6554 Résultats
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.008
Description:
Includes reference slides on art history and architecture, includes slides of medieval paintings, classical architecture, modernism, post modernism, contemporary architecture, and radical architecture.
AP207.S4.008
Description:
Includes reference slides on art history and architecture, includes slides of medieval paintings, classical architecture, modernism, post modernism, contemporary architecture, and radical architecture.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.008
Description:
Includes reference slides on art history and architecture, includes slides of medieval paintings, classical architecture, modernism, post modernism, contemporary architecture, and radical architecture.
References slides used as teaching material
Actions:
AP207.S4.008
Description:
Includes reference slides on art history and architecture, includes slides of medieval paintings, classical architecture, modernism, post modernism, contemporary architecture, and radical architecture.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
George Rohault de Fleury
George Rohault de Fleury
Numéro de référence:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Personnes et institutions:
Date:
1866, 1874
1866, 1874
Titre:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Niveau de description archivistique:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP197.S1.SS9.023
Description:
This box contains the audio recordings of Kenneth Frampton's various lectures including: On regionalism (1983); Latin American Architecture: Contemporary Reflections 1929-1960; The Committee of Canadian Architectural Councils commencement (1999); and the Isms of Architecture.
AP197.S1.SS9.023
Description:
This box contains the audio recordings of Kenneth Frampton's various lectures including: On regionalism (1983); Latin American Architecture: Contemporary Reflections 1929-1960; The Committee of Canadian Architectural Councils commencement (1999); and the Isms of Architecture.
Personnes et institutions:
Date:
circa 1985-1995
circa 1985-1995
Titre:
Kenneth Frampton audio cassettes
Actions:
AP197.S1.SS9.023
Description:
This box contains the audio recordings of Kenneth Frampton's various lectures including: On regionalism (1983); Latin American Architecture: Contemporary Reflections 1929-1960; The Committee of Canadian Architectural Councils commencement (1999); and the Isms of Architecture.
Kenneth Frampton audio cassettes
Actions:
AP197.S1.SS9.023
Description:
This box contains the audio recordings of Kenneth Frampton's various lectures including: On regionalism (1983); Latin American Architecture: Contemporary Reflections 1929-1960; The Committee of Canadian Architectural Councils commencement (1999); and the Isms of Architecture.
Classification:
photographies
photographies
Date:
circa 1985-1995
circa 1985-1995
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0011:001-001
Description:
Spiral-bound volume including study sketches, primarily of landscape and architecture, with minimal accompanying notes. Contemporary to Melvin Charney's travels through Europe, northern Africa, and Asia Minor.
DR2012:0011:001-001
Description:
Spiral-bound volume including study sketches, primarily of landscape and architecture, with minimal accompanying notes. Contemporary to Melvin Charney's travels through Europe, northern Africa, and Asia Minor.
Personnes et institutions:
Date:
circa 1950-2010
circa 1950-2010
Titre:
Sketchbook of travels in Europe, northern Africa, and Asia Minor
Actions:
DR2012:0011:001-001
Description:
Spiral-bound volume including study sketches, primarily of landscape and architecture, with minimal accompanying notes. Contemporary to Melvin Charney's travels through Europe, northern Africa, and Asia Minor.
Sketchbook of travels in Europe, northern Africa, and Asia Minor
Actions:
DR2012:0011:001-001
Description:
Spiral-bound volume including study sketches, primarily of landscape and architecture, with minimal accompanying notes. Contemporary to Melvin Charney's travels through Europe, northern Africa, and Asia Minor.
Classification:
dessins
dessins
Date:
circa 1950-2010
circa 1950-2010
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.012
Description:
Includes reference slides on Alessandro Mendini's works, Memphis' groups (including Ettore Sotsass Senior), and Studio Alchimia's work (including Ettore Sotsass Senior), and various slides of contemporary architecture buildings.
AP207.S4.012
Description:
Includes reference slides on Alessandro Mendini's works, Memphis' groups (including Ettore Sotsass Senior), and Studio Alchimia's work (including Ettore Sotsass Senior), and various slides of contemporary architecture buildings.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.012
Description:
Includes reference slides on Alessandro Mendini's works, Memphis' groups (including Ettore Sotsass Senior), and Studio Alchimia's work (including Ettore Sotsass Senior), and various slides of contemporary architecture buildings.
References slides used as teaching material
Actions:
AP207.S4.012
Description:
Includes reference slides on Alessandro Mendini's works, Memphis' groups (including Ettore Sotsass Senior), and Studio Alchimia's work (including Ettore Sotsass Senior), and various slides of contemporary architecture buildings.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications
Publications
Numéro de référence:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Personnes et institutions:
Date:
1992-2018
1992-2018
Titre:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Niveau de description archivistique:
Series
Series
Date:
1992-2018
1992-2018
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Alessandro Poli
Fonds Alessandro Poli
Numéro de référence:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1963-1996
1963-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Melvin Charney
Fonds Melvin Charney
Numéro de référence:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Personnes et institutions:
Date:
1947-2012
1947-2012
Titre:
Fonds Melvin Charney
Actions:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Fonds Melvin Charney
Actions:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2012
1947-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
