consist of material samples for construction. The textual records for projects are almost always in English, but some drawings are in French or are bilingual for projects commissioned by the Government of Canada. Although John C. Parkin is the creator of this series, the partners at his firms and other employees played a significant role as creators of the contents. Especially in the material from Parkin Architects Planners, the names of his partners such as J.B. Mar, P.H. Warren, D.L. Wilson, and L. Payne are often marked as authors of the materials.
AP018.S1
Description:
The Architectural Projects series, 1945-1986, is the largest series in the fonds and documents the projects worked on by Parkin’s two firms throughout his career. These projects include built work, urban planning, proposals, competitions and feasibility studies. The majority of the projects were based in Toronto and the surrounding area, but projects from across Canada and some international projects in the Caribbean, Middle East, and Northern Africa are also included. These individual projects were identified and separated based on distinct project numbers assigned by the creating offices. The general numbering rule at the offices was two digits to represent the year, followed by two or three digits to represent the consecutive project number for that year (YY###). For instance the 7th project taken on in the year 1980 would be assigned the project number 8007. This chronological ordering has been respected in the arrangement of this series. These projects are recorded primarily through textual records and drawings, but some photographs, paintings, artefacts and one book are also included in this series. The amount of drawings and textual materials for the projects vary greatly. Materials for projects before 1971, from the firm John B. Parkin Associates, are very sparse, sometimes with only a few files or drawings representing a project. Materials after 1971, from the firm Parkin Architects Planners, are much more complete and often contain drawings from initial sketches to finished construction work. Among these drawings are plans, elevations, sections, details, perspectives, and mechanical, electrical and structural drawings. Textual records for these projects typically include correspondence, meeting minutes, specifications, site reports, consultancy files and other construction documentation. The photographic materials in this series often show construction progress and completed work. Also present are presentation panels with mounted drawings, photographs and paintings for some projects. The artefacts typically consist of material samples for construction. The textual records for projects are almost always in English, but some drawings are in French or are bilingual for projects commissioned by the Government of Canada. Although John C. Parkin is the creator of this series, the partners at his firms and other employees played a significant role as creators of the contents. Especially in the material from Parkin Architects Planners, the names of his partners such as J.B. Mar, P.H. Warren, D.L. Wilson, and L. Payne are often marked as authors of the materials.
Personnes et institutions:
Date:
1945-1986
1945-1986
Titre:
Architectural projects
Actions:
AP018.S1
Description:
The Architectural Projects series, 1945-1986, is the largest series in the fonds and documents the projects worked on by Parkin’s two firms throughout his career. These projects include built work, urban planning, proposals, competitions and feasibility studies. The majority of the projects were based in Toronto and the surrounding area, but projects from across Canada and some international projects in the Caribbean, Middle East, and Northern Africa are also included. These individual projects were identified and separated based on distinct project numbers assigned by the creating offices. The general numbering rule at the offices was two digits to represent the year, followed by two or three digits to represent the consecutive project number for that year (YY###). For instance the 7th project taken on in the year 1980 would be assigned the project number 8007. This chronological ordering has been respected in the arrangement of this series. These projects are recorded primarily through textual records and drawings, but some photographs, paintings, artefacts and one book are also included in this series. The amount of drawings and textual materials for the projects vary greatly. Materials for projects before 1971, from the firm John B. Parkin Associates, are very sparse, sometimes with only a few files or drawings representing a project. Materials after 1971, from the firm Parkin Architects Planners, are much more complete and often contain drawings from initial sketches to finished construction work. Among these drawings are plans, elevations, sections, details, perspectives, and mechanical, electrical and structural drawings. Textual records for these projects typically include correspondence, meeting minutes, specifications, site reports, consultancy files and other construction documentation. The photographic materials in this series often show construction progress and completed work. Also present are presentation panels with mounted drawings, photographs and paintings for some projects. The artefacts typically consist of material samples for construction. The textual records for projects are almost always in English, but some drawings are in French or are bilingual for projects commissioned by the Government of Canada. Although John C. Parkin is the creator of this series, the partners at his firms and other employees played a significant role as creators of the contents. Especially in the material from Parkin Architects Planners, the names of his partners such as J.B. Mar, P.H. Warren, D.L. Wilson, and L. Payne are often marked as authors of the materials.
Architectural projects
Actions:
AP018.S1
Description:
The Architectural Projects series, 1945-1986, is the largest series in the fonds and documents the projects worked on by Parkin’s two firms throughout his career. These projects include built work, urban planning, proposals, competitions and feasibility studies. The majority of the projects were based in Toronto and the surrounding area, but projects from across Canada and some international projects in the Caribbean, Middle East, and Northern Africa are also included. These individual projects were identified and separated based on distinct project numbers assigned by the creating offices. The general numbering rule at the offices was two digits to represent the year, followed by two or three digits to represent the consecutive project number for that year (YY###). For instance the 7th project taken on in the year 1980 would be assigned the project number 8007. This chronological ordering has been respected in the arrangement of this series. These projects are recorded primarily through textual records and drawings, but some photographs, paintings, artefacts and one book are also included in this series. The amount of drawings and textual materials for the projects vary greatly. Materials for projects before 1971, from the firm John B. Parkin Associates, are very sparse, sometimes with only a few files or drawings representing a project. Materials after 1971, from the firm Parkin Architects Planners, are much more complete and often contain drawings from initial sketches to finished construction work. Among these drawings are plans, elevations, sections, details, perspectives, and mechanical, electrical and structural drawings. Textual records for these projects typically include correspondence, meeting minutes, specifications, site reports, consultancy files and other construction documentation. The photographic materials in this series often show construction progress and completed work. Also present are presentation panels with mounted drawings, photographs and paintings for some projects. The artefacts typically consist of material samples for construction. The textual records for projects are almost always in English, but some drawings are in French or are bilingual for projects commissioned by the Government of Canada. Although John C. Parkin is the creator of this series, the partners at his firms and other employees played a significant role as creators of the contents. Especially in the material from Parkin Architects Planners, the names of his partners such as J.B. Mar, P.H. Warren, D.L. Wilson, and L. Payne are often marked as authors of the materials.
Niveau de description archivistique:
Series
Series
Date:
1945-1986
1945-1986
Personnes et institutions:
Numéro de référence:
ARCH250583
Description:
- 1 copying stand de marque Minox dans sa boîte portant l'inscription "MINOX / Reprostativ - Copying Stand"; - 1 cuve pour le développement de films (film tank) de marque Minox; - 1 cuve pour charger les cassettes de films (load tank) de marque Eastman Kodak; - 1 ensemble de révélateur en poudre à grain fin de marque Minox dans sa boîte, 1 livret d'instruction pour une cuve de développement de films (film tank) de marque Minox, et des feuillets d'instruction; - 1 ensemble de 3 accessoires Minox pour reproduction, 4 feuillets d'instructions pour de l'équipement photographique de marque Minox, 1 miroir et un feuillet d'instructions pour une caméra Minox dans une boîte portant l'inscription "Finder Mirror for Minox B", 1 déclencheur souple, 1 lampe de projection (ampoule) dans une boîte de produit Fischer Minox, 2 fiches de notes manuscrites dans une boîte de produit Bolex Paillard portant l'inscription manuscrite "MINOX"; - 1 filtre rouge pour agrandisseur; - 1 lame de marque Stanley; - 1 accessoire de fabrication artisanale (qui sert à couper du film et qui irait avec la lame de marque Stanley); - 1 lampe inactinique de marque Kindermann; - 1 lampe inactique; - 4 pinces à film (sheet film developing hangers no. 6) de marque Eastman Kodak; - 1 transparency cutter de marque Minox dans sa boîte portant l'inscription "MINOX / Dia-Stanze / Transparency Cutter";
ARCH250583
Description:
- 1 copying stand de marque Minox dans sa boîte portant l'inscription "MINOX / Reprostativ - Copying Stand"; - 1 cuve pour le développement de films (film tank) de marque Minox; - 1 cuve pour charger les cassettes de films (load tank) de marque Eastman Kodak; - 1 ensemble de révélateur en poudre à grain fin de marque Minox dans sa boîte, 1 livret d'instruction pour une cuve de développement de films (film tank) de marque Minox, et des feuillets d'instruction; - 1 ensemble de 3 accessoires Minox pour reproduction, 4 feuillets d'instructions pour de l'équipement photographique de marque Minox, 1 miroir et un feuillet d'instructions pour une caméra Minox dans une boîte portant l'inscription "Finder Mirror for Minox B", 1 déclencheur souple, 1 lampe de projection (ampoule) dans une boîte de produit Fischer Minox, 2 fiches de notes manuscrites dans une boîte de produit Bolex Paillard portant l'inscription manuscrite "MINOX"; - 1 filtre rouge pour agrandisseur; - 1 lame de marque Stanley; - 1 accessoire de fabrication artisanale (qui sert à couper du film et qui irait avec la lame de marque Stanley); - 1 lampe inactinique de marque Kindermann; - 1 lampe inactique; - 4 pinces à film (sheet film developing hangers no. 6) de marque Eastman Kodak; - 1 transparency cutter de marque Minox dans sa boîte portant l'inscription "MINOX / Dia-Stanze / Transparency Cutter";
