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Titre:
Friedlander first 50
Friedlander first 50
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$75.00
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s(...)
$75.00
(disponible en magasin)
Résumé:
Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s(...)
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Friedlander first 50
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$75.00
(disponible en magasin)
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who together co-published the book.
Friedlander first 50
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$75.00
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who together co-published the book.
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livres
livres
Publication:
octobre 2019
octobre 2019
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Monographies photo
Monographies photo
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archives
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2 videocassettes (Hi-8) (approximately 225 min.) : sound, color ; 8 mm master, 3 audiocassettes (DAT) (approximately 225 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape....
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2 videocassettes (Hi-8) (approximately 225 min.) : sound, color ; 8 mm master, 3 audiocassettes (DAT) (approximately 225 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape....
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Espace public et privé : la politique, l'économie, le design et la présence humaine = Public and private space : politics, economics, design, and the body : recordings, 1996.
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2 videocassettes (Hi-8) (approximately 225 min.) : sound, color ; 8 mm master, 3 audiocassettes (DAT) (approximately 225 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape....
Espace public et privé : la politique, l'économie, le design et la présence humaine = Public and private space : politics, economics, design, and the body : recordings, 1996.
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2 videocassettes (Hi-8) (approximately 225 min.) : sound, color ; 8 mm master, 3 audiocassettes (DAT) (approximately 225 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape....
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archives
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
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L'idée du visuel : propos sur la découverte progressive : recordings, 1997.
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
L'idée du visuel : propos sur la découverte progressive : recordings, 1997.
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
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127 pages : illustrations (some color) ; 29 cm
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127 pages : illustrations (some color) ; 29 cm
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New York : Museum of Modern Art : Distributed by H.N. Abrams, ©1991.
New York : Museum of Modern Art : Distributed by H.N. Abrams, ©1991.
Titre:
Pleasures and terrors of domestic comfort / Peter Galassi.
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127 pages : illustrations (some color) ; 29 cm
Pleasures and terrors of domestic comfort / Peter Galassi.
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127 pages : illustrations (some color) ; 29 cm
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New York : Museum of Modern Art : Distributed by H.N. Abrams, ©1991.
New York : Museum of Modern Art : Distributed by H.N. Abrams, ©1991.
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livres
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$100.00
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Résumé:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
$100.00
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Résumé:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
Titre:
Lee Friedlander : sticks and stones, architectural America
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In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
Lee Friedlander : sticks and stones, architectural America
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$100.00
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Résumé:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
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livres
livres
Publication:
octobre 2004, New York
octobre 2004, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Friedlander
Friedlander
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$97.50
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Résumé:
Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
$97.50
(disponible sur commande)
Résumé:
Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
Titre:
Friedlander
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$97.50
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
Friedlander
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$97.50
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Résumé:
Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
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livres
livres
Publication:
juin 2005, New York
juin 2005, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$94.00
(disponible en magasin)
Résumé:
In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of(...)
$94.00
(disponible en magasin)
Résumé:
In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of(...)
Titre:
Lee Friedlander framed by Joel Coen
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$94.00
(disponible en magasin)
Résumé:
In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing?his splitting, splintering, repeating, fracturing and reassembling elements into new and impossible compositions," Coen writes. Featuring work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including ''The American Monument,'' ''America by Car,'' ''The Little Screens'' and others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists: "they both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder."
Lee Friedlander framed by Joel Coen
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$94.00
(disponible en magasin)
Résumé:
In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing?his splitting, splintering, repeating, fracturing and reassembling elements into new and impossible compositions," Coen writes. Featuring work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including ''The American Monument,'' ''America by Car,'' ''The Little Screens'' and others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists: "they both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder."
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$60.00
(disponible sur commande)
Résumé:
Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
$60.00
(disponible sur commande)
Résumé:
Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
Titre:
Lee Friedlander: America by car
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
Lee Friedlander: America by car
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$60.00
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Résumé:
Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
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livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$125.00
(disponible sur commande)
Résumé:
In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American(...)
$125.00
(disponible sur commande)
Résumé:
In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American(...)
Titre:
Lee Friedlander: the mind and the hand
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$125.00
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In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, "The Mind and the Hand" presents the photographer’s intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject.
Lee Friedlander: the mind and the hand
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$125.00
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Résumé:
In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, "The Mind and the Hand" presents the photographer’s intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Monographies photo
Monographies photo
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xvii, 86 pages : illustrations (some color) ; 21 x 23 cm.
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xvii, 86 pages : illustrations (some color) ; 21 x 23 cm.
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Baltimore : Johns Hopkins University Press, [1998], ©1998
Baltimore : Johns Hopkins University Press, [1998], ©1998
Titre:
The nature of photographs / Stephen Shore.
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xvii, 86 pages : illustrations (some color) ; 21 x 23 cm.
The nature of photographs / Stephen Shore.
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xvii, 86 pages : illustrations (some color) ; 21 x 23 cm.
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livres
livres
Publication:
Baltimore : Johns Hopkins University Press, [1998], ©1998
Baltimore : Johns Hopkins University Press, [1998], ©1998
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