1211 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Personnes et institutions:
Date:
1997
1997
Titre:
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Personnes et institutions:
Date:
1948-2012
1948-2012
Titre:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Niveau de description archivistique:
Series
Series
Date:
1948-2012
1948-2012
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP177.S2
Description:
This series contains additional CAD and 3D modeling work made by David Ruy for RUR Architecture in order to achieve the design of architectural elements of the Kansai-kan National Diet Library competition. Files are identified as parts or elements of the building such as “upper slab”, “pig” (term used for the theater), “topo[graphical] lines”, “spiral” (a part of the store), “diagram”, “catwalks”, “ramps”, etc. File names are similar to the ones found in AP177.S1, which could indicate that the files represent different versions of the digital drawings. Under the directory FINAL PLANS, file names suggest digital drawings presenting more substantial parts of the building such as “conference level”, “plan”, and “hanging volume”. Files were created using form*Z and Alias and were saved in FMZ, DXF and OBJ formats. Series also includes, in the “scans” directory, digitized images, in JPEG format, of manual drawings of the upper and lower slab with topographical lines, the spiral and the placing of support points.
AP177.S2
Description:
This series contains additional CAD and 3D modeling work made by David Ruy for RUR Architecture in order to achieve the design of architectural elements of the Kansai-kan National Diet Library competition. Files are identified as parts or elements of the building such as “upper slab”, “pig” (term used for the theater), “topo[graphical] lines”, “spiral” (a part of the store), “diagram”, “catwalks”, “ramps”, etc. File names are similar to the ones found in AP177.S1, which could indicate that the files represent different versions of the digital drawings. Under the directory FINAL PLANS, file names suggest digital drawings presenting more substantial parts of the building such as “conference level”, “plan”, and “hanging volume”. Files were created using form*Z and Alias and were saved in FMZ, DXF and OBJ formats. Series also includes, in the “scans” directory, digitized images, in JPEG format, of manual drawings of the upper and lower slab with topographical lines, the spiral and the placing of support points.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
David Ruy digital working files
Actions:
AP177.S2
Description:
This series contains additional CAD and 3D modeling work made by David Ruy for RUR Architecture in order to achieve the design of architectural elements of the Kansai-kan National Diet Library competition. Files are identified as parts or elements of the building such as “upper slab”, “pig” (term used for the theater), “topo[graphical] lines”, “spiral” (a part of the store), “diagram”, “catwalks”, “ramps”, etc. File names are similar to the ones found in AP177.S1, which could indicate that the files represent different versions of the digital drawings. Under the directory FINAL PLANS, file names suggest digital drawings presenting more substantial parts of the building such as “conference level”, “plan”, and “hanging volume”. Files were created using form*Z and Alias and were saved in FMZ, DXF and OBJ formats. Series also includes, in the “scans” directory, digitized images, in JPEG format, of manual drawings of the upper and lower slab with topographical lines, the spiral and the placing of support points.
David Ruy digital working files
Actions:
AP177.S2
Description:
This series contains additional CAD and 3D modeling work made by David Ruy for RUR Architecture in order to achieve the design of architectural elements of the Kansai-kan National Diet Library competition. Files are identified as parts or elements of the building such as “upper slab”, “pig” (term used for the theater), “topo[graphical] lines”, “spiral” (a part of the store), “diagram”, “catwalks”, “ramps”, etc. File names are similar to the ones found in AP177.S1, which could indicate that the files represent different versions of the digital drawings. Under the directory FINAL PLANS, file names suggest digital drawings presenting more substantial parts of the building such as “conference level”, “plan”, and “hanging volume”. Files were created using form*Z and Alias and were saved in FMZ, DXF and OBJ formats. Series also includes, in the “scans” directory, digitized images, in JPEG format, of manual drawings of the upper and lower slab with topographical lines, the spiral and the placing of support points.
Niveau de description archivistique:
Series
Series
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Kaiman Lee fonds
Kaiman Lee fonds
Numéro de référence:
AP222
Résumé:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
AP222
Résumé:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Personnes et institutions:
Date:
circa 1965 - 2006
circa 1965 - 2006
Titre:
Kaiman Lee fonds
Actions:
AP222
Résumé:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Kaiman Lee fonds
Actions:
AP222
Résumé:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1965 - 2006
circa 1965 - 2006
Personnes et institutions:
Classification:
né numérique, photographies
Quantité:
16 File
né numérique, photographies
Quantité:
16 File
Numéro de référence:
ARCH273393
Description:
Includes 1 CD-ROM containing digitized versions of the original photographs.
ARCH273393
Description:
Includes 1 CD-ROM containing digitized versions of the original photographs.
Personnes et institutions:
Date:
after 1958
after 1958
Titre:
Photographs of Arthur Erickson and others at the Filberg House in Comox, B.C..
Actions:
ARCH273393
Description:
Includes 1 CD-ROM containing digitized versions of the original photographs.
Photographs of Arthur Erickson and others at the Filberg House in Comox, B.C..
Actions:
ARCH273393
Description:
Includes 1 CD-ROM containing digitized versions of the original photographs.
Classification:
né numérique, photographies
Quantité:
16 File
né numérique, photographies
Quantité:
16 File
Date:
after 1958
after 1958
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
11 novembre 2010 au 6 février 2011
11 novembre 2010 au 6 février 2011
Titre:
ERREUR 404 : l’objet n’est pas en ligne
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
ERREUR 404 : l’objet n’est pas en ligne
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Classification:
expositions
expositions
Date:
11 novembre 2010 au
6 février 2011
11 novembre 2010 au
6 février 2011
Localisation:
Salle octogonale
Salle octogonale
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH284329
Description:
A digitized version of this thesis, with a slightly variant title, can be found in McGill University’s institutional digital repository
ARCH284329
Description:
A digitized version of this thesis, with a slightly variant title, can be found in McGill University’s institutional digital repository
Personnes et institutions:
Date:
March 1974
March 1974
Titre:
Master's thesis by J.J. Boon about building project at Saddle Lake, Alberta
Actions:
ARCH284329
Description:
A digitized version of this thesis, with a slightly variant title, can be found in McGill University’s institutional digital repository
Master's thesis by J.J. Boon about building project at Saddle Lake, Alberta
Actions:
ARCH284329
Description:
A digitized version of this thesis, with a slightly variant title, can be found in McGill University’s institutional digital repository
Classification:
documents textuels
documents textuels
Date:
March 1974
March 1974
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Personnes et institutions:
Date:
1974-2006
1974-2006
Titre:
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Niveau de description archivistique:
Series
Series
Date:
1974-2006
1974-2006
Personnes et institutions:
Classification:
dessins, photographies
Quantité:
8 printout(s)
dessins, photographies
Quantité:
8 printout(s)
Numéro de référence:
ARCH263523
Description:
Interior and exterior views of Newporter Resort Hotel. Interior of Ridgway office. Digitized image of a pencil and watercolour study of guest units for the Desert Gardens project.
ARCH263523
Description:
Interior and exterior views of Newporter Resort Hotel. Interior of Ridgway office. Digitized image of a pencil and watercolour study of guest units for the Desert Gardens project.
Personnes et institutions:
Titre:
Interior and exterior views of Newporter Resort Hotel
Actions:
ARCH263523
Description:
Interior and exterior views of Newporter Resort Hotel. Interior of Ridgway office. Digitized image of a pencil and watercolour study of guest units for the Desert Gardens project.
Interior and exterior views of Newporter Resort Hotel
Actions:
ARCH263523
Description:
Interior and exterior views of Newporter Resort Hotel. Interior of Ridgway office. Digitized image of a pencil and watercolour study of guest units for the Desert Gardens project.
Classification:
dessins, photographies
Quantité:
8 printout(s)
dessins, photographies
Quantité:
8 printout(s)
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.1961.PR02.009
Description:
Original file title: Desenhos Note that the numbers on the drawings beginning in PM 14 or PDF 03 were placed there by the office prior to transfer to the CCA. The numbers indicate that these drawings were digitized by the office.
AP178.S1.1961.PR02.009
Description:
Original file title: Desenhos Note that the numbers on the drawings beginning in PM 14 or PDF 03 were placed there by the office prior to transfer to the CCA. The numbers indicate that these drawings were digitized by the office.
Personnes et institutions:
Date:
1966-1973
1966-1973
Titre:
Plans, Piscina de Marés, Leça da Palmeira
Actions:
AP178.S1.1961.PR02.009
Description:
Original file title: Desenhos Note that the numbers on the drawings beginning in PM 14 or PDF 03 were placed there by the office prior to transfer to the CCA. The numbers indicate that these drawings were digitized by the office.
Plans, Piscina de Marés, Leça da Palmeira
Actions:
AP178.S1.1961.PR02.009
Description:
Original file title: Desenhos Note that the numbers on the drawings beginning in PM 14 or PDF 03 were placed there by the office prior to transfer to the CCA. The numbers indicate that these drawings were digitized by the office.
Classification:
dessins
dessins
Date:
1966-1973
1966-1973
Personnes et institutions:
