14849 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Personnes et institutions:
Date:
1982-1986
1982-1986
Titre:
Outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville"
Actions:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville"
Actions:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Classification:
documents textuels
documents textuels
Date:
1982-1986
1982-1986
Personnes et institutions:
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
chercheur en résidence, Jonathan Massey, Modernisme, Ornement, Réforme, Cristal et Arabesque, Architecture moderne américaine, époque progressive (1893-1918)
chercheur en résidence, Jonathan Massey, Modernisme, Ornement, Réforme, Cristal et Arabesque, Architecture moderne américaine, époque progressive (1893-1918)
Date:
15 juin 2006
15 juin 2006
Classification:
événements
événements
Date:
15 juin 2006
15 juin 2006
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Numéro de référence:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Niveau de description archivistique:
Series
Series
Date:
1933-1934
1933-1934
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
George Rohault de Fleury
George Rohault de Fleury
Numéro de référence:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Personnes et institutions:
Date:
1866, 1874
1866, 1874
Titre:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Niveau de description archivistique:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Kenneth Frampton notebooks
Kenneth Frampton notebooks
Numéro de référence:
AP197.S1.SS9.008
Description:
This box contains notebooks with notes on various architects, subjects, and writings including Glenn Murcutt, Renzo Piano, Manuel de Sola Morales, and Modern Architecture: a Critical History.
AP197.S1.SS9.008
Description:
This box contains notebooks with notes on various architects, subjects, and writings including Glenn Murcutt, Renzo Piano, Manuel de Sola Morales, and Modern Architecture: a Critical History.
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Kenneth Frampton notebooks
Actions:
AP197.S1.SS9.008
Description:
This box contains notebooks with notes on various architects, subjects, and writings including Glenn Murcutt, Renzo Piano, Manuel de Sola Morales, and Modern Architecture: a Critical History.
Kenneth Frampton notebooks
Actions:
AP197.S1.SS9.008
Description:
This box contains notebooks with notes on various architects, subjects, and writings including Glenn Murcutt, Renzo Piano, Manuel de Sola Morales, and Modern Architecture: a Critical History.
Classification:
documents textuels
documents textuels
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
Personnes et institutions:
Date:
8 February 1952
8 February 1952
Titre:
Transcript and translation of a letter from Mario dal Fabbro to Pierre Jeanneret
Actions:
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
Transcript and translation of a letter from Mario dal Fabbro to Pierre Jeanneret
Actions:
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
Classification:
documents textuels
documents textuels
Date:
8 February 1952
8 February 1952
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.003
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.004 and AP206.S2.005. This file includes the following papers: “Education of an Architect bearing in mind the Economic, Cultural, and Technical needs of the Country,” 1970 "Architecture as a Career," 1970 "Introduction to the Exhibition of Theatre Architecture," speech delivered in 1961 “Presidential Address on the Occasion of the Inauguration of the Exhibition of International Modern Architecture Organised by the DPAA,” speech “On behalf of the Modern Architects Club," speech “Coordination of Works in Chandigarh” “The City Beautiful,” 1958
AP206.S2.003
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.004 and AP206.S2.005. This file includes the following papers: “Education of an Architect bearing in mind the Economic, Cultural, and Technical needs of the Country,” 1970 "Architecture as a Career," 1970 "Introduction to the Exhibition of Theatre Architecture," speech delivered in 1961 “Presidential Address on the Occasion of the Inauguration of the Exhibition of International Modern Architecture Organised by the DPAA,” speech “On behalf of the Modern Architects Club," speech “Coordination of Works in Chandigarh” “The City Beautiful,” 1958
Personnes et institutions:
Date:
1949-1974
1949-1974
Titre:
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.003
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.004 and AP206.S2.005. This file includes the following papers: “Education of an Architect bearing in mind the Economic, Cultural, and Technical needs of the Country,” 1970 "Architecture as a Career," 1970 "Introduction to the Exhibition of Theatre Architecture," speech delivered in 1961 “Presidential Address on the Occasion of the Inauguration of the Exhibition of International Modern Architecture Organised by the DPAA,” speech “On behalf of the Modern Architects Club," speech “Coordination of Works in Chandigarh” “The City Beautiful,” 1958
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.003
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.004 and AP206.S2.005. This file includes the following papers: “Education of an Architect bearing in mind the Economic, Cultural, and Technical needs of the Country,” 1970 "Architecture as a Career," 1970 "Introduction to the Exhibition of Theatre Architecture," speech delivered in 1961 “Presidential Address on the Occasion of the Inauguration of the Exhibition of International Modern Architecture Organised by the DPAA,” speech “On behalf of the Modern Architects Club," speech “Coordination of Works in Chandigarh” “The City Beautiful,” 1958
Classification:
documents textuels
documents textuels
Date:
1949-1974
1949-1974
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273522
Description:
File contains correspondence relating to various professional activities of Arthur Erickson, including the Oral History Project at the Dominion Modern, Museum of Modern Architecture and Design, a book project and a speaker series at Kwantlen University College.
ARCH273522
Description:
File contains correspondence relating to various professional activities of Arthur Erickson, including the Oral History Project at the Dominion Modern, Museum of Modern Architecture and Design, a book project and a speaker series at Kwantlen University College.
Personnes et institutions:
Date:
2005
2005
Titre:
Correspondence relating to various professional activities
Actions:
ARCH273522
Description:
File contains correspondence relating to various professional activities of Arthur Erickson, including the Oral History Project at the Dominion Modern, Museum of Modern Architecture and Design, a book project and a speaker series at Kwantlen University College.
Correspondence relating to various professional activities
Actions:
ARCH273522
Description:
File contains correspondence relating to various professional activities of Arthur Erickson, including the Oral History Project at the Dominion Modern, Museum of Modern Architecture and Design, a book project and a speaker series at Kwantlen University College.
Classification:
documents textuels
documents textuels
Date:
2005
2005
Personnes et institutions:
