5709 Résultats
Classification:
événements
événements
Actions:
Description:
Enrico Chapel, architecte et urbaniste, effectue des recherches sur les ramifications des datascapes contemporains afin de les contextualiser dans le cadre d’une histoire de la représentation urbaine. Cliquez ici pour consulter la liste complète des séminaires de l’été.
Enrico Chapel, architecte et urbaniste, effectue des recherches sur les ramifications des datascapes contemporains afin de les contextualiser dans le cadre d’une histoire de la représentation urbaine. Cliquez ici pour consulter la liste complète des séminaires de l’été.
Date:
1 juillet 2010
1 juillet 2010
Titre:
Séminaire de chercheur en résidence : Enrico Chapel
Actions:
Description:
Enrico Chapel, architecte et urbaniste, effectue des recherches sur les ramifications des datascapes contemporains afin de les contextualiser dans le cadre d’une histoire de la représentation urbaine. Cliquez ici pour consulter la liste complète des séminaires de l’été.
Séminaire de chercheur en résidence : Enrico Chapel
Actions:
Description:
Enrico Chapel, architecte et urbaniste, effectue des recherches sur les ramifications des datascapes contemporains afin de les contextualiser dans le cadre d’une histoire de la représentation urbaine. Cliquez ici pour consulter la liste complète des séminaires de l’été.
Classification:
événements
événements
Date:
1 juillet 2010
1 juillet 2010
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Personnes et institutions:
Date:
1998-2014
1998-2014
Titre:
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2014
1998-2014
Personnes et institutions:
Classification:
photographies
Quantité:
14 File
photographies
Quantité:
14 File
Numéro de référence:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Personnes et institutions:
Date:
1967
1967
Titre:
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Classification:
photographies
Quantité:
14 File
photographies
Quantité:
14 File
Date:
1967
1967
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
articles
articles
Actions:
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Mot(s)-clé(s):
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
Publié:
10 juillet 2023
10 juillet 2023
Titre:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings executed in 1839, prints executed in 1838
drawings executed in 1839, prints executed in 1838
Titre:
Album of plans, elevations and sections for the Théâtre-Italien, rue de la Paix, Paris
Actions:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
Album of plans, elevations and sections for the Théâtre-Italien, rue de la Paix, Paris
Actions:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed in 1839, prints executed in 1838
drawings executed in 1839, prints executed in 1838
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Titre:
Kenneth Frampton writings M
Kenneth Frampton writings M
Numéro de référence:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Personnes et institutions:
Date:
circa 1980-2016
circa 1980-2016
Titre:
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Classification:
documents textuels
documents textuels
Date:
circa 1980-2016
circa 1980-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Date:
11 octobre 1995 au 4 février 1996
11 octobre 1995 au 4 février 1996
Titre:
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Classification:
expositions
expositions
Date:
11 octobre 1995 au
4 février 1996
11 octobre 1995 au
4 février 1996