Personnes et institutions:
Titre:
Équipement photographique de laboratoire
Actions:
ARCH250583
Description:
- 1 copying stand de marque Minox dans sa boîte portant l'inscription "MINOX / Reprostativ - Copying Stand"; - 1 cuve pour le développement de films (film tank) de marque Minox; - 1 cuve pour charger les cassettes de films (load tank) de marque Eastman Kodak; - 1 ensemble de révélateur en poudre à grain fin de marque Minox dans sa boîte, 1 livret d'instruction pour une cuve de développement de films (film tank) de marque Minox, et des feuillets d'instruction; - 1 ensemble de 3 accessoires Minox pour reproduction, 4 feuillets d'instructions pour de l'équipement photographique de marque Minox, 1 miroir et un feuillet d'instructions pour une caméra Minox dans une boîte portant l'inscription "Finder Mirror for Minox B", 1 déclencheur souple, 1 lampe de projection (ampoule) dans une boîte de produit Fischer Minox, 2 fiches de notes manuscrites dans une boîte de produit Bolex Paillard portant l'inscription manuscrite "MINOX"; - 1 filtre rouge pour agrandisseur; - 1 lame de marque Stanley; - 1 accessoire de fabrication artisanale (qui sert à couper du film et qui irait avec la lame de marque Stanley); - 1 lampe inactinique de marque Kindermann; - 1 lampe inactique; - 4 pinces à film (sheet film developing hangers no. 6) de marque Eastman Kodak; - 1 transparency cutter de marque Minox dans sa boîte portant l'inscription "MINOX / Dia-Stanze / Transparency Cutter";
Équipement photographique de laboratoire
Actions:
ARCH250583
Description:
- 1 copying stand de marque Minox dans sa boîte portant l'inscription "MINOX / Reprostativ - Copying Stand"; - 1 cuve pour le développement de films (film tank) de marque Minox; - 1 cuve pour charger les cassettes de films (load tank) de marque Eastman Kodak; - 1 ensemble de révélateur en poudre à grain fin de marque Minox dans sa boîte, 1 livret d'instruction pour une cuve de développement de films (film tank) de marque Minox, et des feuillets d'instruction; - 1 ensemble de 3 accessoires Minox pour reproduction, 4 feuillets d'instructions pour de l'équipement photographique de marque Minox, 1 miroir et un feuillet d'instructions pour une caméra Minox dans une boîte portant l'inscription "Finder Mirror for Minox B", 1 déclencheur souple, 1 lampe de projection (ampoule) dans une boîte de produit Fischer Minox, 2 fiches de notes manuscrites dans une boîte de produit Bolex Paillard portant l'inscription manuscrite "MINOX"; - 1 filtre rouge pour agrandisseur; - 1 lame de marque Stanley; - 1 accessoire de fabrication artisanale (qui sert à couper du film et qui irait avec la lame de marque Stanley); - 1 lampe inactinique de marque Kindermann; - 1 lampe inactique; - 4 pinces à film (sheet film developing hangers no. 6) de marque Eastman Kodak; - 1 transparency cutter de marque Minox dans sa boîte portant l'inscription "MINOX / Dia-Stanze / Transparency Cutter";
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Personnes et institutions:
Date:
1957-2002
1957-2002
Titre:
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Classification:
archives
Niveau de description archivistique:
Collection 172
archives
Niveau de description archivistique:
Collection 172
Date:
1957-2002
1957-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Georg Lippsmeier
Collection Georg Lippsmeier
Numéro de référence:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Personnes et institutions:
Date:
1960s-2010
1960s-2010
Titre:
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1960s-2010
1960s-2010
Personnes et institutions:
Classification:
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
Titre:
V.S. Balikhin Archive
V.S. Balikhin Archive
Actions:
Numéro de référence:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
Personnes et institutions:
Sujet:
architecture, portrait, sculpture
architecture, portrait, sculpture
Date:
published before 15 September 1936
published before 15 September 1936
Titre:
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
Classification:
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
Date:
published before 15 September 1936
published before 15 September 1936
Personnes et institutions:
Sujet:
architecture, portrait, sculpture
architecture, portrait, sculpture
Actions:
Numéro de référence:
PH1978:0038:002
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (mostly fragments) of the models made for decoration of the Salon Théâtre, the dining room, the Salon d'Angle, the Galerie d'Introduction, the staircase of the library, the Salon de Famille and the Grands Appartements of the Minister of State; the Manège and the Grand staircase for the Pavillon Mollien of the New Louvre; the Galerie d'Apollon and the Grand staircase and Appartements des Tuileries.
PH1978:0038:002
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (mostly fragments) of the models made for decoration of the Salon Théâtre, the dining room, the Salon d'Angle, the Galerie d'Introduction, the staircase of the library, the Salon de Famille and the Grands Appartements of the Minister of State; the Manège and the Grand staircase for the Pavillon Mollien of the New Louvre; the Galerie d'Apollon and the Grand staircase and Appartements des Tuileries.
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Date:
1869-1871
1869-1871
Titre:
Palais du Louvre et des Tuileries. Motifs de décorations tirés des constructions exécutées au nouveau Louvre et au palais des Tuileries sous la direction de M.H.-M. Lefuel, architecte de l'empereur
Actions:
PH1978:0038:002
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (mostly fragments) of the models made for decoration of the Salon Théâtre, the dining room, the Salon d'Angle, the Galerie d'Introduction, the staircase of the library, the Salon de Famille and the Grands Appartements of the Minister of State; the Manège and the Grand staircase for the Pavillon Mollien of the New Louvre; the Galerie d'Apollon and the Grand staircase and Appartements des Tuileries.
Palais du Louvre et des Tuileries. Motifs de décorations tirés des constructions exécutées au nouveau Louvre et au palais des Tuileries sous la direction de M.H.-M. Lefuel, architecte de l'empereur
Actions:
PH1978:0038:002
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (mostly fragments) of the models made for decoration of the Salon Théâtre, the dining room, the Salon d'Angle, the Galerie d'Introduction, the staircase of the library, the Salon de Famille and the Grands Appartements of the Minister of State; the Manège and the Grand staircase for the Pavillon Mollien of the New Louvre; the Galerie d'Apollon and the Grand staircase and Appartements des Tuileries.
Date:
1869-1871
1869-1871
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Numéro de référence:
PH1979:0634:001-035
Description:
Album showing 35 captioned photographs of views in the Cypress Hills Cemetery in Long Island, New York, taken by the Pach (for Pach Brothers) photographic studio, located at 858 Broadway, NY. This first nonsectarian cemetery corporation was established in 1848. Within the boundaries of the Cypress Hills Cemetery, a large private cemetery in Brooklyn, a section of it was designated as the Cypress Hills National Cemetery in 1862, a military burial ground for soldiers of the American Civil War. The views in this album show the South Entrance to the Cypress Hills Cemetery, the Soldiers' Grounds "National Cemetery", the Delta Lake, the grounds of Ahawath Chesed Congregation and several memorials and tombstones in the cemetery.
PH1979:0634:001-035
Description:
Album showing 35 captioned photographs of views in the Cypress Hills Cemetery in Long Island, New York, taken by the Pach (for Pach Brothers) photographic studio, located at 858 Broadway, NY. This first nonsectarian cemetery corporation was established in 1848. Within the boundaries of the Cypress Hills Cemetery, a large private cemetery in Brooklyn, a section of it was designated as the Cypress Hills National Cemetery in 1862, a military burial ground for soldiers of the American Civil War. The views in this album show the South Entrance to the Cypress Hills Cemetery, the Soldiers' Grounds "National Cemetery", the Delta Lake, the grounds of Ahawath Chesed Congregation and several memorials and tombstones in the cemetery.
Personnes et institutions:
Sujet:
ornement
ornement
Date:
ca. 1875?
ca. 1875?
Titre:
Views in Cypress Hills Cemetery, Long Island New-York [sic]
Actions:
PH1979:0634:001-035
Description:
Album showing 35 captioned photographs of views in the Cypress Hills Cemetery in Long Island, New York, taken by the Pach (for Pach Brothers) photographic studio, located at 858 Broadway, NY. This first nonsectarian cemetery corporation was established in 1848. Within the boundaries of the Cypress Hills Cemetery, a large private cemetery in Brooklyn, a section of it was designated as the Cypress Hills National Cemetery in 1862, a military burial ground for soldiers of the American Civil War. The views in this album show the South Entrance to the Cypress Hills Cemetery, the Soldiers' Grounds "National Cemetery", the Delta Lake, the grounds of Ahawath Chesed Congregation and several memorials and tombstones in the cemetery.
Views in Cypress Hills Cemetery, Long Island New-York [sic]
Actions:
PH1979:0634:001-035
Description:
Album showing 35 captioned photographs of views in the Cypress Hills Cemetery in Long Island, New York, taken by the Pach (for Pach Brothers) photographic studio, located at 858 Broadway, NY. This first nonsectarian cemetery corporation was established in 1848. Within the boundaries of the Cypress Hills Cemetery, a large private cemetery in Brooklyn, a section of it was designated as the Cypress Hills National Cemetery in 1862, a military burial ground for soldiers of the American Civil War. The views in this album show the South Entrance to the Cypress Hills Cemetery, the Soldiers' Grounds "National Cemetery", the Delta Lake, the grounds of Ahawath Chesed Congregation and several memorials and tombstones in the cemetery.
Date:
ca. 1875?
ca. 1875?
Personnes et institutions:
Sujet:
ornement
ornement
Titre:
Letters 1970-74
Letters 1970-74
Numéro de référence:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Personnes et institutions:
Date:
ca. 1962-1985
ca. 1962-1985
Titre:
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Date:
ca. 1962-1985
ca. 1962-1985
Personnes et institutions:
